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Poetry Project

Poetry Project. E. L. Ms. Knuth 5 th Hour 18 Nov 2013. Friends help you connect with people in quirky ways, make someone better, march forward, be open-minded. Newspaper Blackout Poem. Switch your wild heart over Surface her lofty feelings Stay as the time slips. A vision for the future.

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Poetry Project

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  1. Poetry Project E. L. Ms. Knuth 5th Hour 18 Nov 2013

  2. Friends help you connect with people in quirky ways, make someone better, march forward, be open-minded Newspaper Blackout Poem

  3. Switch your wild heart over Surface her lofty feelings Stay as the time slips A vision for the future Haiku

  4. Numerous talents Innovative Keen Intelligent Tactful Humorous Artistic Acrostic

  5. Whoa-oh-oh, oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh Whoa-oh-oh, oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh The door slammed loud and rose up a cloud of dust on us Footsteps follow, down through the hollow sound, torn up And you will go to Mykonos With a vision of a gentle coast And a sun to maybe dissipate Shadows of the mess you made Whoa-oh-oh, oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh Whoa-oh-oh, oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh How did any holes in the snow-tipped pines, I find Hatching from the seed of your thin mind, all night And you will go to Mykonos With a vision of a gentle coast And a sun to maybe dissipate Shadows of the mess you made Whoa-oh-oh, oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh Whoa-oh-oh, oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh, oh-oh-oh repetition Sound, rhythm assonance sight rhythm repetition Assonance, rhythm Song Lyrics Mykonos By Fleet Foxes

  6. repetition Oh-oh-oh-oh-oh Oh-oh-oh-oh-oh Oh-oh-oh-oh-oh Brother, you don't need to turn me away I was waiting down at the ancient gate You go wherever you go today You go today I remember how they took you down As the winter turned the meadow brown You go wherever you go today You go today When out walking, brother, don't you forget It ain't often that you'll ever find a friend (You go wherever you go today You go today) X6 Assonance allusion repetition rhyme sight assonance

  7. memory ask me to tell how it feels remembering your mother’s face turned to water under the white words of the man at the shoe store. ask me, though she tells it better than i do not because of her charm but because it never happened she says, no bully salesman swaggering, no rage, no shame, none of it ever happened. i only remember buying you your first grown up shoes she smiles. Ask me how it feels. Lucille Clifton

  8. Tears. by Walt Whitman TEARS! tears! tears! In the night, in solitude, tears; On the white shore dripping, dripping, suck’d in by the sand; Tears—not a star shining—all dark and desolate; Moist tears from the eyes of a muffled head: —O who is that ghost?—that form in the dark, with tears? What shapeless lump is that, bent, crouch’d there on the sand? Streaming tears—sobbing tears—throes, choked with wild cries; O storm, embodied, rising, careering, with swift steps along the beach; O wild and dismal night storm, with wind! O belching and desperate! O shade, so sedate and decorous by day, with calm countenance and regulated pace; But away, at night, as you fly, none looking—O then the unloosen’d ocean, Of tears! tears! tears!

  9. Those Winter Sundays by Robert Hayden Sundays too my father got up early and put his clothes on in the blueblack cold, then with cracked hands that ached from labor in the weekday weather made banked fires blaze. No one ever thanked him. I'd wake and hear the cold splintering, breaking. When the rooms were warm, he'd call, and slowly I would rise and dress, fearing the chronic angers of that house, Speaking indifferently to him, who had driven out the cold and polished my good shoes as well. What did I know, what did I know of love's austere and lonely offices?

  10. Once in the 40's by William Stafford We were alone one night on a long road in Montana. This was in winter, a big night, far to the stars. We had hitched, my wife and I, and left our ride at a crossing to go on. Tired and cold--but brave--we trudged along. This, we said, was our life, watched over, allowed to go where we wanted. We said we'd come back some time when we got rich. We'd leave the others and find a night like this, whatever we had to give, and no matter how far, to be so happy again.

  11. Clearing at Dawn The fields are chill, the sparse rain has stopped; The colours of Spring teem on every side. With leaping fish the blue pond is full; With singing thrushes the green boughs droop. The flowers of the field have dabbled their powdered cheeks; The mountain grasses are bent level at the waist. By the bamboo stream the last fragment of cloud Blown by the wind slowly scatters away. Li Po tr. Waley

  12. Meadow at dusk The ground is damp, the light snow has ceased; The white of winter blinds every tree With hollow footprints the ground is filled; With heavy snow the branches bow The stars of the night have colored the sky; The wild shrubs are rounded by winter’s effect By the birch tree the last green of fall Covered by white slowly dies. An imitation of Clearing at Dawn by Li Po

  13. I chose “Clearing at Dawn” because I wanted to write a poem about nature or a season. With it nearing winter, I chose to change the poem to be about winter. At first I found it hard because “Clearing at Dawn” is set in the spring when there are many colors and lots of life. Winter is an obvious contrast. Eventually, I realized I could use the differences for extra effect. For example: “With singing thrushes the green boughs droop.” “With heavy snow the branches bow” These show the differences of the two seasons while still referring to the same topic, which in this case is weight on branches. Reflection on Imitation

  14. I have enjoyed a week of poetry. I discovered many new poets I will now keep an eye on. My favorite from this week is Li Po. I was disappointed I was unable to read more Emily Dickinson but am glad I branched out. I normally prefer poems about nature and animals, but this week I read more poems about life, a very broad subject, and enjoyed them. Blackout poetry is something I like to do now; I find it more fun than reading the chaos of the world. I appreciate the haikubes because the idea of writing a haiku without any set topic or direction frightens me. I liked having options of words to use, but still feeling like there was structure. I still am confused by some poems, but I feel that everyone is unsure of the true meaning because poetry is like art: it can mean different things to different people at different times. I don’t think I’ve experienced enough yet to make sense of everything I have read. I appreciate having a week to be creative and learn more poetry. Reflection

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