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Narrative Structure

Narrative Structure. Chapter 6. Script- (screenplay) furnishes the basic structure of the story and the dramatic action that the filmmakers transform into picture and sound. The script does not tell the director how to shoot the film!

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Narrative Structure

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  1. Narrative Structure Chapter 6

  2. Script- (screenplay) furnishes the basic structure of the story and the dramatic action that the filmmakers transform into picture and sound. • The script does not tell the director how to shoot the film! • Narrative is constructed according to the director’s creative vision. • Script may go through many revisions

  3. 3 Elements of the Narrative • The narrative exists as an understanding between viewers and filmmakers about how the story should be judged. • Fictive stance-the suspension of disbelief that accompanies a fictional film. • Genre expectation- Often the audience is familiar with the progression of narrative of certain genres.

  4. Viewer’s contribution to the narrative • Suspense- is the technique that depends on giving the viewer information. The viewers are privy to certain information that the character does not know. • Surprise-depends on withholding information, where the audiences is shocked.

  5. 3 Elements of the Narrative • A story and plot sequencing events into a particular order that forms a narrative. • Story-designates the larger set of events of which the plot is a subset. • Plot-refers to the sequence of events as shown in a given film Example: Groundhog Day

  6. 3 Elements of the Narrative • In some films the plot and the story have little structural distinction: • Hollywood narratives often present narratives in chronological order; linear progression of events. • Causality • Flashbacks can change the sequencing of the story through non-linear progression of plot points.

  7. Anti-narratives- a narrative style that tends, paradoxically toward eliminating linear narrative by employing lots of plot digression, avoiding a clear hierarchy of narrative events and by suppressing the causal connections among events. • Ex: Memento

  8. 3 Elements of the Narrative • Authorship and Point-of-View Who is the real author of the film? Real vs. Implied authorship Real authorship- the screenwriter Implied Authorship- the director • Is there a clear distinction?

  9. Point-of-View Literary definition (POV) • “I”= first person • He/She= third person

  10. Point-of-View How is POV displayed in film? • Character literal point of view shown through the use of a subjective shot: • Displays character POV: explicit way EX: sequence shot from Strange Days • Lady of the Lake; completely in first person explicit way; failed at box office main character is never seen!

  11. Point-of-View • The majority of scenes of the narratives use: • Third person (POV)- Camera assumes a point of view that is detached and separate from the literal point of view. • Master Shot • Documentaries or Documentary style • M*A*S*H master then zooms. Few CU’s & SRS series

  12. Point-of-View • Some films signal a shift from third person to first for sections of scenes. • Show character; than cut to a shot of what the character is looking at. • Example: Master shot then close-ups (S-R-S Series)

  13. Classical Hollywood Narrative • Explicit causality- one event causes another the narrative progresses in tight causal relationships. • Events are concluded at the end; usually in a positive manner. (Old Hollywood) • New Hollywood likes “bummer” endings

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