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Comparative Arts

Comparative Arts. Roman Civilization October, 2010. The Roman Empire Inherited its art, literature, philosophy, religious life from the Greek Empire

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Comparative Arts

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  1. Comparative Arts Roman Civilization October, 2010

  2. The Roman Empire • Inherited its art, literature, philosophy, religious life from the Greek Empire • “ Although the Romans conquered the Greeks militarily and politically, the Greeks conquered the Romans artistically and culturally.” (p. 100, text book) • Roman writers rarely made reference to Roman artists, but instead wrote about the Greek masters. • Greeks colonized the southern coastal regions of the Italian peninsula and Sicily – the Romans then adopted this Hellenistic culture • Romans referred to the Greeks as the ‘ancients’, as Greek art already had the authority of antiquity for the Romans. They imported Greek art (marbles, vases and bronzes), Greek artists, and commissioned copies of Greek art. • Romans were even more ambitious than the Greeks in spreading their culture around their massive empire • Produced remarkable achievements: advanced politics, law, engineering, architecture

  3. Why did Rome – one city among many – become one of the most powerful cities in the ancient world? Early Rome, 200 BC

  4. Why did Rome – one city among many – become one of the most powerful cities in the ancient world? Early Rome, 200 BC -strategic location on the banks of the Tiber River in central Italy, between Etruscan settlements in the north and Greek colonies in the south – trade route between civilizations

  5. Ancient Rome’s Etruscan roots -Etruscans occupied part of Italy now called Tuscany -they had a strong influence on Roman culture -most of what we know about Etruscans comes from what we have found in their tombs Cerveteri tombs -tombs of Etruscan families that replicate a Etruscan home in stone (even pillows and pets)

  6. Wife and Husband tomb, Cerveteri (Etruscan), terra cotta -once painted in bright colors -indicates equality between genders: husband and wife reclining together, smiling, animated hands, reminiscent in style of archaic (pre-classical Greek sculptures)

  7. Capitoline She-Wolf, 500 BCE, bronze -classic Etruscan metalwork, a popular export item -this sculpture has become the symbol of Rome, depicting the founders, Romulus and Remus

  8. Romans made Doric columns taller and slimmer and gave them a base. The leaves of the Corinthian columns were combined with the volutes of the Ionic columns to create the composite order. Romans mixed styles freely, even on the same building and used the elaborate Corinthian style the most and the Doric the least – the opposite of the Greeks.

  9. While Romans greatly admired Greek art, there are many differences. Some of the divergences between Greek and Roman art include: -scale – Romans were impressed by size -modified the Doric, Ionic and Corinthian columns -Romans developed the use of concrete -did not entirely copy Greek architecture, but blended it with Etruscan

  10. The Roman temple ‘Fortuna Virilis’, 1st century BCE -Etruscan elements: raised platform or podium, entry at one end only by ascending a flight of stairs, a front porch taking up 1/3 of the podium Model of an Etruscan temple -mud-brick walls and wood columns – nothing has survived of Etruscan temples except the foundations -to some extent a modification of a Greek temple, except for the high flight of stairs on one side only, deeper porch, wider roof

  11. Greek Parthenon Rectangular plan, raised podium, peeked roof, steps on all four sides, small porch

  12. Temple of Vesta, 80 BCE Unlike Greeks, Romans built many circular temples, which were built of concrete and faced with stone or brick. Note the tall and slender columns.

  13. Pont du Gard, Nimes, France, 100 BCE – 100CE -The most famous and best preserved Roman aqueduct -once carried 44 million gallons of water / day

  14. The water travelled 50 km for use in homes, fountains, public baths No mortar or clamps used!

  15. Ancient Romans commissioned much sculpture for public places, homes, temples, tombs, etc. Unlike Greeks, they did not focus on gods, goddesses and heroes, but on individual people, especially political figures. This sculpture indicates the emphasis ancient Romans placed on lineage and on capturing the likeness of actual people, rather than indicating an ideal or type. In fact, Romans loved realism so much that wax masks were made of the recently dead to aid in the making of realistic sculptures. A Roman Patrician with Busts of his Ancestors, 1st century BCE

  16. Portrait bust of Julius Caesar

  17. The Colosseum, Rome, 80 CE -type of building developed by Romans -accommodated 50,000 people – no bad seats! -an awning would have been stretched out over much of the seating -supporting structure made of concrete, exterior stone was travertine (limestone)

  18. Describe the columns used

  19. How do Roman Colosseums differ from Greek amphitheatres?

  20. Arles, France Built after Colosseumin Rome

  21. Pantheon, Rome 118-25 CE -dedicated to ‘all the gods’ (literally, pantheon) How does this temple differ from Greek temples?

  22. The Forum, Rome – a forum was a public area around which the most important structures were located: royal residence, temples and shrines, markets, the Senate House, government offices, memorials, statues -the Forum became the economic hub of the city of Rome and the center of the Roman Empire -the area was expanded and renovated during the peak of the Roman Empire and transformed in the subsequent centuries: 5th- 8th century CE – old government buildings and temples transformed into Christian churches, after the 8th century many buildings dismantled to be used as building materials in nearby castles, 13th century the Forum was a dumping ground

  23. The Forum, 1742 Artists in the 15th century were drawn to painting the Forum and copying ancient inscriptions. In the early 1800s the Forum began to be excavated and what we see today is a mix of architectural remnants from various ages.

  24. War: what is it good for? • Caesar Augustus gained control of the Roman Empire in 27 BCE. Together with his wife, Livia, he created the conditions for a long period of peace and stability in the empire that lasted 200 years. • An active builder, restored 82 temples in a year and boasted: “I found Rome a city of brick, and left it a city of marble.” • Roman armies were dispatched across the empire, but did not need to fight wars because of the Roman Peace, or PaxRomana. • Instead of fighting, the armies built incredible public works: aqueducts, theatres, libraries, marketplaces, colosseums, and roads. • Trade increased and economic prosperity spread = Rome’s Golden Age and pinnacle of Roman cultural accomplishment.

  25. Rome: spreading itself thin? • By 180 CE, the Roman Empire had grown to enormous proportions: included Spain, the Persian Gulf in the Middle East, Britain, the Rhine River, Egypt, the Sahara Desert • 1,750,000 square miles! • 50 million people!

  26. Instability and decline • The Roman Republic, which lasted 500 years, was weakened by wars and transformed into the Roman Empire • Julius Caesar appointed himself as ‘Perpetual Dictator’ in 44 BCE • Between 235 and 284 CE, 25/26 emperors were murdered! • Extremely unstable time, constant wars, a plague ravaged Rome • Constantine seized control of the empire in 324, and moved the capital from Rome to the port city of Byzantium, which he renamed Constantinople • Rome no longer Europe’s cultural center • Due to the Roman Empire’s vast territory and longevity, there are lasting influences on many cultures even today, especially in the areas of language (Latin is the root for Italian, Spanish and French), architecture, law, philosophy, and government

  27. (Roman Civilization continued)Pompeii • The city of Pompeii provides us with rich insights into everyday Roman culture and society because of its preservation after volcanic eruption in 79 CE. • Pompeii was a seaside Roman town on the slopes of Mount Vesuvius. • The harden lava covering the city perfectly preserved Pompeii, not only preserving the urban fabric of the city, buildings, and homes but also food and paintings, furniture, garden statuary, even pornography and graffiti. (e.g. “Successes was here”, “Marcus loves Spendusa”, “I am amazed, O wall, that you have not collapsed and fallen since you must bear the tedious stupidities of so many scrawlers”) • The lava also preserved the form of bodies, which had decomposed. • As you watch the following videos, take notes on: • Architecture (both domestic and public) and the design of the city • Decorative arts (interior design of homes, paintings, sculpture) • Lifestyles, occupations, social interaction among genders, classes • Intellectual and cultural life • http://www.youtube.com/watch?v=3V_tDy4dMD8 • http://www.youtube.com/watch?v=PGrJ-xHaXm0&feature=related • http://www.youtube.com/watch?v=hvtX3Eudm58&feature=related • http://www.youtube.com/watch?v=QyuN65bFBaw&feature=related • http://www.youtube.com/watch?v=Q7CzWSuSr8k&feature=related • http://www.youtube.com/watch?v=6yPnsgIKxPk&feature=related *how would you characterize the domestic architecture of Pompeii? What sort of town was Pompeii?

  28. Colosseum: • http://www.guardian.co.uk/travel/2010/oct/21/rome-colosseum-new-gladiator-tour • Gladiators, Pompeii: • http://www.youtube.com/watch?v=BCMv14fE1qI

  29. Society and politics in ancient Rome • What are the differences between Republican Rome and Imperial Rome? • What are some differences between Greek and Roman portrait busts?

  30. Family in ancient Rome • Roman portrait busts celebrated pietas, the deep-seated Roman virtue of dutiful respect toward the gods, fatherland and parents • To respect one’s parents was tantamount, for the Romans, to respecting one’s moral obligations to the gods – respect for one’s parents was a religious obligation • Emperor Augustus believed society was unraveling in his time: • there was a demise of family life in his time – adultery and divorce were common • There were more slaves and freed slaves in Rome than citizens • Family size was diminishing due to high costs of living • Augustus response: • Criminalized adultery • Required men between age 20 and 60 and women between age 20 and 50 to marry • A divorced woman had to remarry within 6 months, a widow within a year • Childless adults paid higher taxes, even deprived of inheritances

  31. Altar of Augustan Peace (AraPacisAugustae), 13-9 BCE -constructed when Augustus triumphantly returned after conquering the Gauls and establishing peace in Rome -he had one side of its exterior walls decorated with reliefs of his own family to demonstrate his prioritization of family and serve as a model for Roman citizens -a sense of spatial depth was created by placing some figures further back and in low relief compared to the closer figures in high relief -three generations of Augustus’s family are depicted here How does it depict the role of women in Roman society?

  32. What does this painting from Pompeii tell us about education and the sexes in ancient Rome? Young Woman Writing, detail of a wall painting from Pompeii, late first century CE

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