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FM2 : British and American Film

FM2 : British and American Film. Kind Hearts and Coronets. Briefly summarise the plot of the film What are the main themes? How does it link to the social context of the time? In what ways can it be seen as ‘ quintessentially British’?. Light-hearted more humane cynical behaviour

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FM2 : British and American Film

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  1. FM2: British and American Film

  2. Kind Hearts and Coronets • Briefly summarise the plot of the film • What are the main themes? • How does it link to the social context of the time? • In what ways can it be seen as ‘ quintessentially British’?

  3. Light-hearted more humane cynical behaviour humorous class Kind Hearts and Coronets is different from the usual Ealing Comedies: the film treats the values of English culture in an angrier, more elegant, more cynical and less cautious way; it mercilessly exposes forms of behaviour, rituals and class differences without, however, reconstituting them in the end, as other Ealing films do But HOW does it do this? Light-hearted humane cynical angrier elegant cautious rituals comedic

  4. Where does Kind Hearts start? family photographs sentimentally framed in the Edwardian manner • It begins twice, if not, three times: suggests a film of quiet nostalgia? yearningly old-fashioned music – aria from Don Giovani tastefully stylised credits

  5. Mr Elliot’s mournful enthusiasm establishes the black humour Where does Kind Hearts start? • Then the film proper starts: ending of the Duke’s life and Elliot’s last execution (all about endings?) feeling of social insecurity ‘how does one address a Duke?’

  6. Where does Kind Hearts start? • Then the memoir self-consciously makes a new start: That beginning is Louis’ birth – and another ending With so little time remaining to complete my story, it is difficult to choose where to begin. Perhaps I should begin at the beginning Louis narrative now slips back before his birth and starts over again with his parents’ first meeting

  7. Where does Kind Hearts start? • All this is very strange and very self-conscious • Why would Hamer and Dighton choose to open their film this way, with these hesitancies and false starts? • Why?

  8. Where does Kind Hearts start? • It really begins with a book, Israel Rank by Roy Horniman • Horniman: homosexual, socially adrift, Greek aristocracy + navy • Double pun on ‘Rank’ • Jewish taint – ‘Israel’ • Anti-Semitic? • How interpreted as not anti-Semitic? • Complications for Ealing?

  9. Importance of names: • Why is the hero called Louis Mazzini? • What are the significance of some of the other names? • Sibella, Ethlered, Edith etc

  10. Key scene – Louis’ mother’s death: • Louis posture – faintly ridiculous • photograph drops clunkingly • air of theatrical awkwardness - tableau • off-key effect is undoubtedly comic • Why is a tram accident near Clapham Junction funny? • We are not seeing life, or even the representation – but the parody of the representation • Louis, having killed his father just by being born, now loses his mother in a tragic tram accident near Clapham Junction. We see Louis kneeling at her bedside, fading she requests a burial at Chalfont’s family vault. She dies, dropping in that instant from her frail hand the heart-shaped photograph of her dead husband. Louis weeps uncontrollably. • A drearily sentimental deathbed scene?

  11. You are trying to sell that most unsaleable commodity to the British – irony. Good luck to you Balcon told Hamer:

  12. Written Consolidation: • Think back to the quotation at the start of the lesson: • Write a paragraph, to hand in at the end of the lesson your ideas about how/why Kind Hearts does this Kind Hearts and Coronets…treats the values of English culture in an angrier, more elegant, more cynical and less cautious way; it mercilessly exposes forms of behaviour, rituals and class differences

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