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âm đạo giả: Expectations vs. Reality

But action concerns Ms. Sexton far less than providing a vigorous, sometimes vulgar showcase for herself and the other actors. A deft performer, she clearly enjoys Lollyu2019s woozy, crude obliviousness, but she is just as happy to cede the stage to Mr. Keating. Pigeon isnu2019t an entirely credible character, but Mr. Keating lends him warmth and a gentle kind of bravery, even while wearing lipstick and a penis headband. Cheers to Ms. Sexton for letting this distinctive actor spread his wings.

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âm đạo giả: Expectations vs. Reality

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  1. The actor John Keating is usually a tall bag of bones with fright-wig hair and frightened-deer eyes, a glance constructed for character parts. That he nabs the guide job in Laoisa Sexton’s “The Pigeon in the Taj Mahal” on the Irish Repertory Theater is purpose more than enough to check out it, although the Enjoy’s protracted execution wears out the prickly attraction of its premise. Mr. Keating plays the Pigeon on the title, a sweater-clad, Elvis-quoting naïf who life in a trailer park in rural Eire. Is he lonesome tonight? Not specifically. But he’s Plainly thrilled to find a young lady in smeared make-up and ripped tulle dumped on his doorstep. “You have got the unheard of magnificence,” he suggests to her unconscious variety. “Just like a swan in the soiled lake!” This is certainly Lolly (Ms. Sexton), a plastered bride-to-be overdosed on vodka and overall body glitter. On waking, she initially threatens Pigeon using a hammer and after that softens at his odd hospitality. At the time Lolly is more or less awake, Ms. Sexton has good enjoyment contrasting her shallow town types with Pigeon’s callow techniques. “D’you got apple iphone, d’you do?” she whines. “I telephone?” the perplexed Pigeon asks. But as they remain while in the trailer, the Participate in begins to spin its motionless wheels. There’s a great deal of dialogue and plenty of depredation, In particular as soon as A different bachelorette (Zoë Watkins) arrives, but owning place these people with each other, Ms. Sexton and the director, Alan Cox, don’t know really what to do with them. Regardless of a persistent theme of innocence and knowledge, plus some questions about the area of folklore in contemporary Eire, “The Pigeon from the Taj Mahal” generally seems like a one particular-act that outgrew alone. Rather less âm hộ giả cho nam giới conversation wouldn’t harm. But action problems Ms. Sexton much below furnishing a vigorous, in some cases vulgar showcase for herself and another actors. A deft performer, she Evidently enjoys Lolly’s woozy, crude obliviousness, but she is equally as pleased to cede the phase to Mr. Keating. Pigeon isn’t a wholly credible character, but Mr. Keating lends him warmth and a delicate form of bravery, even while wearing lipstick in addition to a penis headband. Cheers to Ms. Sexton for allowing this exclusive actor unfold his wings.

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