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Linear Dominants

Learn about the concept of linear dominants, their role in chord progressions, and voice leading techniques. Discover how linear dominants connect to other chords and resolve the dissonant tritone. Gain insights into constructing linear dominants and their strong tendencies. Find out about voice leading requirements with V7 and its inversions. Avoid doubling certain tones and explore prolonging V in dominant family progressions.

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Linear Dominants

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  1. Linear Dominants

  2. Linear Dominants

  3. If you want to be cool, use linear dominants, dudes.

  4. Linear Dominants In Review Linear Dominants = V6, VII6. And inversions of V7 Linear dominants lead to members of the _____ family Linear dominants generally connect to these chords via _________ motion in all voices. All linear dominants except _____ contain the dissonant tritone between scale degrees ____ and ___ Resolve the tritone regularly whenever possible. All linear dominants can be constructed using only scale degrees ___, ___, ___, and ____. Each of these tones has a strong tendency. In general Take ^7 to __; ^4 to __; ^2 to either ___ or ___; and keep ____ as a common tone.

  5. Linear Dominants: Voice Leading With V7 and its inversions the voice-leading ____ is required. The exception is the linear dominant chord ____: ^4 can resolve irregularly to ^5 if it leads to ____, the so-called __________ _____ progression. ^4 - ^5 With VII6 the voice-leading ___ is required. Never double the ____ in dominant-function chords.

  6. Prolonging V Move freely btw members of dominant family Once dissonant 7th is introduced ^(4)it must be retained V$-V#-I and V#-V$-I are common

  7. I ? ? I I I6 I V V6 V I I_________ V___ I

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