1 / 19

Gender contrast: woman sleeps, man acts.

Brave New World Lesson 11. Gender contrast: woman sleeps, man acts. Brave New World Lesson 12. FREEDOM OF SPEECH OR FRREDOM FROM HAPPINESS?. Brave New World Lesson 12. MUSTAFA’ MOND: IS THERE A PURPOSE IN LIFE?. Brave New World Lesson 12.

jacques
Download Presentation

Gender contrast: woman sleeps, man acts.

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Brave New World Lesson 11 Gender contrast: woman sleeps, man acts.

  2. Brave New World Lesson 12 FREEDOM OF SPEECH OR FRREDOM FROM HAPPINESS?

  3. Brave New World Lesson 12 MUSTAFA’ MOND:IS THERE A PURPOSE IN LIFE?

  4. Brave New World Lesson 12 MOND’S DOUBLE PERSONALITY: IS IT PLAUSIBLE?IT IS DEFINITELY NECESSARY

  5. Brave New World Lesson 12 A NEWTRIANGLE:JOHN BERNARDHELMHOLTZ

  6. Brave New World Lesson 12 Can Lenina be in love? How can love creep in the perfection of BNW?

  7. Brave New World Lesson 11 John is attracted by Lenina

  8. Brave New World Lesson 11 I tell thee I am madIn Cressid's love: thou answer'st 'she is fair;'Pour'st in the open ulcer of my heartHer eyes, her hair, her cheek, her gait, her voice,Handlest in thy discourse, O, that her hand,In whose comparison all whites are ink,Writing their own reproach, to whose soft seizureThe cygnet's down is harsh

  9. Brave New World Lesson 11 NOVEL AND THE THEATRE

  10. Brave New World Lesson 11 The Director and Bernarnd:the plot not as development but as unfolding of an existing truth.The detective novel

  11. Brave New World Lesson 11 The 18th century myth of the “good savage”: Shaftesbury (1671-1713) versus Hobbes (1588-1679): against the belief in the original sin.

  12. Brave New World Lesson 11 Bernard and girls: successful and traditional. No hint anymore of a desire to restrain himself.

  13. Brave New World Lesson 11 BERNARD AND MUSTAFA MOND

  14. Brave New World Lesson 11 A new tour around BNW. The two pillars:the factorythe college

  15. Brave New World Lesson 11 LENINA AND JOHN:TWO OPPOSITE LANGUAGES

  16. Brave New World Lesson 12 The turning point: Bernard’s dinner with the Arch-Community-Songster of Canterbury. John refuses to turn up. He locks himself inside his room just as later on Lenina will lock herself inside her bathroom. It’s all presented in a comic vain but in the end it will be tragic.

  17. Brave New World Lesson 12 Where do we draw the line between who we are and what we have? Our clothes, our house, car, money: would we be the same without our belongings?

  18. Brave New World Lesson 12 Why is John so upset? SPIRITUALISM VERSUS MATERIALISM?

  19. Brave New World Lesson 12 DO I HAVE TO BE UNHAPPY IN ORDER TO BE HAPPY?

More Related