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class plan

class plan. Genre review SF project presentations Final portfolio questions / E-submit break What makes a text effective SF? Is Battlestar Galactica effective?. what is this class about?. genre. genre in the OED. etymology: F. genre kind: see gender . 1. a. Kind; sort; style.

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class plan

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  1. class plan • Genre review • SF project presentations • Final portfolio questions / E-submit break • What makes a text effective SF? • Is Battlestar Galactica effective?

  2. what is this class about? genre

  3. genre in the OED etymology: F. genre kind: see gender. 1. a. Kind; sort; style. b.spec. A particular style or category of works of art; esp. a type of literary work characterized by a particular form, style, or purpose. 2. a. A style of painting in which scenes and subjects of ordinary life are depicted. b.attrib., as genre-painting, etc. Also transf., of music and literature.

  4. how do categories work? Classic theory (Aristotle through Wittgenstein): • categories are abstract containers • things are in the same category if they have certain properties in common Prototype theory (Eleanor Rosch and the cognitive sciences) • categories have best examples (i.e., prototypes)

  5. genre in rhetorical genre theory Charles Bazerman: “Genre is only the visible realization of a complex of social and psychological dynamics.” Amy Devitt: “Genres develop [ . . . ] because they respond appropriately to situations that writers encounter repeatedly.”

  6. genre in rhetorical genre theory (cont.) John Frow: “[F]ar from being merely ‘stylistic’ devices, genres create effects of reality and truth, authority and plausibility, which are central to the different ways the world is understood [ . . . ]” (2).

  7. where do conventions come from? American Psychological Association (APA) citation format • Wilcox, R. V. (1991). Shifting roles and synthetic women in Star trek: The next generation. Studies in Popular Culture, 13(2), 53-65. Modern Language Association (MLA) citation format • Wilcox, Rhonda V. "Shifting Roles and Synthetic Women in Star Trek: The Next Generation." Studies in Popular Culture 13.2 (1991): 53-65.

  8. diagramming genre Genres in Frankenstein science fiction Structural dimensions of genre

  9. guiding questions • Where do genres come from and why do they form? • How and why do they change over time? • How do categories work cognitively and how do genres work as categories? • What is genre’s relationship with social context and how do the two interact? • What is the relationship between convention and creativity?

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