1 / 8

Bad Hair Day

Bad Hair Day. Illustrating texture through the use of lines, pattern and value. How did this artist create visual texture?. The actual surface of this sculpture is hard, cold, and smooth. It's made of marble!.

neila
Download Presentation

Bad Hair Day

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Bad Hair Day Illustrating texture through the use of lines, pattern and value

  2. How did this artist create visual texture?

  3. The actual surface of this sculpture is hard, cold, and smooth. It's made of marble! Jud Nelson Hefty 2-Ply1979-1981 Marble Walker Art Center Purchased with the aid of funds from Mr. and Mrs. James K. Wittenberg, the National Endowment for the Arts, and the Art Center Acquisition Fund

  4. In the detail of this painting, you can see the artist's successful imitation of the surface of a soap bubble. Its "visual texture" appears to be wet and shiny. If you look more closely, you can see the actual texture created by the artist's application of paint. Master of the Procession Detail of Gathering of Gamblers with Hurdy-Gurdy Playerc. 1660 Oil on canvas The Minneapolis Institute of Arts The John R. Van Derlip Fund

  5. This artist created nearly perfect visual textures in this painting. For example, the carving above the photograph and the paper on the door create the illusion that the work of art consists of a wooden door with paper glued and nailed onto it. John F. PetoReminiscences of 1865after 1900 Oil on canvas The Minneapolis Institute of Arts The Julia B. Bigelow Fund by John Bigelow

  6. How many different types of lines can you draw • Draw a few on a scrap paper. This portrait looks like a photograph, but it's really a painting. A photograph is a record of the actual appearance of things. Notice how carefully the artist has imitated, in paint, the textures found on a face, like whiskers and bumps. This is a great example of an artist's attempt to create visual texture that is almost as good as the real thing! Chuck Close Big Self-Portrait1967-1968 acrylic on canvas Walker Art Center Art Center Acquisition Fund

  7. The whole page should eventually be filled in with separate textures, not as you see it here.

More Related