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TONE AND STYLE

TONE AND STYLE. PREPARED BY: ESWARI VELKUMAR NUR SYAZWANI SALLEHUDDIN NURDIANA ZAKARIA CHRISTINE TAN FUNG JIAO. TONE. Feelings, moods and attitudes in the way a work is written. A way the content is expressed. STYLE. Writing Techniques Vocabulary Syntax Imagery Figurative language

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TONE AND STYLE

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  1. TONE AND STYLE PREPARED BY: ESWARI VELKUMAR NUR SYAZWANI SALLEHUDDIN NURDIANA ZAKARIA CHRISTINE TAN FUNG JIAO

  2. TONE • Feelings, moods and attitudes in the way a work is written. • A way the content is expressed.

  3. STYLE • Writing Techniques • Vocabulary • Syntax • Imagery • Figurative language • Handling of dialogue • POV

  4. VARIETY OF TERMINOLOGY USED TO DISCUSS TONE AND STYLE • Austere • Boring • Concise • Dreamlike • Epigrammatical • Flamboyant • Gimmicky • Hysterical

  5. Ironic • Juvenile • Lyrical • Monotonous • Nostalgic • Objective • Parody • Romantic • Symbolic • Trite • Urbane • Venomous • Witty

  6. Irony : ironically, ‘the jungle is safer than the city’. • Word Choice : Witty and informal, ‘nasty old food chain; onomatopoetical, ‘flick, crunch and wriggle’; sharp and critical, ‘terminated, anonymity and cosmetic debris. • Word Play : ‘croak’ and ‘severance’ • Satire : his reference to marriage in sardonic expression, “some stranger who calls herself my wife” BACK

  7. Imagery, metaphors and similes : a) The winos are like ragged apes. b) The city is like a jungle. c) His office is a permanent grave. • Word choice : furtively, hunched, burnt, boarded, dull, sticky, dog dung, grave. • Repetition : he repeats the word fear five times and he repeats grave in an effective comparison. BACK

  8. Analysis : broad statement such as ‘ New York is a city that has failed’, followed by a series of statement that describe it specifically. • E.g: High rents. BACK NEXT

  9. Different Writers Have Different Tone and Style Of Writing.

  10. “THE RAILWAY CHILDREN”, SEAMUS HEANY “We were small and thought we knew nothingWorth knowing. We thought words travelled the wires.” • Tone : nostalgic, wistful, with a childish innocence and a sense of awe and adventure. “We were eye-level with the white cupsOf the telegraph poles and the sizzling wires.” • Style : lyrical with a narrative element. Selective, sharp, suggestive word choice as in “sizzling wires.”

  11. “DO NOT GO GENTLE INTO THAT GOOD NIGHT”, DYLAN THOMAS “ Grave men, near death, who see with blinding sight Blind eyes could blaze like meteors and be gay, Rage, rage against the dying of the light.” • Tone : sad and affectionate, a powerful, plaintive exhortation. • Style : traditional form and villanelle.

  12. “RUBY TELLS ALL”, MILLER WILLIAMS “I never asked for anything myself;giving is more blessed and leaves you free.There was a man, married and fond of whiskey.Given the limitations of men, he loved me.Lord, we laid concern upon our bodiesbut then he left. Everything has its time.We used to dance. He made me feel the waya human wants to feel and fears to.” • Tone : earthy, colloquial, wistful, philosophical. • Style : though Ruby speaks in a confessional and autobiographical way, the poem cannot be called “confession”. There is no end-line pattern and it is very narrative.

  13. “DADDY”, SYLVIA PLATH “Bit my pretty red heart in two. I was ten when they buried you. At twenty I tried to die And get back, back, back to you. I thought even the bones would do.” • Tone : confessional, angry, hostile, violent, desperate and a little hysterical and paranoid. • Style : melodic, magnificent and sometimes shocking imagery and word choice.

  14. CONCLUSION • Tone and style is designed to give you some insight into an aspect of writing that is all too often treated with a good deal and vagueness.

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