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How to Think like Leonardo

How to Think like Leonardo. Leonardo da Vinci 1452 - 1519. Born in Vinci, Tuscany, Italy (15 th Apr. 1452) Mother – Catarina, father – Ser Piero, a public notary Went to school there, studied geometry and Latin He lived there until he was 14

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How to Think like Leonardo

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  1. How to Think like Leonardo

  2. Leonardo da Vinci 1452 - 1519

  3. Born in Vinci, Tuscany, Italy (15th Apr. 1452) Mother – Catarina, father – Ser Piero, a public notary Went to school there, studied geometry and Latin He lived there until he was 14 Then moved to Florence where he began an apprenticeship in the workshop of Verrocchio. Childhood

  4. started an apprenticeship in the workshop of Andrea del Verrocchio 1466 (sculptor, painter, goldsmith, bronze caster and more) the mixing of colors and then he painted simple parts of paintings, taught himself to paint in oils at this time In June 1472 - listed in the red book of painters from Florence, end of apprenticeship. Andrea del Verrocchio

  5. Leonardo da Vinci’s first known and dated work (5th of August 1473) "the perspective of disappearance". First Work

  6. "Baptism of Christ", 1472-1475, assisted his master Verrocchio

  7. The Benois Madonna, 1478

  8. St.Jermoe, 1481 • Never finished • Now in the Vatican

  9. Milan (1482-1499) • “The Last Supper” • Many unfinished works

  10. “The virgin of the Rocks” • 1483 - 86

  11. “Mona Lisa” (1503-1507) • Sfumato (smoky effect)

  12. Leonardo the Scientist • Studied many topics such as anatomy, zoology, botany, geology, optics, aerodynamics and hydrodynamics among others • He was fascinated by the study of physiognomy, the “science” of evaluating a person’s character by his or her facial features

  13. Leonardo the Artist • Leonardo’s desire to paint things realistically was bold and fresh, and eventually became the standard for painters who followed in the 16th century • Went beyond his teaching by making a scientific study of light and shadow in nature • Objects were not comprised of outlines, but were actually 3-D bodies defined by light and shadow • Known as chiaroscuro, this technique gave his paintings the soft, lifelike quality that made older paintings look “cartoony” and flat The Last Supper The Virgin of the Rocks

  14. Leonardo the Inventor • Adapted drawing skills to the more lucrative fields of architecture, military engineering, canal building and weapons design • Leonardo wanted to create "new machines" for a "new world“ • Based on the gear, he came up with loads of different ideas, including the bicycle, a helicopter, an “auto-mobile”, and many military weapons Leonardo’s first idea for a catapult

  15. Leonardo’s Helicopter

  16. The First Tank

  17. “Leo-chute”

  18. Diving During the Renaissance?

  19. The Water Lift • This invention consists of a water wheel, two screws and two towers • As the water wheel turns, the screws turn, pushing the water up to the highest tower • The tall tower acts as a reservoir for gravity fed water pipes

  20. The Machine Gun • This machine actually consisted of three sets of machine guns, set on a rotating drum • When the first set is fired, the force of the explosion would pivot the guns down, bringing the next set of guns to the top, ready to be fired.

  21. The Thread Cutter • This machine cuts the threads of screws • A bar, the one to have the thread cut into it, would be laid in between the two screws. • As the cranks on the end of the table were turned, the cutting blade would be carried down the two screws, creating an even groove to be used for screws, bolts, etc.

  22. Right to Left • Leonardo wrote in Italian using a special kind of shorthand that he invented himself • He usually used “mirror writing,” starting at the right side of the page and moving to the left • Only when he was writing something intended for other people did he write in the normal direction Leonardo’s Signature in a notebook

  23. Mystery of the Mona Lisa • He recorded in his notebooks the records of model sittings; but records of the Mona Lisa model sitting are nowhere to be found • Theories are that Leonardo painted himself, and this theory is supported by analyzing the facial features of Leonardo’s face and that of the famous painting • If the features of the face were placed on top of each other, and flipped, they would align perfectly

  24. Seven Principles • Curiosità • Dimonstrazione • Sensazione • Sfumato • Arte/Scienza • Corporalita • Connessione

  25. 1. Curiosità • An insatiably curious approach to life and unrelenting quest for continuous learning.

  26. 2. Dimonstrazione • A commitment to test knowledge through experience, persistence, and willingness to learn from mistake.

  27. 3. Sensazione • A continual refinement of the senses, especially sight, as enlivened experience.

  28. 4. Sfumato • literally “Going up in Smoke” • A willingness to embrace ambiguity, paradox, and uncertainty.

  29. 5. Arte/Scienza • A development of the balance between science and art, logic and imagination. “Whole brain” thinking.

  30. 6. Corporalita • The cultivation of grace, ambidexterity, fitness, and poise.

  31. 7. Connessione • The recognition of and appreciation for the interconnectedness of all things and phenomena, system thinking.

  32. 1. Curiosità

  33. Curiosità • An insatiably curious approach to life and unrelenting quest for continuous learning.

  34. Curiosità: Checklist • I keep a notebook to record questions and ideas • I take time for reflection • I am always learning something new • I seek alternatives when facing an important decisions • I love to read • My friends describe me as open-minded • When I hear a new word I look it up • I am learning a new language • I love learning

  35. Curiosità • Leonardo keep notebooks with him all the time, and wrote at least 12,000 pages; • Jokes and fables • Thoughts of scholars he admired • Personal financial records • Letters • Reflections on domestic problems • Philosophical musings • Plans for inventions • Ideas on anatomy, geology, flight, water, and painting

  36. Curiosità • You too can keep a notebook; • Keep it with you everywhere • Record • your questions • Observations • Insights • Jokes • Dreams • Musings • Be free-flowing, non-judgemental, unfinished • Add newspaper articles and internet materials

  37. Curiosità • A Hundred Questions • Make a list of 100 questions that are important to you • Any kind of question you like • “How can I save more money?”, “How can I have more fun?”, “What is the meaning of life?” “How can I best serve my destiny?” • Do it all in one sitting • Don’t worry about spelling and grammar, or repeating the same question in different words • When finished, read the list, and highlight the themes that emerge • Are most questions about Work? Fun? Money? Life?

  38. Curiosità • Top Ten Questions • Review the questions and select the top ten

  39. Curiosità • Ten Power Questions • When am I most naturally myself? What people, and activities allow me to feel like myself? • What one thing could I stop doing, start doing, or do differently, starting today, that would improve the quality of my life? • What is my greatest talent? • How can I get paid for what I love? • Who are my most inspiring role models? • How can I best be of service to others? • What is my deepest heart’s desire? • How am I perceived by my best friend, my worst enemy, my boss, my friends, my family, etc.? • What are the blessings of my life? • What legacy would I like to leave?

  40. Curiosità • Ten questions about a topic • Pick a topic that interests you, or Leonardo • Flight • Flowing water • The human body • Reflected light • Knots • Think of ten questions

  41. Curiosità • E.g., how does a bird fly? • Why does it have two wings? • Why does it have feathers? • How does it “take off”? • How does it slow down? • How does it accelerate? • How high can it fly? • When does it sleep? • How good is its eyesight? • What does it eat? • What does it drink?

  42. Curiosità • Stream of Consciousness Exercise • Pick a question from your notebook • Find a quiet spot, spend ten minutes writing answers to the question • Keep the pen moving, don’t lift it up to correct spellings and grammar • Just write continuously • Don’t worry about writing nonsense • Highlight words, phrases and themes

  43. Curiosità • Realise your Ideal Hobby • How will I benefit from this pursuit? • What are my goals? • What resources will I need? • Where can I find a good teacher? • How much time will I devote to it? • What obstacles must I overcome? • How can I make money from my hobby?

  44. Curiosità • Learn a new language • Be willing to make mistakes • Repeat words over and over • Do an “immersion course” • Find movies, songs, etc. with subtitles - use the web • Learn phrases about topics that interest you • Put translation Post-It notes on household objects • Pretend to be a native, adopt the expression and gestures of a native • Have fun!

  45. Curiosità • Build a Lexicon • Codex Trivulzianus is full of them, define words, new vocabulary, foreign terms, neogolisms. • Arduous – difficult, painful • Alpine – of the region of the Alps • Archimandrite – a leader of a group • A large vocabulary is a powerful ally

  46. This notebook documents Leonardo's attempts to improve his modest literary education, through long lists of learned words copied from authoritative lexical and grammatical sources. The manuscript also contains studies of military and religious architecture. Codex Trivulzianus

  47. 2. Dimonstrazione

  48. Dimonstrazione • A commitment to test knowledge through experience, persistence, and willingness to learn from mistake.

  49. Dimonstrazione: Checklist • I am willing to acknowledge my mistakes • I learn from my mistakes • I question “conventional wisdom” • I am influenced by celebrity endorsements • I can articulate my fundamental beliefs • I can change my beliefs based on experience • I persevere in the face of obstacles • I view adversity as an opportunity for growth • I am sometimes susceptible to superstition

  50. Dimonstrazione • Examine your experience • Think of 5-7 experiences in your life that have been very influential • Write a sentence about what you learned from each of those experiences • Which is the single most influential? • How has this coloured you attitudes? • Can you rethink conclusions drawn from this experience?

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