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Performance Studies Ritual-Part II (pp.69-78)

Performance Studies Ritual-Part II (pp.69-78). Spring 2007 DFL Steven Yang. The Pig-Killing Dancing. Aesthetic Drama vs. Social Drama. fig 3.16 depicts what happens at a successful pig-killing celebration. Finally, we often find that the motives of gathering blurred.

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Performance Studies Ritual-Part II (pp.69-78)

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  1. Performance StudiesRitual-Part II (pp.69-78) Spring 2007 DFL Steven Yang

  2. The Pig-Killing Dancing • Aesthetic Drama vs. Social Drama. • fig 3.16 depicts what happens at a successful pig-killing celebration. • Finally, we often find that the motives of gathering blurred.

  3. The Efficacy-Entertainment Dyad • Efficacy and entertainment forms poles of a continuum (see fig 3.17). • The purpose, context and function are important factors. • In fact, no performance is pure efficacy or pure entertainment.

  4. Origins of Performance:if not Rituals, Then What? • Social Darwinism’s distortion. • The primitives are thought to be the origin of performance. • The discovery of Greek tragedies as primal rituals. • Medievalists traced the origins of Renaissance theatre to church ritual.

  5. Changing Rituals or Inventing New Ones • With the change of social circumstances, rituals also change. • Roman Catholic Church’s reforms. • Rituals may also be invented, both by officials and by individuals. • If official rituals do not satisfy or are egregiously exclusive, new rituals will be invented.

  6. Using Rituals in Theatre, Dance, and Music • Rituals can be applied into popular entertainments. Here are three models, each of which belongs to different area: 1. Dance: Ruth St. Dennis’s research on Indian Dancing. 2. Theatre: Jerzy Grotowski’s concept. 3. Music: Philip Glass’s ambition. • The reshaping of ritual materials into new “originals work” is widespread.

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