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M O L N A R

V. E. R. A. M O L N A R. Vera’s progression. With her uncle’s inspiration she began painting at twelve Trees and nymphs were her first subjects As she grew older she became fascinated with more geometrical themes In 1968 she began working with computers

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M O L N A R

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  1. V E R A M O L N A R

  2. Vera’s progression • With her uncle’s inspiration she began painting at twelve • Trees and nymphs were her first subjects • As she grew older she became fascinated with more geometrical themes • In 1968 she began working with computers • Her focused on the breakup of repeating units, expressed as a series of increasingly fractured images.

  3. Vera is discoverd • Wit During the Salzburg Festival she is discovered by director Gerza von Cziffra at the Café Bazar. She is renamed Vera Molnar and stars in the film Hoellische Liebe

  4. Vera the Co-founder Groupe de Recherche d′Art Visuel - first exhibit organized by her friend Max Bill with the title Konkrete Kunst (Concrete Art) - Color and lines are solid images

  5. Hypertransformations Enhanced computer software = Enhanced works of art

  6. Centre deRecherche Expérimentale et Informatique des Arts Visuels (CREIAV) Vera Molnar: “My work does not contain any elements of a symbolic, metaphysical or mystical kind, there is no message. Absolutely NO message.”

  7. When hand meets computer Based of a geometric picture of Paul Klee Vera Molnar examines the result of a transformation of the picture by computer and by hand-drawing

  8. Recipient of the first develop digital art award

  9. The world shall never forget Dies at age 62 in Rome, Italy, after a long illness.

  10. Vera’s art in her own words In my search for a visual basis I started to design series. I applied very simple rules of combinatorial analysis and equally some very plain geometrical forms and step for step, introduced minor changes, either in the proportion of the basic element or in the way I joined them. My aim was not to create just any number of images; these series make sense as such that they provide me with the opportunity to juxtapose and test visual situations that are very similar.. To me, my entire work has a hypothetical character. 

My works are always created from the simplest of geometrical forms. This choice has its actual cause in my personal taste: I like the formal rigidity and the parsimony of geometry, I like the rational purity of mathematics. ′Nature can afford to be extravagant with everything, the artist must be totally efficient′, said Paul Klee; and I would agree.

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