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Unit 5

Unit 5. The Tapestry of Friendship Ellen Goodman. Objectives of Teaching. To grasp the main idea and understand the structure of the text To appreciate the style and structure of the passage To have a better understanding of the distinction between male friendship and female friendship.

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Unit 5

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  1. Unit 5 The Tapestry of Friendship Ellen Goodman

  2. Objectives of Teaching • To grasp the main idea and understand the structure of the text • To appreciate the style and structure of the passage • To have a better understanding of the distinction between male friendship and female friendship

  3. Teaching Procedures Pre-reading Activities Text I. The Tapestry of Friendship ● Passage ● Main idea of the passage ● Structural analysis ● Comprehension questions ● Text explanation ● sentence studies ● vocabulary studies Text II. My Daughter, My Friend Exercises

  4. Pre-reading questions 1. Do you keep in touch with your childhood friends? No/Yes? Only a few/some/many Reasons?

  5. 2. What do you need friends for? Co-operation Help Mutual emotional support

  6. 3. Have you find any difference in male friendship and female friendship? Yes/No? In what respects?

  7. Main idea of the text In this text, the author distinguishes two kinds of friendship: that between men and that between women, from several respects.

  8. Structural analysis The text can be divided into four parts. Part I (Paragraphs 1-2 ) This part serves as the Prelude, where the author reveals what kind of film the woman had just seen.

  9. Part II (Paragraphs 3-6) This part describes the woman's observation of the shift of focus of the cinema and advances the argument for the distinction between the two types of friendship: that between men and that between women.

  10. Part III (Paragraphs 7-18) This part is the Body, where the distinctions of the two types of friendship are detailed.

  11. Part IV (paragraph 19) This paragraph is the Conclusion, which summarizes the fundamental difference between the male companionship and the female friendship.

  12. Comprehension question Decide which of the following best states the author’s purpose of writing. a. To reveal the shift of the cinema lens’ focus from the Male Buddy movies to the Female Friendship flicks. b. To argue that the shift from the Male Buddy movies to the Female Friendship flicks is a historical trend. c. To make a distinction between men and women as buddies and friends.

  13. TEXT I The Tapestry of Friendship 1 It was, in many ways, a slight movie. Nothing actually happened. There was no big-budget chase scene, no bloody shoot-out. The story ended without any cosmic conclusions. 2 Yet she found Claudia Weill’s film Girlfriends gentle and affecting. Slowly, it panned across the tapestry of friendship — showing its fragility, its resiliency, its role as the connecting tissue between the lives of two young women. Questions

  14. Why does the author list the movies the woman had seen? 3 When it was over, she thought about the movies she had seen this year — Julia, The Turning Point and now Girlfriends. It seemed that the peculiar eye, the social lens of the cinema, had drastically shifted its focus. Suddenly the Male Buddy movies had been replaced by the Female Friendship flicks. 4 This wasn't just another binge of trendiness, but a kind of cinema vérité. For once the movies were reflecting a shift, not just from men to women but from one definition of friendship to another. What was the shift? What led the woman to think so?

  15. 5 Across millions of miles of celluloid, the ideal of friendship had always been male — a world of sidekicks and "partners" of Butch Cassidys and Sundance Kids. There had been something almost atavistic about these visions of attachments — as if producers culled their plots from some pop anthropology book on male bonding. Movies portrayed the idea that only men, those direct descendants of hunters and Hemingways, inherited a primal capacity for friendship. In contrast, they portrayed women picking on each other, the way they once picked berries.

  16. 6 Well, that duality must have been mortally wounded in some shoot-out at the You're OK, I'm OK Corral. Now, on the screen, they were at least aware of the subtle distinction between men and women as buddies and friends. 7 About 150 years ago, Coleridge had written, "A woman's friendship borders more closely on love than a man's. Men affect each other in the reflection of noble or friendly acts, whilst women ask fewer proofs and more signs and expressions of attachment."

  17. Fundamental difference? 8 Well, she thought, on the whole, men had buddies, while women had friends. Buddies bonded, but friends loved. Buddies faced adversity together, but friends faced each other. There was something palpably different in the way they spent their time. Buddies seemed to "do" things together; friends simply "were" together. 9 Buddies came linked, like accessories, to one activity or another. People have golf buddies and business buddies, college buddies and club buddies. Men often keep their buddies in these categories, while women keep a special category for friends.

  18. Question? 10 A man once told her that men weren't real buddies until they had been "through the wars" together — corporate or athletic or military. They had to soldier together, he said. Women, on the other hand, didn't count themselves as friends until they had shared three loathsome confidences. 11 Buddies hang tough together; friends hang onto each other. 12 It probably had something to do with pride. You don't show off to a friend; you show need. Buddies try to keep the worst from each other; friends confess it.

  19. 13 A friend of hers once telephoned her lover, just to find out if he was home. She hung up without a hello when he picked up the phone. Later, wretched with embarrassment, the friend moaned, "Can you believe me? A thirty-five-year-old lawyer, making a chicken call?" Together they laughed and made it better. 14 Buddies seek approval. But friends seek acceptance. 15 She knew so many men who had been trained in restraint, afraid of each other's judgment or awkward with each other's affection. She wasn't sure which. Like buddies in the movies, they would die for each other, but never hug each other. Meaning of this example? What’s the point? The point?

  20. What point? 16 She had reread Babbitt recently, that extraordinary catalogue of male grievances. The only relationship that gave meaning to the claustrophobic life of George Babbitt had been with Paul Riesling. But not once in the tragedy of their lives had one been able to say to the other: You make a difference. 17 Even now men shocked her at times with their description of friendship. Does this one have a best friend? "Why, of course, we see each other every February." Does that one call his most intimate pal long distance? "Why, certainly, whenever there's a real reason." Do those two old chums ever have dinner together? "You mean alone? Without our wives?" Why?

  21. 18 Yet, things were changing. The ideal of intimacy wasn't this parallel playmate, this teammate, this trenchmate. Not even in Hollywood. In the double standard of friendship, for once the female version was becoming accepted as the general ideal. 19 After all, a buddy is a fine life-companion. But one's friends, as Santayana once wrote, "are that part of the race with which one can be human."

  22. It was, in many ways, a slight movie.: In many aspects it was a simple, ordinary movie.

  23. big-budget chase scene: a car-chase scene that costs a lot of money

  24. cosmic 1) very great This earthquake was a disaster of cosmic scale. 2) relating to the universe The other great cosmic reality is time. Some people believe that what happens in their lives is influenced by cosmic forces.

  25. Slowly, it panned across the tapestry of friendship ... : Step by step it gave an all-sided of the complex structure of friendship... or Slowly, the movie gave a panoramic picture of friendship. Pan: v To move a movie or television camera to follow an object or create a panoramic effect To criticize or review harshly Everyone panned the film as the worst they had ever seen. Pan out: To turn out well; be successful: If I don't pan out as an actor I can still go back to school.

  26. fragileadj 1 easily damaged or broken; delicate : fragile china/glass (fig) Human happiness is so fragile. 人生幸福易逝. a fragile economy 疲软的经济. 2 (infml) not strong and healthy; weak, eg because one has drunk too much alcohol 不强健的, 弱的(如因酗酒所致): He's feeling a bit fragile after last night's party. Compare: fragile ,breakable ,frangible ,delicate ,brittle These adjectives mean easily broken or damaged.

  27. Fragile applies to objects whose lightness or delicacy of material requires that they be handled with great care: a collection of fragile porcelain plates. • Breakable and frangible, which are identical in meaning, mean capable of being broken but do not necessarily imply inherent weakness: Even earthenware pottery is breakable. The museum stored all frangible articles in a locked showcase. • Delicate refers to what is so soft, tender, or fine as to be susceptible to injury: The peach is a delicate fruit. • Brittle refers to hardness and inelasticity of material that makes something especially likely to fracture or snap when it is subjected to pressure: brittle bones. a brittle relationship between husband and wife (fig.)

  28. frailadj 1 (of a person) physically weak or delicate (指人)体弱的, 虚弱的: a frail child At 90, she's getting very old and frail. 2 easily broken; fragile 易破碎的; 易损的: Careful: that chair's rather frail! 小心点儿: 那把椅子不结实! 3 morally weak 道德观念薄弱的: frail human nature 易堕落的人性. 4. Not strong or substantial; slight: evidence too frail to stand up in court frailty

  29. resilient adj 1 (of an object or material) springing back to its original form after being bent, stretched, crushed, etc; springy (指物体或材料)能复原的, 弹性的, 有弹力的. 2 (of a person or character) quickly recovering from shock or depression; buoyant (指人或性格)能迅速恢复或重新振作的, 达观的, 适应性强的: physically/mentally resilient She is very resilient to change.

  30. What kind of film did the woman see? It was a movie that portrayed all aspects of the friendship between two women: its fragility, its resiliency and its connecting function. It was quite an ordinary film. without thrilling scenes like the long-time car chase or the fierce gunfight. The end was of no great significance either.

  31. What did she think of it? The movie was gentle and moving to the woman, because, as the following paragraphs show, with the other two movies it brought about a new definition of friendship that stood against the traditional view of friendship. Flick v. n. • To touch or hit with a light, quick blow: flicked him with his hand. • To cause to move with a light blow; snap: flicked the light switch on. • To remove with a light, quick blow: flicked the lint off the coat. • A light, quick blow, jerk, or touch: a flick of the wrist; gave my horse a flick with the reins. • [Slang] A movie

  32. This wasn't just another binge of trendiness, but a kind of cinema vérité. This was not simply a shift from one fashion to another, but a truthful description of friendship.

  33. cull choose from various sources, pick out from others Here are a few facts and figures I've culled from the week's papers. It's a collection of fascinating stories culled from a lifetime of experience.

  34. only men ... inherited a primal capacity for friendship. ... only men ... were born with the instinctive capacity of making friends.

  35. primal adj [attrib] (fml) 1 first or original; primeval 最初的; 原始的: the loss of their primal innocence 他们原有的天真素质之丧失. 2 chief or most important; fundamental; primary of primal importance 至为重要的.

  36. inherit: • receive (money, a house etc. ) from someone after they have died All her children will inherit equally. When I took on the job of manager, I inherited certain financial problems. 2) be born with (a physical or mental quality that a parent, grandparent or other relative has) Rosie inherited her red hair from her mother. The child has an inherited disease which attacks the immune system. 他继承了父亲的坏脾气。 He -s his father's bad temper.

  37. only men ... inherited a primal capacity for friendship. ... only men ... were born with the instinctive capacity of making friends.

  38. pick on sb1) choose sb (esp repeatedly) for punishment, criticism or blame 选中某人(尤指屡次)惩罚、 批评或责怪: 她觉得父母老是偏偏责备她. She felt that her parents were picking on her. 2) choose sb for a task, esp an unpleasant one 选中某人做某事(尤指厌恶的事): 偏偏选中我去宣布这个坏消息. I was picked on to announce the bad newsCf. pick out, pick at, pick up

  39. The two sides must have been mortally wounded in the OK Corral gunfight.

  40. What led the woman to think that the cinema has drastically shifted its focus? It was the fact that at present there were many more movies about Female Friendship than about Male Buddiness. In contrast, in the past, the friendship between men had dominated the movies, giving a false impression that only men were capable of making friends.

  41. What was the shift? On the surface, it was a shift from the friendship between men to that between women; but in nature the shift highlighted a different type of friendship: Male Buddiness is subtly distinct from Female Friendship.

  42. border v 1 be a border to (sth); be on the border of (sth) Our garden is bordered on one side by a stream. 2 border on sth (a) be next to sth; adjoin sth The new housing estate borders on the motorway. (b) (fig) be almost the same as sth; verge on sth 几乎与某事物相同; 在某事物的边缘: The boy's reply to his teacher was bordering on rudeness. Our task borders on the impossible.

  43. What's the fundamental difference between buddies and friends? Buddies are men's companions; they are connected by common activities. Friends, in the narrow sense in the text, are women's companions; they are associated by emotional attachment. Without shared activities, there would be no buddies for men; without love there would be no true friends for women.

  44. palpableadj. 1 that can be felt or touched Anger rushed out in a palpable wave through his arms and legs. 从他手臂和腿的挥动中可感觉到的愤怒暴发 2 (fml) clear to the mind; obvious a palpable lie, error 明显的谎言、 错误. a palpable mistake明显的错误 palpable results具体可见的成果

  45. accessory • A subordinate or supplementary item; an adjunct. • Something nonessential but desirable that contributes to an effect or result • Law: one who incites, aids, or abets a lawbreaker in the commission of a crime but is not present at the time of the crime.Also called accessory before the fact • Law: one who aids a criminal after the commission of a crime, but was not present at the time of the crime: accessory after the fact A cigar-lighter is an ~ to a car. She often wear accessories such as a diamond bracelet, a neclace and earings. I frequently change ~ies in my room. “through the wars” together -- corporate or athletic or military: through the commercial, athletic or military strives together they had to soldier together ... : They had to struggle together ...

  46. count: consider or be considered as I count myself fortunate to have had such a good education. I think we can count this meeting a great success. I didn't think his grudging remarks really counted as an apology. I hope you won't count it against me if I don't come to your birthday party. Have importance, have a specified importance or value You really count with me. Your opinion counts for little. Collocations: Count me in Count me out Count on/upon

  47. What are the conditions of men becoming buddies and of women becoming friends? Men can become buddies only when they have weathered storms in commercial or athletic or military" wars" together, while women have to exchange at least three loathsome secrets before they consider themselves as friends.

  48. Buddies hang tough together; friends hang onto each other. Buddies hold on together in face of adversity, friends cling tightly to each other for emotional support. • hang together To stand united; stick together: To constitute a coherent totality: diverse plot lines that did not hang together. 不同的剧情线索没有形成一体 hang rough: not give, not feel discouraged He decided to ~ ratehr than give in. Hang on to: cling/attach to; keep; depend on For the whole afternoon the little girl hung on to me. He swore he would ~the job until they fired him. The police have only one fingerprint to ~. More: hang off, hang back, hang out, hang in

  49. show off (infml often derog) try to impress others with one's abilities, wealth, intelligence, etc: The child danced around the room, showing off to everybody. He likes showing off how well he speaks French. Compare: show ,display ,expose ,parade ,exhibit These verbs mean to present something to view. • Show is the most general: The jeweler showed the necklace to the customer. She hated to show her feelings. • Display often suggests an attempt to present something to best advantage: The dealer spread the rug out to display the pattern. • Expose usually involves uncovering something or bringing it out from concealment: The excavation exposed a staggering number of Bronze Age artifacts. The term can often imply revelation of something better left concealed: • Parade usually suggests a pretentious or boastful presentation: “He early discovered that, by parading his unhappiness before the multitude, he produced an immense sensation” (Macaulay). • Exhibit implies open presentation that invites inspection: “The works of art, by being publicly exhibited and offered for sale, are becoming articles of trade”

  50. wretched with embarrassment: unhappy with embarrassment She had had a wretched life as a child. There can be few experiences as wretched as moving house. Wretched adj. • In a deplorable state of distress or misfortune; miserable: “the wretched prisoners huddling in the stinking cages “那些不幸的囚犯全挤在恶臭的牢笼里”(乔治·奥韦尔) • Characterized by or attended with misery or woe: a wretched life.悲惨的生活 • Of a poor or mean character; dismal:鄙陋的:具有穷困或卑鄙的性质;阴沉的: a wretched building.破旧的建筑 • Contemptible; despicable:卑鄙的:卑鄙的;恶劣的: wretched treatment of the patients.对病人草率的诊治 • Of very inferior quality:品质很差的: wretched prose.拙劣的散文

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