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Strategies of Contemporary Art

Strategies of Contemporary Art. IV. Public Space. 1968. Berlin Wall, 1961- 1989. grafitti. East Village, NY, 1982-85 „enfant-garde“ Copying and pastiche, cheap copies of expensive paintings (Mike Bidlo) Minifestivals of slum art with rap music and break-dancing

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Strategies of Contemporary Art

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  1. Strategies of Contemporary Art IV. Public Space

  2. 1968

  3. Berlin Wall, 1961- 1989

  4. grafitti • East Village, NY, 1982-85 • „enfant-garde“ • Copying and pastiche, cheap copies of expensive paintings (Mike Bidlo) • Minifestivals of slum art with rap music and break-dancing • Basquiat (SAMO), Keith Haring • Recommended: Downtown 81 (movie)

  5. Keith Haring • NY City Street Culture, 1980´s • Pop shop • 1986, Berlin Wall

  6. Francesca Alinovi • https://vimeo.com/75488490 • Keith Haring, „It is evermore clear to myself that art is notan appreciation of a private elite. Art is for everyone and this is the end Iwant to work for.“ Luigi Ontani

  7. Martha Cooper • Documenting grafitti and hip-hop subculture, 1970´s & 80´s • Subway art

  8. Berlin • Skulpturenboulevard Show 1987 • Olaf Metzel- police crash barriers topped by a suppermarket trolley

  9. Kristof Kintera

  10. Metropolis • 1991 • Katharina Fritsch, Plastic Madonna, 1987

  11. David Černý

  12. Richard Serra, Tilted Arc, 1981, Federal Plaza, NYC (removed) • „counter-monument“ concept

  13. Epos 257, 50m2 of public space

  14. Jochen Gerz, Saarbrucken, 2146 Stones, Invisible Monument, 1990

  15. Krzystof Wodiczko Tijuana, 2001 - Maquiladora Industry workers talking emotionally of incest, police abuse, and work place discrimination in real time, projected onto a building.

  16. Darima Alster, Art Wall

  17. Lennon Wall • Pražská služba, 2014

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