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Chapter 2 Part 1a / Formal Analysis

Chapter 2 Part 1a / Formal Analysis. Chapter 2 Formal Elements of Art • Line • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Light and Value • C o l o r

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Chapter 2 Part 1a / Formal Analysis

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  1. Chapter 2 Part 1a /Formal Analysis

  2. Chapter 2 Formal Elements of Art • Line • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Light and Value • Color • Texture and Pattern • and volume • S p a c e • Time and Motion • + some others Shape Time and Motion

  3. Line The measure of a line is it’s length and it’s width that can be conceptualized as a moving dot. - Fichner

  4. Line Sumi Painting Chinese Calligraphy and Painting

  5. Art Nouveau Line The Climax From the book, Salomé by Oscar Wilde 1893 The Peacock Skirt From the book, Salomé by Oscar Wilde 1893 Aubrey Beardsley

  6. Line Sol Lewitt Lines From Four Corners To Points On A Grid White and black crayon 1976

  7. Cy Twombly Untitled Ink on paper 1937

  8. Implied Line Henri deToulouse-Latrec Yvette Gilbert Oil on paper 1892

  9. Outline PaulKlee They’re Biting Drawing and Oil on pape 1920

  10. Contour Line EgonSchiele Seated Woman Charcoal and casein on paper 1917

  11. Horizontal Line HenriRousseau The Sleeping Gypsy Diagonal Line Jacob Lawrence Harriet Tubman Series, No. 4, 1939-40

  12. Diagonal Line (& gesture lines) The Outbreak Etching Print 1903 Kathe Kollwitz 1867 - 1945 Self-Portrait Charcoal 1924

  13. Hatching (& repetition of line) to create volume and depth AlbrechtDurer Artist drawing a model in foreshortening through a frame using a grd system Woodcut Print c.1500

  14. 15th Century Northern Art* German Art Line Young Hare Watercolor with opaque white 1502 The Albertina Museum, Vienna Night, Death, and the Devil Engraving 1513 Los Angeles Museum of Art Albrecht Durer

  15. Hatching (& repetition of line) to create volume and depth Self-Portrait Etching Print c.1625 EgonSchiele Seated Woman Charcoal and casein on paper 1917 Rembrandt Van Rijn Landscape Etching Print c.1640

  16. Hatching (& repetition of line) to create volume and depth Rembrandt Van Rijn Three crosses Etching Print c.1640

  17. Line in 3-Dimensions Aboriginal Memorial Royal Linguist’s Staff Asante, Ghana

  18. Line in 3 dimensions Aboriginal Memorial By Ramingining A group of 43 artists headed by Paddy Dhatangu and others 200 pieces of heights : 16” to 128”

  19. Light and Value Light is at the very core of the visual arts. The value of a color of a surface is its lightness or darkness.

  20. Light and Value HenriRousseau The Sleeping Gypsy

  21. Chiaroscuro Rosso Fiorentino Recumbent Female Nude Figure Asleep Conte crayon c.1535

  22. Chiaroscuro GeorgesSeurat Mother sewing Charcoal 1880 Jan Vermeer Girl with a Pearl Earring Oil on canvas c.1660

  23. Light and Value LouiseNevelson White Vertical Water Painted wood 1972 Sky Cathedral Painted wood 1969

  24. Light BruceNauman Human/Need/Desire Neon 1983

  25. BruceNauman The True Artist Neon c.1984

  26. BruceNauman Mean Clowns Welcome Neon c. 1988

  27. Light DanFlavin Untitled (in honor of Harold Joachim) Neon c 1979

  28. Color It is only after years of preparation that the artist should touch color --- --- not color used descriptively, that is, but as a means of personal expression. Henri Matisse

  29. Color

  30. Color Subtractive Color System (color scheme for pigments, paints, etc.) Ended 11am

  31. Color

  32. Color WayneThiebaud Four Cakes Lithograph 1999

  33. Color Girl Reading (La Lecture) Oil on canvas (o/c) 1905-06 The Piano Lesson Oil on canvas 1916 Henri Matisse

  34. JasperJohns See other

  35. To beginning Colors POGD

  36. Color Additive Color System

  37. Color Additive Color System RGB for lightwaves, i.e. digital cameras, TV, computer screens, the eye, scanners, etc.

  38. Romanticism England Example of local color Mr. And Mrs. Andrews Oil on canvas 1750 John Constable (1776 - 1837) The Hay Wain Oil on canvas 1821

  39. Impressionism Example ofoptical color Claude Monet Rouen Cathedral Oil on canvas 1894

  40. Texture and Pattern The word texture derives from the Latin word for ‘weaving.’ Pattern is repetition in organized form. - Fichner

  41. Pattern Blanket Mountain goat wool and cedar bark Tlingit

  42. Pattern WayneThiebaud Pie Counter Oil on canvas 1963

  43. Pattern The Great Mosque (Islamic) Cordoba, Spain 786

  44. Pattern and Texture Royal Mosque Isfahan, Iran 1612-1637 Deesis Mosaic (detail) Mosaic tile 1185 - 1204 Hagia Sophia, Istanbul, Turkey

  45. Texture (tactile,actual) Lion Capital Polished sandstone 250 BCE India

  46. Texture (tactile,actual) LouiseBourgeois Blind Man’s Bluff Marble 1984

  47. Texture (tactile,actual) Meret Oppenheim Object Fur 1936

  48. Texture (implied or the illusion of texture) JanBruegel Little Bouquet in a Clay Jar c.1600 Oil on wood panel

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