90 likes | 114 Views
The familiar language of painting has landscape as background for some context in the theme. Traditional Kerala paintings such as floor pictures done in color powder or mural paintings did not even warrant a situation to have landscape at all in the works. Landscape is a fragmented nature articulated compositionally to enhance the meaning of the context, to contextualize an episode or even to give an atmosphere of scenic<br>
E N D
ART WORK by www.TRINITYSTUDIO.co.in
About Trinity Studio Trinity Studio is a sister brand of Gallerie Angel Arts. It was envisioned by the owners Reshma Jani and Shwetambari Soni to fill the gap between inexpensive, decorative and investment worthy art.
The familiar language of painting has landscape as background for some context in the theme. Traditional Kerala paintings such as floor pictures done in color powder or mural paintings did not even warrant a situation to have landscape at all in the works. Landscape is a fragmented nature articulated compositionally to enhance the meaning of the context, to contextualize an episode or even to give an atmosphere of scenic beauty. Nature as such has only a secondary existence in all such works from Renascence period onwards or in the miniature and Ravivarma. In India nature is more a motif than just a background in the painting and in modern period it is almost like a referral point. Murali Nagapuzha
Bijita SharmaBeing born and brought up in “Assam” where nature is an integral part of one’s life, I always feel there is something wonderful in the beauty of the Nature. Nature’s brilliant glories enchant people and reawaken a special bond that has been established since this earth exists. I feel a profound connection with nature. Nature stirs my mind with its mystery and makes me manifest it in some way, which eventually took a form of painting. It opens me up to the wonders of the world. Constantly appealing and haunting me with its secrets. When I close my eyes and allow myself to soar across the landscape of my mind, my place of happiness has always been high up on the branch of a tree, away from the business of life and the noise of the city. Our struggles and harsh realities are transcended when we open up ourselves to the small and large spectacles of our universe. The physical components that make up nature, every little creature, or a leaf or the fun, movement by any animal or bird are like symbolic to me.
Suneel Mamadapur Works, primarily built around an edgy Surrealist vocabulary with its associated shifts and substitutions of images and visual registers, are deeply concerned with the ethical dimensions of contemporary life. My vehicle of choice to stage the dilemmas that face Modern man is the fable, a genre that has had the capability to marry topicality with a populist and didactic aspect that can address a wider audience. And allegorical imagination is tied to an urgent moral imperative and utilizes all the linguistic means that the genre puts at his disposal in order to uncover the iniquities that lie hidden beneath the codes that govern social life. The works resemble parables in their structural and linguistic organization, drawing upon the minutiae of everyday life which are often combined and recombined in surprising and unusual ways in order for it to be able to deliver its‘message’ in as succinct and unmistakable a form as possible. Fables, however, by their nature are not wordy; requiring a rather stringent economy of means for it to be effective, and by that same token is not really fertile territory for ‘interpretation’.
Contact Us Trinity Studioinfo@trinitystudio.co.in 02226394552 / 9004264652www.trinitystudio.co.in Address: 1702 Royal Resort, Shastri Nagar, Opposite Bhaktivedanta School, Andheri West, Mumbai, Maharashtra 400053