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M USIC T RADITIONS FROM THE S OUTH

M USIC T RADITIONS FROM THE S OUTH. TWO TYPES OF MUSIC TRADITIONS. Pre-Islamic Groups. Mountain dwellers, agriculturists /nomads use suspended gong instruments Indigenous Groups: Bagobo Manobo Bukidnon , etc. TWO TYPES OF MUSIC TRADITIONS. 2. Islamic Groups.

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M USIC T RADITIONS FROM THE S OUTH

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  1. MUSIC TRADITIONS FROM THE SOUTH

  2. TWO TYPES OF MUSIC TRADITIONS • Pre-Islamic Groups • Mountain dwellers, agriculturists /nomads • use suspended gong instruments • Indigenous Groups: • Bagobo • Manobo • Bukidnon, etc.

  3. TWO TYPES OF MUSIC TRADITIONS • 2. Islamic Groups • river dwellers, agriculturists, sea farers, fisher folks, • Use gongs in a row • Ethnic Groups: • Maguindanao • Maranao • Tausug

  4. 1. Bagobo • 2. Bukidnon • 3. Manobo • 6. Tausug • 5. Maranao • 4. Maguindanaon

  5. MUSIC OFTHE MAGUINDANAO

  6. GONG MUSIC • Gong and drum music of the south is performed in weddings and in other important festivities • Ensembles are commonly known as Kulintang ensemble • Gongs are laid in a row horizontally from biggest to smallest (same for Agong and Gandingan)

  7. Palabunibunyan • an ensemble of loud sounding instruments, composed of five kinds of instruments namely: Kulintang, agong, gandingan, babandir and dabakan • It is for merry • making and is not • played during • occurrences of • death, calamities • and fasting month • of Ramadan

  8. INSTRUMENTS OF THE PALABUNIBUNYAN BabandirDabakan Kulintang Gandingan Agong

  9. WOODEN COUNTERPARTS • “Tamlang” for Bamboo • Kulintang a Tamlang– for Kulintang • Gandingan a Tamlang– for Gandingan • Agong a Tamlang– for Agung • Takemba– for Dabakan • Kagul– for Babandir • “Kayu” for wood • Kulintang a Kayu– for Kulintang • Gandingan a Kayu– for Gandingan

  10. Sarunay / Saronay– a set of small bossed metal xylophone used as practice instrument for beginner kulintang players

  11. FOUR RHYTHMIC MODES OF MAGUINDANAON KULINTANG MUSIC Sinulog – characterized by a slow and flowing tempo Binalig– is also called Sirong Tidtu – used for musical competition due to its fast and complicated tempo which highlights the player’s virtuosity

  12. 4. Tagunggo – used for rituals accompanied by a ritual dance called Sagayan

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