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G.B.Shamilli Two paradigms of the relation between the “part” and the “whole”:

G.B.Shamilli Two paradigms of the relation between the “part” and the “whole”:. f rom Boethius to Safi al-Din al-Urmawi. T wo concepts – the m usical language and the musical speech are not metaphor ical, because the music is an information system.

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G.B.Shamilli Two paradigms of the relation between the “part” and the “whole”:

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  1. G.B.ShamilliTwo paradigms of the relation between the “part” and the “whole”: from Boethius to Safi al-Din al-Urmawi

  2. Two concepts – the musical language and the musical speech are not metaphorical, because the music is an information system Musical languageis a system of units ranged from thesound tothe scaleas a basic structure Musical speech is a succession of sound events which carry adefinitesense

  3. Soundscale :from do1 to do5

  4. Units of musical language : octavescale

  5. Units of musical language : pentachord

  6. Units of musical language : tetrachord

  7. Units of musical language : interval

  8. Units ofmusical language : sound

  9. Hierarchical paradigm of "part-to-whole" relation : the imageof the basic structure in Boethius treatise on music

  10. Hierarchical paradigm of "part-to-whole" relation : the partsare less than the whole, self-dependent and complementary

  11. Hierarchical organizationof"part-to-whole" relation : conjunct and disjunct tetrachord relations

  12. Hierarchical paradigm of "part-to-whole" relation : the parts are contrary , leaving a gap in between

  13. Hierarchical paradigm of "part-to-whole" relation : thewholein case of its augmentation or reduction remains the “sum of its parts”

  14. Hierarchical paradigmof "part-to-whole" relation : basic structure in al-Farabi`s theory of music

  15. Rāst d-e-f#-g-a-h-c1 Nawā d-e-f#-g ʻUššāq e-f#-g-a Muxālif-i Rāst g-a-h-c1 Hierarchical paradigm of "part-to-whole" relation : parde-i Rāstas a generic structure in Neyšabūrī`s theory of music

  16. Hierarchical paradigmof "part-to-whole" relation : generic structure parde-i Rāst in musical theory of Neyšabūrī (1), Muḥammad Laḍiqī (2), Ḥasan Kawkabī (3), Abd al-Raḥmān G̣aznawī (4)

  17. Hierarchical paradigm of "part-to-whole" relation : basic set in Milton Bebbit`s theory of music

  18. Non-hierarchical paradigm of "part-to-whole" relation : basic structure in Safī al-Dīn al-Urmawī`s theory of music

  19. Non-hierarchical paradigm of "part-to-whole" relation : indissoluble connection betweenRāst-`aṣlandˊIrāq (Būsalik, Ḥijāzī)-farʼ

  20. Non-hierarchical organizationof "part-to-whole" relation :оne-level and interconvertible relation

  21. Non-hierarchical paradigm of “part-whole” connection:al-Urmawī, al-Širāzī, al-Marāġī (1); Anonim XV (2); Amīrḥān (3); al-Jūrjānī (4)

  22. Non-hierarchical paradigm of “part-whole” connection:the scale of Iranian classical music (dastgāh-i Šūr)

  23. Substantial and prosses-dependent architectonics of consciousness: Сlassical Islamic musical genres display different types of sound domain organization on the basis of two implementations of the relation between the part andthe whole according to substantive and processual architectonics of consciousness, which is universal and can be found beyond the music of the Islamic world.

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