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Explore the dynamic cultural landscape of 17th-century Amsterdam, blending artistic dynamism with scientific innovation amidst religious tensions. Discover the Calvinist resistance, Dutch Reformed Church, scientific advancements, and intricate Dutch vernacular paintings ranging from still life to portraiture. Uncover the works of renowned artists such as Vermeer and Rembrandt, reflecting the unique blend of detail, scientific discovery, and personal narratives in Northern Baroque art.
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Chapter 26: The Secular Baroque in the North The Art of Observation
Amsterdam Canals
Calvinist Amsterdam: City of Contradictions • Highly commercial – acquisition of all kinds of goods a fundamental preoccupation • Center of commerce in European north • Goods traded from throughout the globe • Rigidly religious – austere in doctrine and in church decoration
Amsterdam’s Independence • Calvinist resistance to Spanish dominion in 16th century • 1567 Dutch flood their lands rather than submit to the Spanish Duke of Alba • 1576 Spanish Fury – leads to death of 7,000 citizens in Antwerp. • 1581 northern provinces declare their independence from Spain • Amsterdam becomes the most important port in the North displacing Antwerp.
The Dutch Reformed Church • Proclaimed by Calvinist leaders in 1571 • Although not an official state religion in the Netherlands, any person in public service had to belong to this church
Strictly Calvinist in doctrine • Strong belief in the predestination of salvation • Good works were useless in gaining salvation • Interior of churches devoid of ornamentation – reflecting the purity and propriety of the congregation
The Science of Observation • In the 17th century Amsterdam was the most scientifically advanced city in the world. • Inventions: • Lens • Telescope • Microscope
The Science of Observation • Astronomy: • Kepler perfects Copernicus’ heliocentric theory of the Universe • Galileo improves the microscope and discovers gravity • The Church authorities persecute, incarcerate or execute scientists.
Francis Bacon (1561-1626) • Bacon was a leading advocate of the empirical method, based on inductive reasoning (direct observation of phenomena) • However, utter reliance on senses could lead to fundamental errors • The four Idols (the Tribe, the Cave, the Marketplace, the Theatre) were errors in reasoning that could lead one astray • One of the founders of the Royal Society, a leading force in international science even today.
Rene Descartes (1596-1650) • Championed the process of deductive reasoning, the opposite of Bacon’s process. • Believed that both observational senses and thought itself could mislead and deceive. • Among the founders of deism, which asserts that religious belief is ultimately based in reason and logic. • Famously stated “cogito, ergo sum” (I think, therefore I am.)
Dutch Vernacular Painting Marked by intricate attention to detail, Dutch paintings of the 17th century can be grouped in several categories: • Still life: representation of household objects and/or food • Landscape: the representation of the countryside • Genre scenes: images of everyday life • Portraits, either individual or group: the representation of personal likeness.
Still Life • Flowers in a Wan-li Vase with Blue-Tit by Johannes Goedaert, c. 1660 • Example of vanitas painting – reminder that earthly pleasures do not last • Reflects righteous Protestant principles
Landscape • May reflect Dutch national pride at reclaiming extensive lands from the sea (similar to God’s re-creation of the world after the Flood) • Much emphasis on the infinite reaches of the heavens in such pictures
Genre Paintings • May be boisterous, fun-filled scenes or quiet domestic interiors • Depict the everyday, commonplace world of Dutch life • Remarkably detailed – new aspects emerge upon repeated viewing • Johannes Vermeer was a notable artist in this genre.
Portraits • Seek to convey the sitter’s vitality and personality • Beginning with Frans Hals (1581-1666), group portraits depict dynamic social relationships, involved in activities of their organization, with subtle indications of rank, prestige, or power
Rembrandt (1606-1669) • Pre-eminent painter of portraits – group, individual, self-portraits • Highly dramatic use of light
Rembrandt (1606-1669) • The Anatomy Lesson
Rembrandt (1606-1669) • The Nightwatch
Features of Baroque Art in the North • Northern Baroque art is characterized by high levels of attention to detail. • It reflects both scientific discovery of the era and religious conviction. • Visual detail was understood as the earthly manifestation of the divine. • Absence of religious themes • Private demand rather than religious art commissioned by the Church