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1. Susanne LangerArt as Symbolic ExpressionFrom Feeling and Form ????:???
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3. Susanne Langers history Susanne K. Langer was born in Manhattan to German immigrant parents in 1895. She was raised in a rich intellectual and artistic environment. She earned her bachelors degree from Radcliffe in 1920; she completed her masters and doctorate in philosophy at Harvard in 1924 and 1926, respectively. For the next fifteen years, Langer taught philosophy at Radcliffe, Wellesley, Smith, and other colleges while raising two sons and writing her first scholarly works. In 1952, Langer was named chair of the Philosophy Department at Connecticut College, retiring in 1962 as professor emeritus.
4. Susanne Langers Books Langers first book was a study of myth and fantasy, The Cruise of the Little Dipper, and Other Fairy Tales (1924). Her first philosophical treateses were The Practice of Philosophy (1930) and An Introduction to Symbolic Logic (1937). With the publication of Philosophy in a New Key: A Study in the Symbolism of Reason, Rite, and Art (1942) and Language and Myth (1946), her translation of the work of German philosopher Ernst Cassirer, Langer became known as a leading figure in the philosophy of art. From 1945 to 1950, she taught at Columbia University where she received a Rockefeller Foundation grant to write Feeling and Form: A Theory of Art (1953). Langer spent the last years of her life at her colonial home in Old Lyme where she dedicated herself to the writhing of the three volum Mind: An Essay on Human Feeling (1967, 1972, 1982), the culmination of her lifes work.
5. Susanne Langers best-known work Langers best-known work, Philosophy in a New Key, sold over 500,000 copies by the time of her death, making it one of Harvard University Press all-time best sellers. For decades it was one of the most commonly assigned texts on college campuses, appearing on the syllabi of a variety of courses, including anthropology, literature, psychology, religion, and art history, as well as philosophy. Susanne Langer received numerous awards and honors throughout her career, and in 1960 was elected to the American Academy of Arts and Sciences. Her private papers are housed at the Connecticut College Library where a brouze bust of her was dedicated in 1988.
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1.Philosophy in a New Key: A Study in the Symbolism of Reason, Rite and Art (1942)
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2.Feeling and Form (1953)?????
3.Problems of Art (1957)????
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Art is the creation of forms symbolic of human feeling.
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11. Definitions:
Sign: indicates the presence, past, present, or future, of a thing, event, or condition. A sign and its symbol are associated as a pair. There are natural sign (smoke signals fire) and artificial signs (a whistle signals the train is moving).
Symbol: reminds us of something; it does not evoke action appropriate to the presence of its object. Symbols are vehicles for the conception of objects. Symbols stand for the idea of an object, not the object itself.
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18. Art as Symbolic ExpressionFeeling and Form
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23. ?? Mind: An Essay on Human Feeling (1967, 1972, 1982)
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