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Final Storyboard for Orange Light

Final Storyboard for Orange Light. Theresa Chen Wei-Ting Du David Kjos, Jr. Elizabeth Liu Lindsey Snider. Opening shot is a wide view of girl walking down an urban, grimy city street No cars, no people. Sounds of rustling trash and debris. 00:00:0000. “.

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Final Storyboard for Orange Light

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  1. Final Storyboard for Orange Light Theresa Chen Wei-Ting Du David Kjos, Jr. Elizabeth Liu Lindsey Snider

  2. Opening shot is a wide view of girl walking down an urban, grimy city street • No cars, no people. Sounds of rustling trash and debris. 00:00:0000

  3. “ • Cut to front view, girl walking toward camera 00:03:0500

  4. More walking 00:05:0500

  5. As she approaches the viewer, we see a light shining on the left, in an alleyway. Her necklace glows with the light. 00:07:0500

  6. She quickly turns to look at the light 00:08:0500

  7. Cut to a view from behind. We see the light in the alleyway, the girl is silhouetted against the bright light. The surrounding city street becomes dark in contrast. 00:10:0000

  8. The girl runs down the alleyway, following the light. 00:12:0500

  9. She chases after the light. The alleyway has become a vast, dark space 00:14:0000

  10. Cut to a closer shot of the girl running. She chases after the light, but where has it gone? At end of shot, we see her briefly slowing down, then in the next cut… 00:16:0000

  11. … she comes to a full stop. Cut to a close-up of the girl. She stops and looks around, worried and confused. There’s no sign of the light. 00:17:0700

  12. As she turns and looks around, stars begin to fade in from the background 00:19:0700

  13. The stars become even brighter. She turns and looks around, amazed. • Character animation will be important to this scene in order to convey a sense of wonder through movement 00:21:0700

  14. Cut to a zoomed-out shot of the girl from behind. We see she’s in a vast space, surrounded by nothing except stars 00:23:0700

  15. As the scene continues, we start to see something fading in from the background • Girl should probably be moving during this time? 00:25:0700

  16. We see a scene of warehouse rooftops fade in, and the girl is standing atop one of the roofs. The stars are fading out. 00:27:0700

  17. We see the girl standing atop a warehouse rooftop. 00:29:0700

  18. Cut to a shot of her feet slipping, to emphasize the change of environment 00:31:0700

  19. Cut to a shot of the girl above to show her regaining her balance. The light appears near her. 00:32:0200

  20. Cut to a shot of the girl running across the warehouse rooftop, chasing the light 00:33:0200

  21. Cut to an overview shot. We see the girl running over one of the rooftops, chasing the light. 00:35:0200

  22. The girl runs to one of the rooftops, and knees down, appearing to be watching something 00:38:0200

  23. Cut to her sneaking a peek at whatever she’s looking at 00:41:0200

  24. Cut to her from behind so we can see what she’s looking at. There’s nothing except for the light. 00:43:0200

  25. As she watches, she sees the silhouette of a figure fade in, caused by the light No detail, just a pale, light silhouette, a white translucent shadow. The figure moves in slow, lethargic motions. Side-shifting from side to side, very slow 00:46:0200

  26. She continues to see the figure fade in • (Next slide is a diff. view; keep this view or switch to that one?) 00:48:0200

  27. As the first figure is slowly moving, it stands more upright and becomes slightly more solid. As he does so, another figure emerges from where the first figure stood, moving in the same slow motions and more translucent 00:50:0200

  28. Continued slow, lethargic movements, hypnotic. More figures. First figure becomes more solid, second one more solid, etc. Girl continues to watched, transfixed. 00:53:0200

  29. Cut to close up of girl’s face • Show reflections in eyes? Cut to a close-up of the girls eyes, transfixed, with the light-figures reflecting in her irises 00:56:0200

  30. The combined movements of the now-four figures will have a very hypnotic, mesmerizing effect. Transparency effects will occur as the figures overlap each other. 00:58:0200

  31. Slowly, but deliberately, all four figures stand erect in unison. 01:01:0200

  32. Cut to close up of girl’s face • Show reflections in eyes? Cut to a close-up of the girl again, she stares on in amazement 01:03:0200

  33. One by one, the figures begin to disappear, starting from the most solid/opaque figure. 01:05:0200

  34. Only one figure is left, and, already translucent, he begins to fade out even more. 01:09:0200

  35. The figure can only be vaguely seen, but the orange light appears again and glows by his head. 01:11:0200

  36. Cut to a close-up of the figure. We see part of the outline of the figure illuminated. The shape of the figure is invisible except for the part where the light traces his outline. 01:13:0200

  37. The light moves downward - tracing his outline - and as it does so we see the figure become more solid and less transparent. 01:15:0200

  38. Light moves down his outline again, figure becomes more solidified. 01:17:0200

  39. Light moves down outline again, figure becomes less solid. He fades in and out as the light traces his outline. 01:19:0200

  40. Light moves up again, figure becomes more solid. 01:21:0200

  41. Finally, light extends to his back, and the figure becomes more solid than before, and illuminated by the light. 01:23:0600

  42. Girl is intrigued, and rises up slightly to get a better view. 01:26:0600

  43. At first, figure doesn’t respond 01:29:0600

  44. Figure turns his head towards girl. As he does so, the light moves to illuminate his face. We see no eyes, but a pendant around his neck glows in response to the light. The pendant is the same as the girl’s that we saw in the beginning of the animation. 01:31:0600

  45. Close-up of a scary image of the girls face. She gasps, surprised and wide-eyed, when the figure turns to her. 01:33:0600

  46. Cut to a farther away shot where the figure and the girl are on opposite sides of the screen. The figure is fixed to the spot, the girl has risen or is rising slightly. 01:35:0600

  47. Cut to a shot of the girl’s feet stepping up onto the ledge of that rooftop, towards the figure 01:38:0600

  48. She runs toward him, arms extended. The background is warmer in color. The light and his pendant, as well as her necklace (not shown in this frame), are all glowing 01:39:0600

  49. She embraces him, the light moves out of her way, and he raises a timid arm around her. 01:41:0100

  50. Close-up of the boy’s featureless face 01:43:0100

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