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Discover the essence of tragedy through Aristotle and Shakespeare's perspectives on tragic heroes with fatal flaws and the cycle of fortune. Learn about catharsis and restoration of social order in tragedies.
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Where does tragedy come from? • The Greek philosopher Aristotle first defined “tragedy” in his book Poetics written in about 330 B.C.
Aristotle’sdefinition of tragedy had SIX parts: • Plot (Dramatic Structure) • Character • Thought • Diction (delivery/elocution) • Spectacle (visual demonstration) • Melody (musical/fluidity)
What Defines Shakespearean Tragedy? • A Tragic Hero • The Tragic Flaw or Hamartia • Reversal of Fortune • Catharsis (emotion) • Restoration of Social Order
The Tragic Hero • The tragic hero is someone we, as an audience, look up to—someone superior. • The tragic hero is a character that the audience can identify with • The tragic hero features a fatal flaw that exposes his/her weakness. What makes each of these figures a tragic hero?
Tragic Flaw • The hero is nearly perfect • The hero has one flaw or weakness • We call this the ‘tragic flaw’, ‘fatal flaw’, or hamartia. Ex: Pride
Reversal of Fortune • The ‘fatal flaw’ brings the hero down from his/her elevated state. (Frankenstein? Winston?) • Renaissance audiences were familiar with the ‘wheel of fortune’ or ‘fickle fate’. • What goes up, must come down. • Cycle of life
Catharsis • We get the word ‘catharsis’ from Aristotle’s katharsis. • ‘Catharsis’ is the audience’s purging of emotions through pity, fear, anger, etc. • The spectator is purged as a result of watching the hero fall. • This is why we cry during movies!
Restoration of Social Order • Tragedies include: • a private element (within a family or small group) • a public element (society or governmental order) • The play cannot end until society is, once again, at peace.