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A Look at How Artists and Art Students Create Dialogue Chad Allman ARE 6450

A Look at How Artists and Art Students Create Dialogue Chad Allman ARE 6450. Purpose. “incongruity through use of images, materials, design elements, and/or text in a variety of combinations” (Klein 2008). Critical analysis and understanding Provides motivation

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A Look at How Artists and Art Students Create Dialogue Chad Allman ARE 6450

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  1. A Look at How Artists and Art Students Create Dialogue Chad Allman ARE 6450

  2. Purpose • “incongruity through use of images, materials, design elements, and/or text in a variety of combinations” (Klein 2008). • Critical analysis and understanding • Provides motivation • Conceptual, visual and textual growth in art • Cognitive, social and developmental growth in life

  3. Concepts • Incongruity • Transformation • Juxtaposition • Dark Humor • Parody • Appropriation • Satire • Autobiography • Pun (Klein 2008)

  4. Tarleton Blackwell“Uncle Possum”1996 Parody –variations of cultural Icons and images Appropriation – taking a form or icon and giving it new meaning

  5. Tarleton Blackwell “Clear and Present Danger” 2006

  6. Diego Velazquez“Pope Innocent X”1650 Tarleton Blackwell “Pope Innocent X, No. 3” 1995

  7. Diego Velazquez“Las Meninas”1656 Tarleton Blackwell “Las Meninas” 1996

  8. Tarleton Blackwell “Ultimate Pig-Out” 2003

  9. Tarleton Blackwell “Miss Liberty II” 2003

  10. Incongruity- lack of harmony Transformation- Creating a hybrid form out of two or more elements Cynthia Consentino “She Irons III” 2000

  11. Cynthia Consentino “Children Should Be Seen and Not Heard” 2005

  12. Cynthia Consentino “Words Will Never Hurt Me” 1998

  13. Cynthia Consentino“Untitled (Girls with Guns)”1998

  14. Cynthia Consentino “Girl Mold II” 1998-1999

  15. Charles Krafft“Hitler Teapot” Juxtaposition- placing different words or images side-by-side Dark Humor- confronts death, violence, disasters, and personal crisis

  16. Charles Krafft “Fragmentation Hand Grenade”

  17. Charles Krafft “Balkan Bunny w/ fragmentation Bud Vase”

  18. Charles Krafft “Biological Warfare Cannister Grenades”

  19. Charles Krafft “Artist Rifles Intratec”

  20. Satire- gently or aggressively mock or sting. -relative to the artist’s feelings toward subject Autobiography- creating dialogue from personal experiences Susan Taylor Glasgow “One Thing Leads to Another” 2008

  21. Susan Taylor Glasgow “One Thing Leads to Another” 2008

  22. Susan Taylor Glasgow “It’s Easy to Love Roses” 2008

  23. Susan Taylor Glasgow “Raspberry Tart” 2007

  24. Pun- juxtaposition and transformation in wordplay and text Micheal Ray Charles “(Forever Free) Tommy Hilnigguh” 1999

  25. Micheal Ray Charles “(Forever Free) Hello I’m Your Neighbor” 1997

  26. Micheal Ray Charles “(Forever Free) Art In American” 2000

  27. Micheal Ray Charles “(Liberty Brothers Permanent Daily Circus” 1995

  28. Micheal Ray Charles “(Forever Free) Buy Black!” 1996

  29. Micheal Ray Charles “(Forever Free) ‘Servin with a smile” 1994

  30. Adhemas Batista

  31. Adhemas Batista

  32. Adhemas Batista

  33. Adhemas Batista

  34. Adhemas Batista

  35. Adhemas Batista

  36. ReferencesAdhemas Batista. (2009). Artist Website. Retrieved March 10, 2009, from http://www.adhemas.com/American Studies Today: Online. (1998). The image of the pig in southern culture.Retrieved March 5, 2009, from http://www.americansc.org.uk/Online/hogseries.htmAntiques A to Z. (2005). Charles Krafft. Retrieved March 5, 2009, from http://www.antiquesatoz.com/artatoz/krafft/delft.htmArt:21. (2007). Micheal Ray Charles. Retrieved March 2, 2009, from http://www.pbs.org/art21/artists/charles/#Behance Networks: Creative Portfolios, Projects and Collaborations. (2009). Adhemas Batista. Retrieved March 10, 2009, from http://www.behance.net/AdhemasCity Art Gallery. (2004) Tarleton Blackwell. Retrieved March 5, 2009, from http://www.cityartonline.com/ARTISTS/BLACKWELL.htmConfrontational Ceramics. (2009). Cindy Consentino Biography. Retrieved March 17,2009, from http://www.confrontationalceramics.com/artists.htmlCynthia Consentino. (2006). Artist Website. Retrieved March 17, 2009, from http://www.confrontationalceramics.com/artists.htmlDirt Gallery. (2009). Charles Krafft. Retrieved March 5, 2009, from http://www.dirtgalleryla.com/dirt_charleskrafft.htmlDuncum, P. (2008) Popular culture in the art k-12 classroom: contributions and challenges. Translations, Vol. 17 No. 1.

  37. International Expositions of Sculpture Objects and Functional Art. (2009). Susan Taylor Glasgow Interview. Retrieved March 2, 2009, from http://www.sofaexpo.com/chicago/2006/live/mpg/glasgow.htmKlein, S. R. (2008) Comic liberation: the feminist face of humor in contemporary art. Art Education, 61(2), 47-52.Lehigh University Art Galleries. (2009). Mix, Merge, Mimic: Connecting Fiber with Glass. Retrieved March 2, 2009, from http://www.luag.org/pages/viewfull.cfm?ElementID=505Salon.com. (2009). Been there smashed that. Retrieved March 5, 2009, from http://dir.salon.com/story/people/feature/2002/05/30/krafft_profile/index. htmlSlideshare: Present Yourself. (2009). Adhemas Batista. Retrieved March 10, 2009, from http://www.slideshare.net/carlosweb/adhemas-batista-artSusan Taylor Glasgow. (2009). Artist Website. Retrieved March 2, 2009, from http://www.taylorglasgow.com/index.htmTarleton Blackwell. (2009). Artist Website. Retrieved March 5, 2009, from http://www.tarletonblackwell.com/iWeb/tarletonblackwell.com/Welcome. htmlWheaton Arts. (2006). Susan Taylor Glasgow. Retrieved April 7, 2009, from http://www.wheatonarts.org/creativeglasscenteramerica/fellowshipprogr am/pastfellows/taylorglasgowsusan

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