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✔PDF✔ Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Ba

6 minutes ago - COPY LINK TO DOWNLOAD : https://slideservehome.blogspot.com/?vivi=0826429394 | Read ebook [PDF] Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Bad Screenplays | From the author's introdution:This book isn't about me, it's about you. I am a teacher, not a guru. As a wise teacher once said, &quot With a guru it is all about the guru&#8213 his vision and the students' loyalty to him. Whereas with a teach<br>

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✔PDF✔ Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Ba

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  1. PDF Understanding Screenwriting: Learning from Good, Not-Quite-So-Good, and Bad Screenplays Full

  2. Description From the author's introdution:This book isn't about me, it's about you. I am a teacher, not a guru. As a wise teacher once said, &quotWith a guru it is all about the guru&#8213his vision and the students' loyalty to him. Whereas with a teacher, it is all about the students learning.&quotYou should be reading this book because you, as screenwriters, directors, producers, development executives, critics, historians, students in thosedisciplines, and just plain movie fans want to learn about screenplays.Feisty, clever, entertaining, and at times incredibly arch and cutting, Tom Stempel's Understanding Screenwriting delivers a practical how-to (or how-NOT-to) guide to writing a screenplay. Why study a bad screenplay? For the simple fact that it will train you to look for problems in your own work and avoid them in the future. &#8226Why does Rear Window's success owe more to John Michael Hayes's screenplay than Alfred Hitchcock's directing?&#8226Why is Bull Durham's &quotI believe in the church of baseball&quotone of the great opening lines in the history of movies?&#8226Why is James Cameron's first draft screenplay for Titanic better than the film?&#8226What can we learn from Kinsey about writing about sex for American audiences?&#8226Why is Lawrence of Arabia one of the best examples of &quotwriting for performance&quotin films, not only the performances of the actors, but also of the director, cinematographer, and composer?Stempel guides the reader through a cross section of cinema: historical epic, adventure,science fiction, teen comedy, drama, romantic comedy, suspense&#8213films with budgets large and small. selective in its discussions and (sometimes withering) analyses, Stempel dissects the blockbusters and the bombs, discusses why certain aspects of a screenplay work and others do not, explains the difference between the film we watch and what was, the screenplay, and lays out some of screenwriting's hard and fast taboos, only to give examples of screenplays that break them, with successful results. Full of insight for novice and expert screenwriters alike, Understanding Screenwriting is the perfect book for anyone looking to gain a deeper understanding of how screenplays work.

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