110 likes | 217 Views
Aesthetics: Contemporary Theories. Further Information. See www.artandallusion.com My email: nigelwarburton@aol.com. Week by Week. 1) Against Definition 2) The Institutional Theory 3) Identifying Art 4) Aesthetic Concepts 5) Artists’ Intentions 6) Style and Personality. Last week.
E N D
Further Information • See www.artandallusion.com • My email: nigelwarburton@aol.com
Week by Week • 1) Against Definition • 2) The Institutional Theory • 3) Identifying Art • 4) Aesthetic Concepts • 5) Artists’ Intentions • 6) Style and Personality
Last week • Dickie’s Institutional Theory of Art • Attempts to give a definition in terms of relational properties • Artifact plus status conferral my member of the artworld
Criticism of Dickie • Richard Wollheim’s Dilemma: • Either there are good reasons for conferral (which then constitute a non-Institutional theory of art) • Or conferral of status is arbitrary and trivial (doesn’t match intuitions about link between art and value)
This Week • Noël Carroll on Identifying Art (reading 39)
Starting Point • We can usually identify works of art, even though we can’t give a precise definition of art • Question: How do we achieve this consensus?
Carroll’s answer • Historical narration is the primary strategy we use for classifying art (see p.454)
Problem Situations • E.g. Warhol’s Brillo Boxes… • Response: tell a story linking to preceding art • What we seek are EXPLANATIONS not DEFINITIONS
NOT • a) Family resemblance (neo-Witt.) view • Because interested in not just resemblances to preceding art but ancestry/genetics/descent • (and NOT denying that art might be able to be defined)
NOT • Not a Definition at all…rather a description of what actually happens