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Cultural policy and Australia’s cultural heritage: Issues and challenges in the GLAM landscape. Wendy Davis a nd Katherine Howard Faculty of Science and Engineering Queensland University of Technology RAILS8, June 2012. Today’s presentation. Background
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Cultural policy and Australia’s cultural heritage: Issues and challenges in the GLAM landscape Wendy Davis and Katherine Howard Faculty of Science and Engineering Queensland University of Technology RAILS8, June 2012
Today’s presentation • Background • Commonwealth Cultural Policies: from Creative Nation (1994) to current situation • Responses of our national collecting institutions to the Cultural Policy Discussion Paper (2011)
GLAM • Guiding ‘principles’ • Digital technology • Collaboration and convergence • Issues and Challenges • What’s in a name? • Multi-faceted discipline • Cultural policy focus
Cultural Policy in Australia • Creative Nation (1994) • Resonance with GLAM • Emphasis on user access • Recognition of new relationship between technology and culture • Institutional collaboration – “Distributed National Collection”
2012 and beyond…. • Cultural Policy Discussion Paper (2011) • National Broadband Network • 10 year plan • Few specifics about “collecting institutions”
Visions for a GLAM future • National Gallery of Australia • National Library of Australia • National Archives of Australia • National Museum of Australia
National Gallery of Australia • No public response • Mission – to maximise a sense of place and national cultural heritage and identity
National Library of Australia • Active digitisation program (newspaper project, Trove) • Encourages user participation • Already engaged in collaborative activity • Need to continue digitisation projects to preserve cultural heritage for the future
National Archives of Australia • Serves both Government and public • “helping Australians better understand their heritage and democracy” (NAA, 2012) • Need to preserve cultural records for future generations • Increased access through digitisation
National Museum of Australia • “culture” more than “the arts” • Defines itself as a “collecting AND educational” institution • Emphasis also on use of digital technology to increase access for users
Looking for a GLAM future • From collaboration to convergence • The Digital Cultural Sphere Submission Paper (2011) • Distributed National Collection • Move past “in-house” collaboration • A national coordinating body – a “pan-institutional” cultural heritage policy
Can Australia become a GLAM nation? Wendy Davis @wendyldavis wendy.davis@connect.qut.edu.au Katherine Howard - @K1Howard k9.howard@student.qut.edu.au