Foundations of Art and Design

1. Foundations of Art and Design Chapter 6: Texture

2. How: Building up paint thickly on the canvas surface is a common technique used for creating texture in a painting. What is this called? Fig. 6.2 Portrait of Father, No. 2 by Leon Kossoff

3. How: Building up paint thickly on the canvas surface is a common technique used for creating texture in a painting. What is this called? • Impasto • Stippling • Painting • None of these Fig. 6.2 Portrait of Father, No. 2 by Leon Kossoff

4. Types of Texture There are 2 Types of Texture. Which is depicted in Fig. 6.8 Accession II by Eva Hesse? Fig. 6.8 Accession II by Eva Hess

5. Types of Texture There are 2 Types of Texture. Which is depicted in Fig. 6.8 Accession II by Eva Hesse? • Actual texture • Visual texture

6. How: In what style of artwork does the artist include wallpaper, newspaper clippings, etc. in the work? And which was started by Pablo Picasso and Georges Braque? Fig. 6.9 Still Life with ChairCaning by Picasso

7. How: In what style of artwork does the artist include wallpaper, newspaper clippings, etc in the work? And which was started by Pablo Picasso and Georges Braque? Fig. 6.9 Still Life with ChairCaning by Picasso • Decoupage • Impasto • Collage • Scrap booking

8. Fig. 6.11 The Raft of the Medusa by Théodore Géricault

9. Fig. 6.11 The Raft of the Medusa by Théodore Géricault depicts a historic tragedy. In what way does this traditional style of painting exhibit texture? • What are you talking about? There is no texture. • The bodies and the clothing of the people become visual texture. • The spray of the water and the clouds create texture. • The bodies and the clothing of the people become visual texture and the spray of the water and the clouds create texture. Fig. 6.11 The Raft of the Medusa by Théodore Géricault

10. Fig. 6.12 Medusa by Frank Stella

11. In Fig. 6.12 Medusa, Frank Stella reworks a historical theme. How does his work differ from the original? (Seen in the previous slide.) • Stella’s uses actual texture. • Stella’s is 3D. • Stella’s work incorporates found objects. • All of these Fig. 6.12 Medusa by Frank Stella

12. Visual Texture When the actual materials have been manipulated so that they no longer resemble the original substance this is referred to as Visual Texture or . . . Fig. 6.14 Morisse by Lynda Benglis

13. Visual Texture When the actual materials have been manipulated so that they no longer resemble the original substance this is referred to as Visual Texture or . . . • Simulated Texture • Actual Texture • Collage • None of these Fig. 6.14 Morisse by Lynda Benglis

14. Fig. 6.18 In the Car by Roy Lichtenstein

15. When the texture of an artwork departs from the real texture of an object, such as in Fig 6.18 In the Car by Roy Lichtenstein what is it called? • Visual Texture • Actual Texture • Abstract Texture • Invented Texture • Subversive Texture Fig. 6.18 In the Car by Roy Lichtenstein

16. Invented Texture Fig. 6.20 Listen to the Livin by Matta Eschaurren

17. When the texture of a piecemakes no reference to visible reality it is referred to as: • Visual texture • Actual texture • Abstract texture • Invented Texture • Subversive Texture Fig. 6.20 Listen to the Livin by Matta Eschaurren

18. Subversive Texture Fig. 6.21 Object by Meret Oppenheim

19. Fig. 6.21 Object by Meret Oppenheim uses texture to make the viewer look again at an object and to think about it more deeply. What type of texture is this? • Visual Texture • Actual Texture • Abstract Texture • Invented Texture • Subversive Texture Fig. 6.21 Object by Meret Oppenheim

20. Texture and Pattern Pattern - an overall design based on the repetition of a grouping of elements like line, shape, color, or texture. Fig. 6.25 Double Rocker by Oliver Herring

21. Texture and Pattern In Fig. 6.25 Double Rocker by Oliver Herring why do you think the artist uses texture? • To evoke an emotional response from viewers. • To add significant dimension to a work of art. • To communicate their own emotions and evoke a similar response in the viewer. • To make the viewer look again at an object and to think about it more deeply. • All of these Fig. 6.25 Double Rocker by Oliver Herring

22. Texture and Composition Fig. 6.27 3D by Judy Pfaff In Fig. 6.27 3D by Judy Pfaff do you feel that texture is used . . .

23. Texture and Composition • To create pattern • As a compositional device • Compositionally • To lead a viewer’s eye through a piece • All of these In Fig. 6.27 3D by Judy Pfaff do you feel that texture is used . . . Fig. 6.27 3D by Judy Pfaff

24. Texture and Space Fig. 6.28 Merced River, Yosemite Valley by Albert Berstadt

25. Texture and Space Gradation in texture can be used to communicate the illusion of depth. As an object gets further away the texture becomes less distinct as depicted in Fig. 6.28 Merced River, Yosemite Valley by Albert Berstadt. What is this type of texture called? • Texture Gradient • Visual Texture • Actual Texture • Abstract Texture • Invented Texture • Subversive Texture Fig. 6.28 Merced River, Yosemite Valley by Albert Berstadt

26. Texture as Subject Fig. 6.29 Breakout III by Jean Gibson

27. Texture as Subject Do you feel that elements of art such as line, shape, color, and texture function as the subject to works of art? • Yes • No Fig. 6.29 Breakout III by Jean Gibson