1 / 4

STANISLAVSKI

STANISLAVSKI. About Stanislavski. Stanislavski was born on 17 th January 1863 in Moscow, Russia. He passed away on 7 th August 1938. Stan real name was Constantin Stanislavski.

arich
Download Presentation

STANISLAVSKI

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. STANISLAVSKI

  2. About Stanislavski • Stanislavski was born on 17th January 1863 in Moscow, Russia. He passed away on 7th August 1938. • Stan real name was Constantin Stanislavski. • He was born into one of the richest families in Russia and adopted the stage name Stan to hide his acting away from his parents. • Stanislavski was a Russian actor and theatre director, he accomplished Order of Lenin – 1937, Order of the Red Banner – 1938 and People’s Artist of the USSR - 1936 • Stanislavski treated theatre-making as a serious effort, requiring dedication, discipline and integrity. Throughout his life, he subjected his own acting to a process of strict artistic self-analysis and reflection.

  3. Early Influences • Being increasingly interested in ‘living the part’ Stanislavski was able to maintain characterization in real life. • Disguising himself as a tramp or drunk and visiting railway station, or disguising himself as a fortune-telling gypsy. • Stanislavski then took his characterization in real life to the rest of his cast to then make a short comedy in which he performed in 1883. • In 1884, he began vocal training under Fyodor PetrovichKomissarzhevsky, with who he also explored the co-ordination of voice and body. • Together they made exercises in moving and sitting stationary “rhythmically”, which anticipated Stanislavski’s later use of physical rhythm when teaching his system to opera singers.

  4. By Zachary Spooner 12.6

More Related