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Errors that made my head hurt in your bibliographies. Please pay attention and proofread carefully.
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Errors that made my head hurt in your bibliographies. Please pay attention and proofread carefully.
Blumenthal, Anna S. “’More stories Than the Devil Got Sinners’: Troy’s Stories in August Wilson’s Fences.” American Drama 9.2 (Spring 2006): 74-96. Literature Resource Center. Web. 19 Mar. 2012. <http://go.galegroup.com>.
Underline or italicize the title of the book or play even when it appears in the title of an article: Blumenthal, Anna S. “’More stories Than the Devil Got Sinners’: Troy’s Stories in August Wilson’s Fences.” American Drama 9.2 (Spring 2006): 74-96. Literature Resource Center. Web. 19 Mar. 2012. <http://go.galegroup.com>.
Kroupi, Agori. “The religious implications of fishing and bullfighting in Hemingway’s work.” The Hemingway Review 28.1 (2008): 107. Literature Resource Center. Web. 19 Mar. 2012.
Capitalize all the major words in the title of the article. Kroupi, Agori. “The Religious Implications of Fishing and Bullfighting in Hemingway’s Work.” The Hemingway Review 28.1 (2008): 107. Literature Resource Center. Web. 19 Mar. 2012.
Naumann, Marina Turkevich. “Raskolnikov’s Shadow: Porfirij Petrovic.” Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 167. Detroit: Gale, 2006. N. pag. Rpt. of Slavic and East European Journal 16.1. N.p.: n.p., 1972. 42-54. Literature Resource Center. Web. 20 Mar. 2012. <http://go.galegroup.com>.
Do not deny the very existence of your source. Naumann, Marina Turkevich. “Raskolnikov’s Shadow: Porfirij Petrovic.” Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 167. Detroit: Gale, 2006. N. pag. Rpt. of Slavic and East European Journal 16.1. N.p.: n.p., 1972. 42-54. Literature Resource Center. Web. 20 Mar. 2012. <http://go.galegroup.com>.
Remember that all grammar, mechanics and punctuation is a code. The code does not work if you do not follow it exactly. Do not fail your colleagues. Do not leave me out in the field with no access to the safe house. FOR THE LOVE OF ALL THAT IS HOLY - FOLLOW THE CODE.