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THE ART & SCIENCE of NOTHINGNESS

Consciousness & Connectivity panel by Roy Ascott director, Planetary Collegium SIGGRAPH August 1, 2005. THE ART & SCIENCE of NOTHINGNESS. How does the invisible realm impact us? Are there ways that technology can help us access this space?. Human Networks.

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THE ART & SCIENCE of NOTHINGNESS

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  1. Consciousness & Connectivitypanel by Roy Ascottdirector, Planetary CollegiumSIGGRAPHAugust 1, 2005

  2. THE ART & SCIENCE of NOTHINGNESS

  3. How does the invisible realm impact us?Are there ways that technology can help us access this space?

  4. Human Networks

  5. Tetrahedrons & hexagonscolors, intervals and soundwaves

  6. Can the artist engage the science of the invisible in meaningful ways without becoming didactic or in service of science?

  7. FEELING IS BELIEVING

  8. Feeling the invisible: The principle of the Scanning Tunneling Microscope STM A billion times larger Where the real finger is the Eiffel tower, the atom a golf ball Its mainly nothingness

  9. The finger: a fine needle terminated by a single atom

  10. Feeling is seeing: Buckminsterfullerine molecules One nanometer across We are looking at electron probabilities and waves here It’s mainly empty space!

  11. What is the EMPTY space?Is there NOTHINGNESS?

  12. Meeting of media art, nanoscience and tibetan buddhism

  13. Monks arrive to James Gimzewski’s Pico Lab at the chemistry and biochemistry department, UCLA

  14. Monks meet the nanoscientist – all this to access nothingness?

  15. Common goal: showing how every thing/one is interrelated

  16. How do we work all together towards this common goal when we all speak different languages, use different methodologies?

  17. Retreats in Malibu: HEART TO HEART

  18. Recreation of the mandala center

  19. Dispersal ceremony

  20. CELL SOUNDS

  21. 10 mm Yeast and Fibroblast Cellsmake tiny Sound Waveslife is mainly nothingInside the atomsis empty space

  22. Atoms make waves Electronstanding waves Gold atoms

  23. Cell Ghosts in Seodaemon prison, Seoul, Koreacomposition of tortured cells: Gimzewski

  24. Human body as point of Light

  25. Music Based Theories Reducing the human body to a solid mass of neutrons and protons would result something that would be around 500 nm is length. i.e. around a hundredth of the thickness of a human hair. So one see how much space and nothing a human body contains

  26. Waves and Connections • Quantum mechanics was developed using theories applied to musical instruments to describe the electrons as waves. • string theory the elementary particles could be thought of as the "musical notes" or excitation modes of elementary strings. • If string theory is to be a theory of quantum gravity, then the average size of a string should be somewhere near the length scale of quantum gravity, called the Planck length, which is about 10-33 centimeters, or about a millionth of a billionth of a billionth of a billionth of a centimeter. the strings are way too small to see by current or expected particle physics

  27. Waves and Connections • Nanometer scale vibrations in living cells. • Gimzewski’s group discovered this in yeast cells which vibrate in the audible spectrum. All cells contain molecular motors and that the metabolism of the cell needs there functioning so we know there is a lot of nano-motion in cells.

  28. The difference between waves and matter is that waves connect to each other, they are the result of energy and connection, the materialist view is that things exist as objects.

  29. ENVIRONMENTAL EFFECTS ON OUR MENTAL HEALTH

  30. Depression is the fastest growing disease globallyLooking for connections to invisible negative vibrationsin our daily environmentKen Wells Media & Medicine group, UCLA

  31. To see the world in a grain of sand…

  32. Gimzewski’s meditations / calculations on a grain of sand

  33. Its about the connections not the things themselves • There a a billion times a billion atoms in a grain of sand • The are many more possibilities in the way the atoms can be placed than there are particles in the entire universe • Each sand grain is unique it cannot be reproduced exactly again • The grain is mainly empty space

  34. vv.arts.ucla.edu

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