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BAUHAUS SIMPLICITY , FUNCTIONALISM , ANONYMOUS AND ITS EMPHASIS ON THE HARDCRAFT ETHIC.

DEFINITION. BAUHAUS SIMPLICITY , FUNCTIONALISM , ANONYMOUS AND ITS EMPHASIS ON THE HARDCRAFT ETHIC. BAUHAUS.

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BAUHAUS SIMPLICITY , FUNCTIONALISM , ANONYMOUS AND ITS EMPHASIS ON THE HARDCRAFT ETHIC.

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  1. DEFINITION BAUHAUS SIMPLICITY , FUNCTIONALISM , ANONYMOUS AND ITS EMPHASIS ON THE HARDCRAFT ETHIC.

  2. BAUHAUS Bauhaus is a school in Germany that combined crafts and the fine arts. It operated from 1919 to 1933, and for the approach to design that it publicized and taught. The Bauhaus school was founded by Walter Gropius. The name Bauhaus stems from the German words for "to build" and "house." Ironically, despite its name and the fact its founder was an architect, the Bauhaus did not have an architecture department for the first several years of its existence. Bauhaus style became one of the most influential currents in Modernist architecture and modern design

  3. The Bauhaus had a profound influence upon subsequent developments in art, architecture, graphic design, interior design, industrial design and typography. • The school existed in three German cities (Weimar from 1919 to 1925, Dessau from 1925 to 1932, Berlin from 1932 to 1933), under three different architect-directors (Walter Gropius from 1919 to 1927, Hannes Meyer from 1928 to 1930, Ludwig Mies van der Rohe from 1930 to 1933). • In 1920 two important artistic events help to change the Bauhaus. One was as international conference of the awant-grad that the idea on purity of form and honesty of construction to establish a new constructivist international. The other was the major exhibition of Soviet design arranged interest not only in constructivism but also the social aims which informed it.

  4. Ludwig Mies van derRohe, along with Walter Gropius and Le Corbusier, is widely regarded as one of the pioneering masters of modern architecture. Walter Adolph Georg Gropius (May 18, 1883 – July 5, 1969) was a Germanarchitect and founder of Bauhaus. Along with Ludwig Mies van derRohe and Le Corbusier, he is widely regarded as one of the pioneering masters of "modern" architecture.

  5. INTERIOR

  6. staircaise in Paul Klee'shouse in Dessau. WassilyKandinskywas his famousneighbourduringthat time

  7. DrawingsbyHerbertBayer in thestairway of themainbuilding of theBauhausWeimar. MadeforthefirstBauhausExhibition in 1923. 

  8. DrawingsbyHerbertBayer in thestairway of themainbuilding of theBauhausWeimar. MadeforthefirstBauhausExhibition in 1923. 

  9. Random bit of ceilingthat I thinkmakesquiteclearthesympathybetweentheBauhausandotheravante-gardes of theearly 20th century, particularlymybeloved De StijlguysandtheRussianSuprematists.... 

  10. DesignedbyKannerArchitectsandbuilt in 2004, the Metro Hollywood apartmentcomplex is a three-dimensionalMondrianpainting, but withpeopleliving in it. Thecolorschemeandgeometrywerejust as muchinspiredbythepre-existingtiledesign of the Metro stationthat it sits on top of,

  11. PAINT AND INDUSTRIAL OBJECTS

  12. Cartazinspirado no período

  13. PAUL KLEE SENECIO

  14. A 1927 teainfuserbyMarianneBrandt has sold at auctionfor $361,000, breakingthesalerecordforBauhausdesign.

  15. THE BAUHAUS BECAME THE CENTRE FOR THE NEW CREATİVE FORCES IN DESİGN, WHICH ACCEPTED THE CHALLENGES OF TECHNICAL PROGRESS GROPIUS CHAIR MARCEL BEUER CHAIR

  16. MarcelBreuerchair, one of theveryfirsttubularsteelchairs, designed in 1925. Bauhausarchives.

  17. Mariannebrandtdesklamp

  18. PETER BEHRENS 1910 CLOCK NEUM SLUTZKY TEAPOT

  19. MIES VAN DER ROHE CANTILEVERED CHAIR

  20. WALTER TEAGUE RADIO HE SOUGHT PERFECTION IN THE RELATIONSHIP OF FORMS AND SYMMETRY IN ITS DETAILING, BUT THE GEOMETRIC LINES AND DIVISIONS BECAME SOMETHING ORHER THAN A RADIO.

  21. LEICA CAMERA

  22. ARCHITECTURE

  23. Bürohaus im BauhausstilCity West Frankfurt amMain

  24. GROPIUS DIRECTORS HOUSE GROPIUS’ ARCHITECTURAL DESIGNS EXPRESSED HIS THEME OF A UNITY BETWEEN WORK AND BUILDING.

  25. This is thebackcover of thefamous MIT pressBauhauspublication, originallydesignedbyMuriel Cooper in 1969, withadditions in a reprinting in 1976. Thispublicationwent on through a fourthprinting in 1980.

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