1 / 18

Pad - 1 Pratham Shree Harine Re, Charne Shis Namaavu ;

When the Lord had left his mortal body and returned to his divine abode, the devotees were in a state of mourning. Both Acharyas went to seek solace in the elder saints and asked them to give courage to the devotees.

barbie
Download Presentation

Pad - 1 Pratham Shree Harine Re, Charne Shis Namaavu ;

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. When the Lord had left his mortal body and returned to his divine abode, the devotees were in a state of mourning. Both Acharyas went to seek solace in the elder saints and asked them to give courage to the devotees. Gopalanand Swami (whom Maharaj had entrusted the Acharyas to) instructed Premanand Swami to create a Kirtan through which devotees could remember the Lord by. Premanand Swami then wrote the Lords daily activities/habits and condensed them into these 10 verses. The devotees would then sing these verses and it was as if the Lord had never left, as Swami’s eloquent words reminded all devotees of the Lord’s minute activities/details. We sing these verses on a daily basis to remember and meditate upon the Lord’s activities in order to grow spiritually on daily basis.

  2. Pad - 1 Pratham Shree Harine Re, CharneShisNamaavu; First and foremostly I bow my head at the feet of Shree Hari NautamLilaa Re, NaarayanniGaavu ... 1 and sing Narayan’s (the Lord) ever new divine activities, MotaMunivar Re, Ekaagra Kari Manane; Great saints fixate (one point) their minds on him JeneKaaje Re, SeveJaayeeVanane ... 2 For whom they go to the forest in order to serve him. AasanSaadhi Re, DhyaanDharineDhaare; In the forest they adopt a suitable ‘aasan’ (yoga position) and uptake meditation by focusing on him.

  3. JeniChestaa Re, Sneh Kari Sambhaare ... 3 and his chesta (leelas – divine activities) are remembered with affection. SahajSwabhaavik Re, PrakrutiPurshottamni; Purushottam’s (greatest human) instinctive nature is casual SuntaSajni Re, Bik MataadeJamni ... 4 and oh my friend, listening about his nature removes the fear of Yamdoots (torturing staff in hell) GaavuHete Re, HarinaCharitraSambhaari; I remember all Shree Hari’scharitras (leelas – divine activities) and sing with love and affection

  4. PaavanKarjo Re, PrabhujiBuddhiMaari ... 5 and pray to him to (do) purify my ‘budhhi’ (faculty of knowledge and understanding) SahajSwabhaave Re, Bethaa Hoi HariJyaare; Whenever Hari(the lord) is sitting in his usual casual manner TulsiniMaalaa Re, Kar Lai FerveTyaare ... 6 and then using his hand a ‘tulsi mala’ is being revolved RamujKartaa Re, RaajivNenRupaalaa; The beautiful one with lotus like eyes is performing humourous acts KoiHarijannire, MaangiLaineMaalaa ... 7 and sometimes asks and borrows a mala (rosary) from any Harijan (devotees) BevdiRaakhe Re, Babe MankaaJode; He doubles up the mala (rosary) by and keeps it folded, and then turns two beads at a time (together).

  5. FerveTaani Re, KaikMaalaaTode ... 8 and whilst revolving, he pulls the mala (rosary) so hard that sometimes it breaks. VaatoKare Re, RamujKarineHastaa; Whilst talking, he jokes and laughs thereafter (Another explanation for the above could be that the mala is stopped in its process, [broken] as he starts talking – Vaatokare re) Bheri Kari Re, MaalaaKarmaaGhastaa ... 9 and at times after gathering up the mala (rosary) he rubs it between his hands. KyareyMeechi Re, NetraKamalneSwaami; Sometimes the lord closes his eyes that are as beautiful as the lotus flower

  6. PremanandKahe Re, DhyaanDhareBahunaami ... 10 and Premanand Swami says that he, who has many names, focuses and meditates. Pad – 2 SaambharSahiyar Re, Lilaa Nat Naagarni; My friend, listen to the leelas (divine activities) of a skilled actor/performer SuntaSukhdu Re, AapeSukhsaagarni ... 1 and he is an ocean of happiness and some of that happiness would come your way (be given) by listening to the divine activities. NetraKamalne Re, RaakhiUghaadaKyaare; Sometimes he keeps his lotus flower shaped eyes open

  7. DhyaanDharine Re, BeseJeevanBaare ... 2 and the Lord (my life) is sitting outside and uptakes meditation KyarekChamki Re, DhyaanKartaaJaage; Sometimes he is startled whilst meditating and awakens JotaaJeevan Re, JanamMaranDukhBhaage ... 3 and by seeing the Lord (my life) in such a way the fear/pain of the cycle of birth and death is allayed PotaaAagar Re, SabhaaBharaiBese; In front of Shree Hari (himself) a gathered assembly is seated SantHarijan Re, SamuJoiRaheChe ... 4 and saints and devotees who stay constantly fixated towards him DhyaanDharine Re, Bethaa Hoi HariPote; At times Shree Hari (himself) uptakes a meditative pose whilst (is) seated

  8. Sant Harijan Re, Trupt Na ThaayeJote ... 5 and the saints, devotees thirst for his vision does not become quenched even whilst viewing him. SadhuKirtan Re, GaayeVajaadiVaaja; Saints sing kirtans (devotional songs) whilst playing the musical instruments TemneJoine Re, MaganThaayeMaaharaja ... 6 and watching them the great king (Shree Hari) becomes excited TemniBheraa Re, ChaptiVajaadiGaaye; Clicking his fingers (playing) he sings with the sadhus (them) SantHarijan Re, NirkhiRaajiThaaye ... 7 and becomes very happy at seeing the saints and devotees sing the kirtans. KyaarekSadhu Re, GaayeVajaadiTaali; Sometimes saints sing accompanied by clapping

  9. BheraaGaaye Re, Taali Dai Vanmaali ... 8 and Vanamali (one who adorns the forest type rosary of wild flowers) also (gives) claps and sings along with the saints. AagarSadhu Re, KirtanGaayeJyaare; When the saints are in front of him singing devotional songs PotaaAagar Re, KathaaVanchaayTyaare ... 9 and when in front of him scriptures are being read then PoteVaarta Re, Karta Hoi Bahunaami; He, who has many names, is having a discussion KhastaaAave Re, Premanandna Swami ... 10 and The lord of Premamnand always tries to come/move closer to the action

  10. Right Foot Swastik Ashtakon Ankush Kamal Dvaj Urdvarekha Vraj Jambu Jav Left Foot Matysa Trikon Gopad Dhanush Vyom Ardha-Chandra Kalash

  11. 2cheens where His dhoti is tied 1cheen on the outer side of His left Knee 1 cheen on His right thigh 2cheens on the outer side of the left foot 10cheens on His toes – Roam-nacheen 1cheen on His right big toe under His nail 2cheens on both His outer ankles 2cheens from His chaakadi

  12. 2cheens on either side of His chest 2cheens on His upper arms - Chaap 1 cheen in the middle of His chest - Shreevatsalcheen 1 cheen on the left side of His chest – Ardha Chandra cheen 1 cheen across His bellybutton – trivaricheen (3 creases) 2cheens on His forearms - Chaap

  13. 1 cheen from His TilakChandlo 1 cheen on the right side of His forehead – paag/saalcheen 1 cheen above His nose (roam -nacheen) 1 cheen on the right side of His gum 1 cheen inside His left ear 1 cheen on His tongue

  14. Name TWO types of Dharma • Krodhnukaaranshuche? • Which are the TWO places where anger is justified? • Which FOUR things need to be present for listening to Katha effectively? • Which kind of vaktas are NOT appropriate to listen to? • What FIVE things are important in our life to obtain ultimate salvation (AtyaanticKalyaan)? • KonoPakshkhenchvo?

  15. How many Maalas should we do during morning NityaPooja? • Name the Lord’s SIX kamals? • How many ShikshapatriShloks should we read daily?

  16. Maare Mole Aavo, HasineBolaavo, Re Ranghabhina, ChellaNandaji Na, ChojiRaaj... • PaagaladiPecchari, BandhiCheRupaali, Re Latakada, Motidavada, ChojiRaaj... Maare Mole... • KaanaGiradhari, MurtiTaari, Re Mana Maani, ChellaGumani, ChojiRaaj... Maare Mole... BrahmanandanaPyaara, ShobhoChooSaara, Re Kesariya, Ranga Na Bhariya,ChojiRaaj... Maare Mole...

More Related