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……and visual storytelling

t. n. e. m. e. v. o. ……and visual storytelling. M. The Chauvet cave is the earliest known site of prehistoric cave paintings in Europe. The images date from 30,000 – 28,000 BCE. Chauvet Cave paintings Vallon-Pont-d ’ Arc, Ardèche, France ca. 30,000-28,000 B.C.E. pigment on stone.

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……and visual storytelling

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  1. t n e m e v o ……and visual storytelling M

  2. The Chauvet cave is the earliest known site of prehistoric cave paintings in Europe. The images date from 30,000 – 28,000 BCE.

  3. Chauvet Cave paintings Vallon-Pont-d’Arc, Ardèche, France ca. 30,000-28,000 B.C.E. pigment on stone

  4. Sassetta “Meeting of stanthony and stpaul”, 1440 Linear Narrative: Depicts the passage of time in a single image Repeating figures: Having the same figure more than once in a composition creates the illusion of movement, and also a suggestion of time lapse, as well. http://www.independent.co.uk/arts-entertainment/art/great-works/sassetta-the-meeting-of-st-anthony-abbot-and-st-paul-the-hermit-c1440-795360.html

  5. Repeating an element (like costume or specific color) will make it clear to the viewer that we are looking at one individual repeated. Alex Katz

  6. Eduard Muybridge Horse in Motion 1878

  7. Our knowledge of how the world works allows us to ‘see’ movement as it happens. Bayeux Tapestry excerpt

  8. Exaggerated poses help contribute to the effectiveness of movement Picasso, Guernica

  9. Exaggerated gestures allow the viewer to ‘feel’ the movement as well as see it Robert Longo, From Men in Cities

  10. Timing: at what point will you depict a specific movement?

  11. Visual Fragmentation: one object or person broken into several moving parts. GiacomoBalla, Dog on Leash

  12. FUturisn Futurism: a 20thc Italian movement celebrating ideas associated w/ the future: speed, industry, youth, etc. What suggests this sculpture is moving? Boccioni, Unique Forms of Continuity in Space

  13. Optical Movement: The movement of our eyes through a piece. Peter Paul Reubens

  14. Jackson Pollock, Autumn Rhythm

  15. How might composition be utilized to suggest movement? How does an illusion of movement vs/ a suggestion of stabilty change the ‘read’ of an image? Raphael, Madonna and Child vs. Rubens, Prometheus

  16. Roy Lichtenstein

  17. Chris Ware

  18. Kerry James Marshall "RHYTHM MASTR," preparatory drawing, 1999-2000 Photocopy of ink drawing, and design marker on paper, 17 x 11 inches

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