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Baroque Opera

Baroque Opera. “Opera is the delight of princes.”. Opera . Large-scale musical drama, that combines poetry, acting, scenery, and costumes with singing and instrumental music. Orchestra plays the overture Arias are sung (songs ) – da capo aria

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Baroque Opera

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  1. Baroque Opera “Opera is the delight of princes.”

  2. Opera • Large-scale musical drama, that combines poetry, acting, scenery, and costumes with singing and instrumental music. • Orchestra plays the overture • Arias are sung (songs) – da capo aria • Recitatives are speechlike declamations of the text which often move the story line along • Secco OR accompagnato • Ensembles (“group” singing) • Choruses

  3. More definitions • The writer of the “text” of an opera is called ________________, and the “text” is called the _________________.

  4. Opera in other countries • England – Got a slow start, because Puritans thought that theatre was an invention of the devil. • The spoken word took precedence over the sung. • John Blow’s Venus and Adonis, which was sung throughout; this work paved the way for . . .

  5. First performed at a girls’ school. Heard over a “repeating” ground bass. Much chromaticism—emotional aria Henry Purcell’s (1659-1695)Dido and Aneas, p. 115-117

  6. When I Am Laid in earth Description on pp. 116-117

  7. “The aim and final reason of all music should be nothing else but the Glory of God and the refreshment of the spirit.” Johann Sebastian Bach(1685-1750)

  8. Bach’s music • Sacred vocal works, including over 200 church cantatas, 7 motets, Magnificat, St. John Passion, St. Matthew Passion, Christmas Oratorio, Mass in B Minor • Secular works • Orchestral works (Brandenburg concertos) • Chamber music • Keyboard and Organ music (MUCH OF THIS!)

  9. Bach and the Sacred Cantata • Devout Lutheran and Church Master • Cantatas based on Lutheran Chorale • Chorale – Hymn tune (came from Martin Luther) (origins of the hymn, p. 422) • Like Mozart, in that he raised existing forms to the highest level.

  10. Bach’s Wachtet auf (Sleepers, Awake) 1731, pp. 121-125 • Cantata No. 140 (comes from cantare) • Integral part of church service (wrote about 60) • Seven Movements – multi-movement, structured with chorus 1, 4, 7 • Unified by a chorale (a recognizable tune, this one written by Philipp Nicolai) • Ritornello

  11. Composer of the famous “Messiah” George Frideric Handel(1685-1759)

  12. The Oratorio • Word is derived from the Italian word for “a place of prayer.” • Large-scale, dramatic work with a religious or Biblical text performed by solo voices, chorus, and orchestra; it is not staged or costumed. • Originally known for opera, but turned to oratorio. • Handel makes the chorus—the people—the center of the drama. As in Greek tragedy, it serves as both protagonist and spectator.

  13. The Messiah • Written in 24 days • Libretto from both Old and New Testaments • Written in three parts: • Christmas • Easter • Redemption of the World through faith • p. 128-129

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