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Challenges from a changing environment. An expanding information universeBetter search systemsInvaders in our domainAn unstable environmentA role for evaluation/recommendationPortals are a puzzleFRBR. 1. An expanding information universe. The role and place of the opac is changing dramatical
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1. Opacs and our changing environment: Observations, Hopes, and Fears
Dale Flecker
Harvard University Library
January, 2005
2. Challenges from a changing environment An expanding information universe
Better search systems
Invaders in our domain
An unstable environment
A role for evaluation/recommendation
Portals are a puzzle
FRBR
3. 1. An expanding information universe
4. From this.
6. To this.
7. OPAC one of many peer resources Multiple local collection catalogs
Harvard has separate catalogs for visual materials, GIS, archival collections, social science datasets, plus an opac (and lots of little databases)
Licensed external services proliferating
175+ search platforms on the Harvard library portal
Plus internet engines, on-line book stores, etc., etc.
8. Important implication
9. A hope
10.
11. Search technology(examples) Faster
Better results
Assist the user
Dealing with large retrieval sets
12. Faster search
13. Better results: relevance
14. Assist the user (shouldnt opacs do this?)
15. Help with large search result sets: Endeca
16. Endeca search result screen
17. (more of same result screen)
18. And get a subset with more options
19. Help with large search result sets: Grokker
20. Grokker
21. Compare with singleordered result
22. A hope
23. A related hope
24. 3. Invaders in our domain
25. A quote
26. Invaders
27. Invaders
28. How often have you heard:
29. A fear
30. A hope
31. 4. An unstable environment Many, many more players in the information environment
Enormous amount of experimentation, creativity
Technology enables new models, services, and players
Change enormously rapid
32. A fear
33. Why stagnation? Opac technical platform not flexible, unable to evolve rapidly
opac developments tied to very long development timeframe
underlying opac model 20 years old, interfaces 10 year old
ILS vendors turn their attention elsewhere
no longer invest resources in opac
34. 5. A role for evaluation/recommendation
35. HELP! -- I just want to read Hamlet
36. Compare
37. or
38. along with
39. Not all users are the same
40. A fear
41. 6. Portals are a puzzle Harvards e-resource portal lists 6000 resources
Compared to opac: simple search, no added entries, no syndetics, dumb browse arrangement
Yet 5 to 10 times more use of licensed resources from the portal than from the catalog
Proposals now to add opac features to the portal
Multiple entry points
See references
42. Three questions
43. A hope
44. 7. FRBR Functional Requirements for Bibliographic Records (IFLA)
Hierarchic model for bibliographic data
Work, expression, manifestation, item
Potentially more coherent view of bibliographic holdings than the unit record of catalog cards (and MARC records!)
45. 41 pages like this for the IIliad in HOLLIS
46. 400 pages like this under Mozart in HOLLIS
48. Again, we select the 6th symphony.Again, we select the 6th symphony.
49. As you can see the display is slightly different from the staff windows client. The tree display is automatically expanded to show the Expression records. The selected record, in this case the Work record, is off to the right. Instead of the MARC display of the Work record, I am showing the Full display. The library has control as to what tags are displayed, what labels are used for each tag, and what order the tags display in. In this example, the label for 240 is Uniform Title. Also noticed that while most of the Expressions are Musical sound recordings, there is one Expression for Printed Music. We also display icons for the type of material. In this case a note symbol for printed music and a round looking thing for a sound recording.As you can see the display is slightly different from the staff windows client. The tree display is automatically expanded to show the Expression records. The selected record, in this case the Work record, is off to the right. Instead of the MARC display of the Work record, I am showing the Full display. The library has control as to what tags are displayed, what labels are used for each tag, and what order the tags display in. In this example, the label for 240 is Uniform Title. Also noticed that while most of the Expressions are Musical sound recordings, there is one Expression for Printed Music. We also display icons for the type of material. In this case a note symbol for printed music and a round looking thing for a sound recording.
50. Here the tree has been expanded to show the Manifestations for the NBC Symphony Orchestra Expression. Notice that the Work record is still being displayed in the box. Thats because no other entry on the tree has been selected.Here the tree has been expanded to show the Manifestations for the NBC Symphony Orchestra Expression. Notice that the Work record is still being displayed in the box. Thats because no other entry on the tree has been selected.
51. Another example of selecting a different Manifestation. In this case a manifestation of the printed music expression. This gives me the chance expound a little bit on FRBR Works and Expressions. The Work is Beethovens 6th Symphony. Most of the Expressions associated with this FRBR Work are different performances of the symphony, but in this example we are looking at a totally different kind of Expression, not a performance, but the alphanumeric Expression of the Printed Music for the 6th Symphony. Same Work, but different Expressions. Also, notice that this particular Manifestation has items with it. Most of the FRBR records we have already looked at or will look at do not have items associated with them. Thats basically because I was too lazy to create item records for them, since there really isnt any difference between a normal non-FRBR item and an item attached to a FRBR manifestation record.Another example of selecting a different Manifestation. In this case a manifestation of the printed music expression. This gives me the chance expound a little bit on FRBR Works and Expressions. The Work is Beethovens 6th Symphony. Most of the Expressions associated with this FRBR Work are different performances of the symphony, but in this example we are looking at a totally different kind of Expression, not a performance, but the alphanumeric Expression of the Printed Music for the 6th Symphony. Same Work, but different Expressions. Also, notice that this particular Manifestation has items with it. Most of the FRBR records we have already looked at or will look at do not have items associated with them. Thats basically because I was too lazy to create item records for them, since there really isnt any difference between a normal non-FRBR item and an item attached to a FRBR manifestation record.
52. A hope
53. A fear
55. The fearful picture Opac is bypassed for more exciting and effective search engines
Opacs stagnate through neglect
Opacs feel increasingly rule-bound and obsolete
used only by the sophisticated researcher
Librarians argue about cataloging rules while the larger world moves on.
56. More quotes from Burn the Catalog
57. Expectations are changing
58. The hopeful picture The opac becomes more integrated with the larger information environment
including metasearch engines
and internet engines such as Google
Opac searching improves in parallel with other search environments
including help with larger retrieval sets
Opacs and portals merge to simplify the environment for both users and librarians
59. The hopeful picture Opacs help the general user find a good copy to read
FRBR makes things better, not worse
61. Questions Does the competition matter?
letm use Google and Amazon if that suits their needs!
Even if it matters, do we have the resources to hold our own in this environment?
Google spent $200M in 04 in R&D (not including stock options)
and expects to increase that by 50% this year
62. Questions Should we shrink the role of the opac?
locating items, organizing deeply complex parts of the collection
and shrink the cost of creating it?
Or separate it from the ils and modernize it using a commercial search engine?
possibly not MARC aware
63. Questions Do opacs need expensive, complex metadata in the world of Amazon (simple metadata) and Google (full text searching)?
is the world moving towards dumb data, smart engines?