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This module explores the meaning of the popular political slogan "Bread and Roses" and how it has been used as a tool for social justice and empowerment through music. It delves into the historical context, feminist anthem, and its relevance in bringing people together for a better world.
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BREAD AND ROSES A TEACHING AND LEARNING MODULE FOR MIDDLE AND HIGH SCHOOL
BREAD AND ROSES What does it mean? “Hearts starve as well as bodies, Give us bread but give us roses.”
Bread and Roses • “Bread and Roses” was popularized as a political slogan during the 1912 textile workers’ strike in Lawrence, Massachusetts, referencing a popular poem of the time by James Oppenheim. The strikers struck for adequate wages (“bread”) and decent working conditions (“roses”), and settled successfully with their employers.
Bread and Roses • The song has been sung to several melodies, the best-known of which is by Mimi Farina (1976) who established a Bread and Roses Foundation that brings live music to marginalized populations. It became an iconic protest song through performances by Pete Seeger, Joan Baez, Judy Collins, and others, and was adopted as a theme song by the second wave of the twentieth-century women’s movement in Canada. It continues to be sung at gatherings and events in support of social justice issues.
Bread and Roses • One of the lines in the feminist anthem, Bread and Roses is “Hearts starve as well as bodies, give us bread but give us roses.” Feeding our hearts as well as our bodies is the promise of feminism, a lofty goal in this world obsessed with greed and power….The women’s movement gave us a place to connect with other women and feel what we could give each other and the world. It also helped us to think about the world in a way different from that of powerful men. (Judy Rebick, Ten Thousand Roses, p. 253)
Music as a tool for empowerment • Over the next few classes we’re going to explore how Canadian women have used music as a tool for empowerment as they came together to advance a huge range of social justice issues, including the ones you have just identified, and others. Let’s listen to a more recent version of that song. • Bread and Roses
Bread and Roses (1/2) • Words, James Oppenheim / Music Mimi Farina • As we go marching, marching in the beauty of the day, • A million darkened kitchens, a thousand mill lofts grey, • Are touched with all the radiance that a sudden sun discloses, • For the people hear us singing, “Bread and roses, bread and roses.” • As we go marching, marching, we battle too, for men, For they are in the struggle and together we shall win. Our days shall not be sweated from birth until life closes, Hearts starve as well as bodies, give us bread, but give us roses.
Bread and Roses (2/2) • As we go marching, marching, un-numbered women dead Go crying through our singing their ancient call for bread, Small art and love and beauty their trudging spirits knew Yes, it is bread we fight for, but we fight for roses, too. • As we go marching, marching, we're standing proud and tall.The rising of the women means the rising of us all.No more the drudge and idler, ten that toil where one reposes,But a sharing of life's glories, bread and roses, bread and roses.
Du Pain et des roses (1/2) • Traduction du Marie-Claire Séguin • Pendant que nous marchons, marchonsdans la beauté du jour Un million de cuisines sombres, un millier de greniersmornesSonttouchés par des rayons de soleilradieux et soudainsAlorsqu'on nous entend chanter, du pain et des roses, du pain et des roses! • Pendant que nous marchons, marchons, nous luttonsaussi pour les hommes Car ilssont les frères des femmes et nous marcherons de nouveau avec euxNos vies ne seront pas passées à suer de la naissance à la mort Le coeur a faim tout comme le corps, Donnez-nous pain, maisaussi des roses.
Du Pain et des roses (1/2) • Pendant que nous marchons, marchons, d'innombrables femmes mortesPleurent pendant que nous chantons, notre cri pour du pain L'art, l'amour et la beauté que leursâmes de servantesrenfermaientOui, nous luttons pour du pain, mais nous luttons pour des roses aussi. • Pendant que nous marchons, marchons, nous noustenonsbien droit La montée des femmes estnotremontée à tousFinies les corvées et enfin on se repose On partage les gloires de la vie du pain et des roses, du pain et des roses.
1995 Bread and Roses march • The 1995 Canadian Bread and Roses March • The Féderation des femmes du Québec (FFQ) • http://www.historymuseum.ca/cmc/exhibitions/hist/labour/la37j6.shtml
The March • …the march was beautiful. The theme was bread and roses, the famous theme song of Marie-Claire Séguin. We sang the song ten times a day. The march and the song were on television. A rose producer from Drummondville really liked us, and he delivered ten thousand roses free. So instead of placards, women held roses in their hands. …we had roses and ribbons, and the sun was shining. It was fabulous. (Françoise David, quoted in Judy Rebick, Ten Thousand Roses, p. 249)
Bringing people together through song • How can a song bring people together and inspire them? Can you think of other occasions when music is used to bring people together for a common purpose?
Organizing for change • Temperance • Suffrage • The role of music
Organizing for change The importance of singing
Organizing for change Envision if you will, a small meeting hall, or an over-size parlor of the 1890’s, where a dozen or so women have somehow managed to gather together to share their hopes and ideas and determination for equality….And then, in high, thin voices, to buoy up sagging spirits or to celebrate a new victory, these songs are heard. (Songs of the Suffragettes, Elizabeth Knight. Smithsonian Folkways Archival, 1958, liner notes)
Flora Macdonald Dennison • Flora Macdonald Dennison was a successful author, journalist and business woman, and a leader in the campaign for women’s rights. She was also a devoted republican, and when the birth of her son…was imminent, she went to Detroit, so that her baby would be born on republican soil.
singing for change • The W.C.T.U. joined forces with the suffragists in 1898, ensuring a broad base of support across the country. For women, the two issues of temperance and suffrage were closely related as we can see in this song, Keep Woman in her Sphere.
Singing for change • This song was popular at suffrage events in the early twentieth century. It tries to win over the listener with persuasive argument, dramatic dialogue and a touch of humour. Verse 2 describes a social issue of pressing importance – drunken men who did not provide for their wives and families - making clear the close ties between the causes of temperance and suffrage.
Keep her in her sphere • Words, D. Estabrook, to the melody of Auld Lang Syne • I have a neighbour, one of those, not very hard to find, • Who knows it all without debate and never change his mind; • I asked him, “What of women’s rights?” He said in tones severe, • “My mind on that is all made up, keep woman in her sphere.” • I saw a man in tattered garb forth from the grog-shop* come: • He squandered all his cash for drink, and starved his wife at home; • I asked him, “Should not woman vote?” He answered with a sneer, • “I’ve taught my wife to know her place, keep woman in her sphere.” • I met an earnest, thoughtful man not many days ago, • Who pondered deep all human law the honest truth to know; • I asked him, “What of women’s cause?” The answer came sincere, • “Her rights are just the same as mine, let woman choose her sphere.” *A grog-shop is a bar.
Inclusion of music in first wave feminism • Why did first wave feminists think it was so important always to include music in their meetings and public actions?
MUSIC AND SOCIAL JUSTICE Identify a current issue of social justice which matters to you. Explain why you care about this issue. What group supports this cause? Who will benefit from the proposed change? Why? What group opposes this cause? Who has something to lose if change happens? Why? Share your ideas with your social justice working group. Decide which issue the team will adopt for further follow-up. As a group, write lyrics for another verse of Bread and Roses / Du Pain et des roses which relates to your chosen issue. Sing your new verse to the class.
Music can… Photo by kind permission of Fédération des femmes du Québec, 1995 Photo by kind permission of Fédération des femmes du Québec, 1995