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ART THROUGH THE AGES

ART THROUGH THE AGES. EUROPEAN ART MOVEMENTS FROM THE RENAISSANCE TO MODERN. ROMANESQUE & GOTHIC: THE PRELUDE TO THE RENAISSNACE. ROMANESQUE ARCHITECTURE. DURING THE 11 TH AND 12 TH CENTURIES MASTER BUILDERS REPLACED FLAT WOODEN ROOFS WITH LONG, ROUND STONE VAULTS KNOWN AS BARREL VAULTS.

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ART THROUGH THE AGES

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  1. ART THROUGH THE AGES EUROPEAN ART MOVEMENTS FROM THE RENAISSANCE TO MODERN

  2. ROMANESQUE & GOTHIC: THE PRELUDE TO THE RENAISSNACE

  3. ROMANESQUE ARCHITECTURE • DURING THE 11TH AND 12TH CENTURIES MASTER BUILDERS REPLACED FLAT WOODEN ROOFS WITH LONG, ROUND STONE VAULTS KNOWN AS BARREL VAULTS

  4. GOTHIC ART • GOTHIC CATHEDRALS WERE ONE OF THE GREATEST ARTISTIC TRIUMPHS OF THE HIGH MIDDLE AGES (1050-1300) • CONSTRUCTION ON THE CATHEDRAL OF NOTRE-DAME IN PARIS STARTED IN 1163 AND ENDED IN 1300

  5. INTERIOR OF A GOTHIC CATHEDRAL

  6. ART PRIOR TO RENAISSANCE FLAT , LACKING DEPTH & PERSPECTIVE

  7. ART PRIOR TO THE RENAISSANCE STIFF AND ARTIFICIAL

  8. THE RENAISSANCE • GIOTTO PAVES THE WAY • b. 1266, GIOTTO WAS CONSIDERED A FORERUNNER OF ITALIAN RENAISSANCE PAINTING • A MORE REALISTIC APPROACH • A DESIRE TO IMITATE NATURE • HIS FIGURES WERE SOLID & ROUNDED • 3- DIMENSIONAL, BUT APPROXIMATE

  9. RENAISSANCE & NATURE • RENAISSANCE ARTISTS CONSIDERED THE IMITATION OF NATURE AS THEIR PRIMARY GOAL • HUMANS WERE PLACED IN THE CENTER • MASACCIO (1401-1428) PICKED UP WHERE GIOTTO LEFT OFF

  10. RENAISSANCE INTEREST IN ANTIQUITY • RENAISSANCE ARTISTS HAD A KEEN INTEREST IN CLASSICAL ART, PHILOSOPHY AND VALUES • BOTTICELLI’S PRIMAVERA IS CENTERED AROUND VENUS (THE GODDESS OF LOVE)

  11. RAPHAEL’S SCHOOL OF ATHENS 1511

  12. DA VINCI’S LAST SUPPER

  13. DAVID: TWO VERSIONS DONATELLO MICHELANGELO

  14. SISTINE CHAPEL: A MASTERPIECE 1512

  15. BRUNELLESCHI’S ARCHITECTURE DOME IN FLORENCE INTERIOR SAN LORENZO

  16. THE RENAISSANCE MOVES NORTH VAN EYCK

  17. NORTHERN RENAISSANCE FOCUS ON RELIGION DURER

  18. BRUEGHEL THE ELDER

  19. HIGH RENAISSANCE: MANNERISM MID-LATE 16TH CENTURY • MANNERIST ART IS CHARACTERIZED BY A COMPLEX COMPOSITION, WITH MUSCULAR & ELONGATED FIGURES • MICHELANGELO AND EL GRECO WERE TWO PROMINENT ARTISTS

  20. EL GRECO 1541-1614

  21. 17TH-CENTURY MOVEMENTS: THE DUTCH & BAROQUE • THE GOLDEN AGE OF DUTCH PAINTING WAS LED BY REMBRANDT & VERMEER REMBRANDT

  22. DUTCH 17TH CENTURY: VERMEER

  23. BAROQUE ART: A CATHOLIC COUNTER • Baroque Art emerged around 1600, as an reaction against the intricate and formulaic Mannerist style which dominated the Late Renaissance. Baroque Art is less complex, more realistic and more emotionally affecting than Mannerism. CARAVAGGIO

  24. BAROQUE ART CARRACCI’S ADORATION OF THE VIRGIN

  25. BERNINI: A BAROQUE MASTER

  26. ROCOCO • The Rococo style succeeded Baroque Art in Europe. It was centered in France, and is generally associated with the reign of King Louis XV (1715-1774). It is a light, elaborate and decorative style of art. KING LOUIS XV

  27. ROCOCO: 18TH-CENTURY ELEGANCE WATTEAU WATTEAU

  28. TIEPOLO: A ROCOCO MASTER

  29. NEO-CLASSICAL ART: MID 18TH TO EARLY 19TH CENTURY • Neoclassical is a severe, unemotional form of art harkening back to the style of ancient Greece and Rome. Its rigidity was a reaction to the Rococo style and the emotional Baroque style. Part of a general revival of classical thought, which was of some importance in the American and French revolutions. MENGS

  30. NEOCLASSICAL= NEW CLASSICAL OATH OF HORATII JACQUES-LOUIS DAVID

  31. DAVID- NAPOLEON’S FAVORITE

  32. ROMANTICISM: THE ANTI-CLASSICAL • Late 18th Century to Mid 19th Century • Romanticism might best be described as anti-Classicism. A reaction against Neoclassicism, it is a deeply-felt style which is individualistic, beautiful, exotic, and emotionally wrought.Although Romanticism and Neoclassicism were philosophically opposed, they were the dominant European styles for generations, and many artists were affected to a greater or lesser degree by both. Artists might work in both styles at different times or even mix the styles, creating an intellectually Romantic work using a Neoclassical visual style, for example.Great artists closely associated with Romanticism include J.M.W. Turner, Caspar David Friedrich, John Constable, and William Blake.

  33. CASPAR DAVID FRIEDRICH

  34. J.M.W. TURNER RAIN, STEAM, SPEED

  35. JOHN CONSTABLE ROMANTICS USED IMAGES OF NATURE IN THEIR WORK

  36. REALISM COURBET’S STONEBREAKERS • Mid-19th Century • Realism is an approach to art in which subjects are portrayed in as straightforward manner as possible, without idealizing them and without following the rules of formal theory.

  37. JEAN-FRANCOIS MILLET THE GLEANERS

  38. IMPRESSIONISM • Influence of photography • Interest in light, shadow • Focus on everyday life—street scenes, still lives, parks, etc. • Interest in how objects change in light over time

  39. CLAUDE MONET

  40. BERTHE MORISOT

  41. CAMILLE PISSARRO

  42. POST-IMPRESSIONISM • Post-Impressionism • France, 1880's to 1900 • Post-Impressionism is an umbrella term used to describe a variety of artists who were influenced by Impressionism but took their art in different directions.There is no single well-defined style of Post-Impressionism, but in general it is less casual and more interested in formal structure and broad fields of color. CEZANNE

  43. PAUL GAUGUIN JOYOUSNESS

  44. VINCENT VAN GOGH

  45. Pointillism France, 1880's • Pointillism is a form of painting in which the use of tiny primary-color dots is used to generate secondary colors. It is an offshoot of Impressionism, and is usually classified as a form of Post-Impressionism. Pointillism is focused on the specific style of brushwork used to apply the paint.

  46. GEORGES SEURAT Sunday Afternoon on the Island of Grand Jatte

  47. INTO 20TH-CENTURY EXPRESSIONISM • Centered in Germany, C.1905 to 1940's • Expressionism is a style of art in which the intention is not to reproduce a subject accurately, but instead to portray it in such a way as to express the inner state of the artist. KANDINSKY’S IM BLAU

  48. GEORGE GROSZ

  49. THE SCREAM: EDVARD MUNCH

  50. CUBISM • Europe, 1908-1920 • Cubism was developed between about 1908 and 1912 in a collaboration between Pablo Picasso and Georges Braque. Their influences were Tribal Art and the work of Paul Cezanne. The movement itself was not long-lived or widespread, but it began an immense creative explosion. Key concept of Cubism is that the essence of objects can only be captured by showing it from multiple points of view simultaneously. PICASSO SELF PORTRAIT

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