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Two mechanisms producing sound of a bowed string: Stick and slip delivers periodic energy Reflections off the end purify sound to be musical (and pitch is determined by L and v – which in turn is determined by tension T) The result is periodic, therefore harmonic sound.
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Two mechanisms producing sound of a bowed string: • Stick and slip delivers periodic energy • Reflections off the end purify sound to be musical (and pitch is determined by L and v – which in turn is determined by tension T) • The result is periodic, therefore harmonic sound.
For an ideal string: fn = n f1 For a real string: fn = n.f1.[1+(n2-1)A] where A ~ r4 E / TL2 (p.313) So what is the difference between harpsichord, an upright, grand and baby grand piano? However: the sound of a bowed string is periodic, therefore the spectrum is harmonic in spite of inharmonicity of the partials ! Similarly for pipes: the end corrections are (not surprisingly) frequency-dependent, so the “passive” spectrum is inharmonic. But the two mechanisms which cooperate to produce sound create, again, a periodic sound => spectrum is harmonic. So what is the difference between the sound of a pipe with large diameter, compared to small diameter?
Open/open, closed/closed (or cone!): fn = n f1, f1 = v/2L, n=1,2,3,4,… Open closed: fn = n f1, f1 = v/4L, n=1,3,5,7,… Notes: what is v? For strings, open end is not practical For pipes, closed/closed is bizarre (but open/open is identical, and a question of definition ..)
Inharmonicity of piano strings requires the technician to make adjustments, in order to prevents octaves from beating. What seems strange about these results?
A suspicious “confusion table” in musical instruments recognition test, when the initial transients are removed. Why is it suspicious?
Reeds: “hard”: frequency determined by the reed (organ, harmonica, “vocal chords”) “soft”: frequency determined by the timing of reflections (clarinet, oboe, saxophone, …. ) So: what happens when the temperature in the church increases by 10 C? (hint: about 2/3 of the stops are flute-like, 1/3 have reeds)
So: at what musical interval does the clarinet overblow? And what about a recorder? Flute? And what about an oboe?
So: what happens when I inhale Helium ? (hint: speed of sound in air/He = 340/970 m/s )
Difference tones: Nonlinearity somewhere in the chain (production/propagation/perception) Produces, from initial f1 and f2, sounds with 2f1, 3f1, … and also (f1-f2), (f1+f2) …. The sound with 2f, 3f etc. is called “harmonic distortion” The sound with (f1-f2) is called the “difference tone” – it has nothing to do with beats! A (bad: why) example of musical use of the difference tones Spectacular use of difference tones: what if you could not hear the two original tones? Make them ultrasound, say 100,000 Hz and 101,000 Hz …. And modulate one of them by speech/music
Physics of the Pipe organ: • Pipes sit in holes of the channels supplying air if a stop is pulled. • The valve at the foot of the pipe opens when the appropriate key is pushed.