1 / 11

Digital Libraries as Access-Point to Music Culture

Digital Libraries as Access-Point to Music Culture. Scott Simon, Ph.D. School of Library and Information Science University of South Florida. Background. PhD in Interdisciplinary Information Science from the University of North Texas

carys
Download Presentation

Digital Libraries as Access-Point to Music Culture

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Digital Libraries as Access-Point to Music Culture Scott Simon, Ph.D. School of Library and Information ScienceUniversity of South Florida

  2. Background • PhD in Interdisciplinary Information Science from the University of North Texas • Dual background in Information Technologies and Music Studies • Music Librarian at North Texas Libraries • Doctoral Research Fellow for the Texas Center for Digital Knowledge (TXCDK) • Information Architect for the Library of Texas Project • Systems Manager for the UNT PeopleSoft portal product supporting 40,000+ users

  3. Library Services • Libraries provide: • Digital music collections • Archived music traditions • Web-based music services • Human mediators Examples: US Library of Congress http://www.loc.gov/library/libarch-digital.html UNESCO World Digital Library http://www.wdl.org/en/

  4. Why it Matters? • Music is being stored, distributed, and retrieved more than ever before. Digital Music Libraries help: • Music consumers • Music educators • Music composers • Music performers • Music librarians • No “entry fee”

  5. Challenges & Opportunities • Licensing restrictions vs. open access • Digital Rights Management (DRM) • New technologies vs. limited budgets • Streaming vs. downloading • Consumer expectations • Music Information Retrieval (MIR) • Need a “google” for music

  6. Music Information Retrieval • Current Music Information Retrieval systems • Music locator systems • Search and locate music using meta-data • Analytic/production systems • Search and analyze music using inherent characteristics of music • Music samples (“incipits”) • Computational representations

  7. Music Information Retrieval

  8. MIR Architecture

  9. MIR Research • A Multi-Dimensional Entropy Model of Jazz Improvisation for Music Information Retrieval • Measured information in jazz lead-sheets • Explored entropy as a mechanism for retrieval • Combined with a case study of an advanced jazz improvisation course Stefan Karlsson, Tom Warrington, Ed Soph, Marchel Ivery Melodic Entropy (HME) Harmonic Entropy (HHE) Rhythmic Entropy (HRE)

  10. Future Directions • Consumer expectations are being driven by the Web: • Digital Libraries will need to continue to innovate in order to keep up • Digital libraries will need to keep sight that they are a “public service” • Digital libraries will need to continue to collaborate and share resources internationally

  11. Contact Info • Scott J. Simon, Ph.D. Assistant Professor University of South Florida School of Library and Information Science, CIS 2031 Phone: 813-974-3521 Fax: 813-974-6840 • Email: ssimon@cas.usf.edu • Web: http://shell.cas.usf.edu/~ssimon

More Related