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The Bluest Eye: “Winter”. pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing. The Bluest Eye: “Winter”.
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The Bluest Eye: “Winter” • pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing
The Bluest Eye: “Winter” • pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing • p 62: Maureen Peal: “a high-yellow dream child”
The Bluest Eye: “Winter” • pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing • p 62: Maureen Peal: “a high-yellow dream child” • pp 65-9: Pecola rescued; note allusion to her father, and to the film Imitation of Life, suing Isaley’s
The Bluest Eye: “Winter” • pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing • p 62: Maureen Peal: “a high-yellow dream child” • pp 65-9: Pecola rescued; note allusion to her father, and to the film Imitation of Life, suing Isaley’s • pp 70-74: Discussing menstruation, babies, sex, naked men
The Bluest Eye: “Winter” • pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing • p 62: Maureen Peal: “a high-yellow dream child” • pp 65-9: Pecola rescued; note allusion to her father, and to the film Imitation of Life, suing Isaley’s • pp 70-74: Discussing menstruation, babies, sex, naked men • pp 75-80: Claudia and Freida sent for ice cream; Mr. Henry’s guests—China and “The Maginot Line”
The Bluest Eye: “Winter” • pp 61-4: Intro—note the sophisticated style and retrospective perspective of the narrator’s voice—in this section, the narrator is fully aware of what she is experiencing • p 62: Maureen Peal: “a high-yellow dream child” • pp 65-9: Pecola rescued; note allusion to her father, and to the film Imitation of Life, suing Isaley’s • pp 70-74: Discussing menstruation, babies, sex, naked men • pp 75-80: Claudia and Freida sent for ice cream; Mr. Henry’s guests—China and “The Maginot Line” • pp 81-93: “Proper brown women”; Geraldine and Louis Jr.; Pecola and the cat