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The Impact of Media on Identity: Unveiling Visual Realities

Explore how media technologies shape our perceptions, from photography to electronic media, and their effects on values and experiences. Delve into the transformative power of cinematic and electronic mediums on human identity and cognition. Discover Vivian Sobchack's insights and key concepts, combined with Marshall McLuhan's and Don Ihde's analyses. Unravel the layers of media extensions, changing interactions, and creative expressions that influence our lives and cultural landscape. Reflect on the dynamic relationship between humans and the screen, examining the nuances of aesthetic evolution and social constructs. Prepare to embark on a journey through diverse media forms that redefine our reality and sense of self, ultimately questioning the essence of being in a technologically-driven world.

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The Impact of Media on Identity: Unveiling Visual Realities

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  1. Lecture 5:Our Media, Our Selves Professor Victoria Meng How do the media affect who we are?

  2. Lecture Outline • Vivian Sobchack’s “The Scene of the Screen” • Optical illusions website • Richard Linklater’s A Scanner Darkly • Selections from The Animatrix

  3. Reading Review “The Scene of the Screen,” from Carnal Thoughts by Vivian Sobchack

  4. Review: Marshall McLuhan and Don Ihde • Media extend human abilities. • Media change the terms of our interactions with the world. • Media shape what we can express and perceive.

  5. “The Scene of the Screen” Photographic, Cinematic, and Electronic (New) Media

  6. Review: Terry Flew • The three levels of technology: • Tools (objects) • Techniques (skills) • Context (institutions)

  7. “The Scene of the Screen” “—we are all part of a moving-image culture, and we live cinematic and electronic lives.” Sobchack, p. 136

  8. “The Scene of the Screen”

  9. “The Scene of the Screen” “As our aesthetic forms and representations of ‘reality’ become externally realized and then unsettled first by photography, then cinema, and now electronic media, our values and evaluative criteria of what counts in our lives are also unsettled and transformed.” Sobchack, p. 136

  10. “The Scene of the Screen” Elizabeth II (1926-present) Elizabeth I (1533-1603)

  11. “The Scene of the Screen” pp. 137 – 140.

  12. “The Scene of the Screen” Photographic media

  13. “The Scene of the Screen” • Photographic media • extend the range of our eyes. • Distant places without travel • Past events • - Technology-aided explorations

  14. “The Scene of the Screen” • Photographic media • extend the range of our eyes. • extend the range of our memories. • - Rachel’s childhood photographs in Blade Runner

  15. “The Scene of the Screen” • Photographic media • extend the range of our eyes. • extend the range of our memories. • preserve only an instant in time. • - Nostalgia; “being-that-has been”

  16. “The Scene of the Screen” • Photographic media • extend the range of our eyes. • extend the range of our memories. • preserve only an instant in time. • can be held, transferred, and copied.

  17. “The Scene of the Screen” Cinematic media http://www.gifmania.co.uk/cinema/ projector/projector.gif

  18. “The Scene of the Screen” • Cinematic media • also extend our eyes and mind. • also can be transferred and copied.

  19. “The Scene of the Screen” • Cinematic media • also extend our eyes and mind. • also can be transferred and copied. How long did you first look at the cartoon projector? How often did you look back at it, instead of looking at the still slide?

  20. “The Scene of the Screen” • Cinematic media • also extend our eyes and mind. • also can be transferred and copied. • move! They make it easy to feel like we are “there” in the action.

  21. “The Scene of the Screen”

  22. “The Scene of the Screen” The cinematic medium “…signifies its own materialized agency, intentionality, and subjectivity.” (p.147) Watching a movie is like seeing out of someone else’s head.

  23. “The Scene of the Screen” Electronic media

  24. “The Scene of the Screen” • Electronic media • extends our ability to switch from activity to activity instantaneously. • can re-present other kinds of media. • promotes a diffusion of our attention.

  25. “The Scene of the Screen” “Indeed, the electronic is phenomenologi-cally experienced not as a discrete, intentional, body-centered mediation and projection in space, but rather as a simultaneous, dispersed, and insubstantial transmission across a network or web that is constituted spatially more as a materially flimsy latticework of nodal points than as the stable ground of embodied experience.” Sobchack, p. 154.

  26. “The Scene of the Screen”

  27. “The Scene of the Screen” Vivian Sobchack, Film and media theorist

  28. Optical Illusions Website Prof. Meng’s picks: motion induced blindness, biological motion, and rotating face mask.

  29. Screening: A Scanner Darkly • Photographic media: • Nostalgia and objectification • Cinematic media: • Suspense and identification • Electronic media • Freedom and displacement

  30. Screening: selections from The Animatrix

  31. End of Lecture 5 Next Lecture: Miracle Workers: What tasks can/should media do?

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