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HEARING

Explore the nature of sound, from pitch to loudness, in this comprehensive guide on the auditory system. Learn about the anatomy of the ear, sound localization, and how sound waves are transduced into neural messages. Discover the anatomy of the cochlea, the role of hair cells, and the process of transduction of sounds. Unravel the complexities of frequency, amplitude, and timbre, and test your hearing capabilities. Enhance your knowledge of the auditory nerve and how neural impulses are transmitted to the brain for auditory processing.

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HEARING

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  1. HEARING

  2. The Nature of Sound • Sound, like light, comes in waves • Sound is vibration • Features of sound include: • Pitch / Hertz • Loudness / Decibels

  3. Pitch • A sound’s highness or lowness • Dependent on the frequency of the sound wave • Is measured as hertz (Hz) High pitched sounds Low pitched sounds

  4. Hertz (Hz) • A measure of the number of sound wave peaks per second; measures “frequency” • Determines the pitch of the sound • Human hearing goes from 20 Hz to 20,000 Hz

  5. Frequency of Sound Waves • The frequency of a sound wave is measured as the number of cycles per second (Hertz) • 20,000 Hz Highest Frequency we can hear • 4,186 Hz Highest note on a piano • 1,000 Hz Highest pitch of human voice • 100 Hz Lowest pitch of human voice • 27 Hz Lowest note on a piano Test You what frequency you can hear at this site

  6. Decibel (dB) • A measure of the height of the sound wave • Determines the loudness of the sound • Sometimes called amplitude Loud sounds Soft sounds

  7. Who hits the higher pitch? Christina or Mariah? • Above are examples of Frequency & Amplitude/decibels • Timbre– distinctive quality of a sound determined by the complexity of the wave and its different combinations of frequencies. (Figure C is more complex than Figures A or B)

  8. The Structure of the Auditory System

  9. Hearing: Sound Waves • Auditory perception occurs when sound waves interact with the structures of the ear • Audition (sense of hearing) results in sound waves being collected in the outer ear, amplified in the middle ear and converted to neural messages in the inner ear.

  10. Major Divisions of the Ear • Outer Ear—acts as a funnelto direct sound waves towards inner structures • Middle Ear—consists of three small bones (or ossicles) that amplify the sound • Inner Ear—contains the structures that actually transduce sound into neural response

  11. Divisions of the Ear

  12. Anatomy of Ear Purpose of the structures in the ear: • Measure the frequency (pitch) of sound waves • Measure the amplitude (loudness) of sound waves

  13. Hearing: Sound Localization

  14. Localization of Sound • Locating where sound is originating from • Done through two cues: • Which ear hears the sound first? • Which ear hears the louder sound?

  15. Localization of Sound

  16. Parts of the Ear – Sound Wavesenter through the Pinna Pinna

  17. Parts of the Ear – Auditory Canal

  18. Auditory Canal • Sound Waves enter through the pinna then travel through the auditory canal. • The opening through which sound waves travel as they move into the ear for processing • Ends at the tympanic membrane (eardrum)

  19. Parts of the Ear – Tympanic Membrane (Eardrum)

  20. Tympanic Membrane (eardrum) • The tissue barrier that transfers sound vibration from the air to the tiny bones of the middle ear • Can be damaged by objects in the ear or exceptionally loud noises

  21. Parts of the Ear - Ossicles

  22. Ossicles • Three tiny bones that transfer sound waves from the eardrum to the cochlea • Hammer, anvil and stirrup • In old age they may become brittle or damaged resulting in conduction deafness

  23. Parts of the Ear - Cochlea

  24. Cochlea • A hearing organ where sound waves are changed into neural impulses • The major organ of hearing • Filled with fluid; a snail shaped body tube

  25. Parts of the Ear – Oval Window

  26. Oval Window • The point on the surface of the cochlea which receives the sound vibration from the ossicles • As the oval window vibrates, the fluid in the cochlea vibrates moving hair cells along the basilar membrane.

  27. Hair cells along the Basilar Membrane move as the fluid vibrates Review how this works with this short video

  28. Outer ear Middle ear Inner ear Cochlea, partially uncoiled Tectorial membrane Hair cells Hammer Anvil Basilar membrane Stirrup Oval window Sound waves Auditory canal A sound causes the basilar membrane to wave up and down. Eardrum Round window Anatomy of the CochleaAnother View

  29. Hair Cells • The receptor cells for hearing in the cochlea that change sound vibrations into neural impulses. When they move they trigger action potential in the base of the hair cell (transduction). • Similar to the rods and cones within the eye except hair cells are sensitive to vibrations rather than light. • If these are damaged (due to prolonged loud noises) then you have nerve deafness (sensorineural hearing loss) which cannot be helped by a hearing aid.

  30. Parts of the Ear – Auditory Nerve

  31. Auditory Nerve • The nerve that carries sound information from the ears to the thalamus then to the auditory cortex in the temporal lobes of the brain • The auditory nerve is stimulated by the hair cells in the basilar membrane of the cochlea.

  32. Anatomy of the Ear:A final look

  33. Transduction of Sounds • Sound waves are captured by the Pinna and sent down the ear canal where they stimulate the eardrum. • The eardrum’s vibrations are amplified by the ossicles (hammer, anvil, stirrup). • These vibrate the oval window on the cochlea which in turn vibrates the fluid around the basilar membrane. • The fluid bends the hair cells on the basilar membrane triggering action potential in the base of the hair cells. • This message is transmitted to the auditory nerve which carries the info to the thalamus and then to the auditory cortex of the temporal lobe. • Review using this PsychSim on Hearing.

  34. Review how the ear works with this short video

  35. How Can I Remember This? • Please – Pinna • Eat – Ear Canal • Everything – Eardrum • Offered – Ossicles • On – Oval Window • Cruise– Cochlea • Buffets – Basilar Membrane • Helpful – Hair Cells • Attendants – Auditory Nerve • Take – Thalamus • Away – Auditory Cortex • Trash – Temporal Lobe

  36. Or Maybe This Works Better… Portenga- [Pinna]evaluates- [ear canal]exams- [eardrum]on- [Ossicles]ominous- [oval window]charts- [cochlea]between- [basilar membrane]hungry- [Hair Cells]architects- [Auditory nerve]that- [Thalamus]always- [Auditory cortex]Tweet- [Temporal lobe]

  37. Oval window Direction of traveling wave Proximal end Distal end Basilar membrane • The Basilar Membrane vibrates according to the same Frequency of the sound wave hitting the oval window. • The higher the frequency wave the faster the firing of hair cells • Theory used to explain how you hear low frequencies • Volley Principle – neural cells alternate firing for higher frequencies Frequency Theory

  38. Different frequencies cause larger vibrations at different locations along the basilar membrane • Different pitches stimulate different areas on the basilar membrane • The brain receives these messages and interprets them as different pitches. • Theory used to explain how you hear high frequencies. Place Theory Use both Frequency & Place theories when you listen to sounds with high and low frequencies. See this website to see how it works.

  39. Cochlear Implants to Eliminate Nerve Deafness Which theory is being used by this implant? Hear What it sounds like to hear with one of these. Click HERE. PLACE

  40. Coding and Auditory Masking • The way in which waves travel down the Basilar Membrane causes some sounds to interfere with (or mask) our ability to hear other sounds • Low frequency sounds provide better masking than high frequency sounds

  41. Vibration amplitude of basilar membrane Bassoon, loud Piccolo, soft Distance along basilar membrane (a) Effect of bassoon on basilar membrane Vibration amplitude of basilar membrane Piccolo, loud Bassoon, soft Distance along basilar membrane (b) Effect of piccolo on basilar membrane Auditory Masking • Low frequency sounds effectively mask high frequency sounds • High frequency sounds cannot effectively mask low frequency sounds

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