Edgar Allan Poe “The Fall of the House of Usher”

1. Edgar Allan Poe “The Fall of the House of Usher”

2. 1 2 3 4 5 Edgar Allan Poe “The Fall of the House of Usher” During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, had been passing alone, on horseback, through a singularly dreary tract of country: and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was –but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable: for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me – upon the mere house, and the simple landscape features of the domain – upon the bleak walls – upon the vacant eye-like windows – upon a few rand sedges – and upon a few white trunks of decayed trees – with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium – the bitter lapse of everyday life – the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart-an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it-I paused to think-what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It as possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down-but with a shudder even more thrilling than before-upon the remodeled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant eye-like windows. Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country-a letter from him-which, in its wildly importunate nature, had admitted of now other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady.

3. Vocabulary In section 1, highlight the adjective that means distressingorgrievous. In section 1, highlight the adjective that means separate;individual. In section 1, highlight the adjective that means soberlythoughtful;pensive. In section 1, highlight the adjective that means intolerable;unbearable. In section 1, highlight the verb that means tobecomespreadthroughoutallpartsof. In section 2, highlight the noun that describes a border or margin. In section 2, highlight the anyrush-likeorgrass-likeplantofthegenusCarex,growinginwetplaces. In section 2, highlight the noun that names anythingthatcausesdullness or inactionorthatsoothesthemindoremotions. In section 3, highlight the adjective that means not satisfied. In section 3, highlight the noun that describes somethingthatencourages,urges,ordrives;astimulus. In section 3, highlight the noun that means any part of. In section 3, highlight the adjective that describes impressingthemindwithasenseof grandeur or power;inspiringawe. In section 3, highlight the adjective that describes something as being incapableofbeingsolvedorexplained In section 4, highlight the adjective that describes something as being extremelyorimpassablysteep. In section 4, highlight the adjective that describes something as being wan,pallid,orghastly. In section 4, highlight the noun that is a name for asmallmountainlakeorpool. In section 5, highlight the noun that describes atemporarystay. In section 5, highlight the adjective that describes someone as jolly;jovial; convivial. In section 5, highlight the adjective that describes something as being urgentorpersistent. In section 5, highlight the noun that describes anyundesirableordisorderedcondition.

4. 1 2 3 4 5 Edgar Allan Poe “The Fall of the House of Usher” During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, had been passing alone, on horseback, through a singularly dreary tract of country: and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was –but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable: for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me – upon the mere house, and the simple landscape features of the domain – upon the bleak walls – upon the vacant eye-like windows – upon a few randsedges – and upon a few white trunks of decayed trees – with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium – the bitter lapse of everyday life – the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart-an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it-I paused to think-what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It as possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and luridtarn that lay in unruffled lustre by the dwelling, and gazed down-but with a shudder even more thrilling than before-upon the remodeled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant eye-like windows. Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country-a letter from him-which, in its wildly importunate nature, had admitted of now other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady.

5. Summary In section 1, highlight how the narrator is traveling and who, if anyone is with him. In section 1, highlight how the narrator describes the area he is traveling through. In section 1, highlight the name of the place he is within “view” of. In section 2, highlight how the narrator describes his feelings after describing what he sees. From the very beginning, the narrator realizes that he is entering a world of mystery when he crosses the tarn bridge.In section 3, highlight what the narrator realizes. In section 4, highlight how the narrator describes the tarn that surrounds the house. In section 5, highlight how the narrator describes the mansion. In section 5, highlight the name of the man the narrator says is the proprietor of the house. In section 5, highlight how the narrator describes what the letter writer spoke of regarding his illness.

6. 1 2 3 4 5 Edgar Allan Poe “The Fall of the House of Usher” During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, had been passing alone, on horseback, through a singularly dreary tract of country: and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was –but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable: for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me – upon the mere house, and the simple landscape features of the domain – upon the bleak walls – upon the vacant eye-like windows – upon a few rand sedges – and upon a few white trunks of decayed trees – with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium – the bitter lapse of everyday life – the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart-an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it-I paused to think-what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It as possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down-but with a shudder even more thrilling than before-upon the remodeled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant eye-like windows. Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country-a letter from him-which, in its wildly importunate nature, had admitted of now other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady.

7. Writing a summary… In 4-6 sentences, write a summary of what you just read and highlighted from Edgar Allan Poe’s “The Fall of The House of Usher”. You may refer back to the text as necessary.

8. Author’s craft Edgar Allan Poe makes every word, every phrase, every sentence contribute to the overall atmosphere and mood of the story. In section 1, highlight the words that help establish the mood and atmosphere of the story. In section 2, Poe offers some foreshadowing as he describes the house. Highlight the personification, giving human characteristics to non-human or non-living things, that describe something empty-eyed. Keep in mind this could be a foreshadowing of what will be found in the house itself. At the beginning of section 3, Poe uses alliteration, a repetition of sounds within or beginning words that help create a sense of atmosphere. Highlight the words that have the common sound that is repeated in the first sentence of this section. Poe frequently uses anaphora in "The Fall of the House of Usher." Anaphora is a figure of speech in which a word or phrase is repeated at the beginning of a clause or another group of words. Anaphora imparts emphasis and balance. In section two, highlight the word that is repeated creating the Anaphora emphasis. Poe uses a technique called “doubling” as in a mirror reflection, doubling” or “reflection” going on. Starting off the story is the inverted reflection of the House of Usher in the tarn that lies before the house. Highlight in section 4, the words that describe the “double” image of the house in the “tarn” or lake that surrounds the house. In section 5, highlight the many prepositional phrases that can be found in these lines.

9. 1 2 3 4 5 Edgar Allan Poe “The Fall of the House of Usher” During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, had been passing alone, on horseback, through a singularly dreary tract of country: and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was –but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable: for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me – upon the mere house, and the simple landscape features of the domain – upon the bleak walls – upon the vacant eye-like windows – upon a few rand sedges – and upon a few white trunks of decayed trees – with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium – the bitter lapse of everyday life – the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart-an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it-I paused to think-what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It as possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down-but with a shudder even more thrilling than before-upon the remodeled and inverted images of the gray sedge, and the ghastly tree-stems, and the vacant eye-like windows. Nevertheless, in this mansion of gloom I now proposed to myself a sojourn of some weeks. Its proprietor, Roderick Usher, had been one of my boon companions in boyhood; but many years had elapsed since our last meeting. A letter, however, had lately reached me in a distant part of the country-a letter from him-which, in its wildly importunate nature, had admitted of now other than a personal reply. The MS. gave evidence of nervous agitation. The writer spoke of acute bodily illness-of a mental disorder which oppressed him-and of an earnest desire to see me, as his best, and indeed his only personal friend, with a view of attempting, by the cheerfulness of my society, some alleviation of his malady.