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Movement 1: Structural Outline

Movement 1: Structural Outline. EXPOSITION Ist SUBJECT (a) (b) (c) . (d). tutti – forte - triplets strings - quieter. TRANSITION THEME (d) New material on top with in woodwind

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Movement 1: Structural Outline

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  1. Movement 1: Structural Outline EXPOSITION Ist SUBJECT (a) (b) (c) (d) tutti – forte - triplets strings - quieter TRANSITION THEME (d) New material on top with in woodwind With (a) being played by strings underneath fanfare – tutti- forte (a) Modulates into G major – look for the F sharps! Finally ends on a D major chord, making a perfect cadence into G major For the second subject

  2. SECOND SUBJECT G major – the dominant of the movement Second subject played firstly by violin..then by bassoon Sequential theme CODETTA THEME (made of sequences!) Bar 81 Unusual modulation to C minor pedal notes Bar rest

  3. DEVELOPMENT – starts 121 CODETTA THEMEused now in Ab Alberti bass Describe these passages:

  4. RECAPITULATION This is where the original ideas are restated (played again) like in the exposition. The main difference is that now the music does not move to the dominant. The transition theme now stays in the tonic –because the composer wants us to feel that we are firmly (strongly) in the tonic. Transition themein exposition (in G major (the dominant) Transition theme in recapitulation (in C major (the tonic)

  5. The same link in the recapitulation. Now the perfect cadence is from G (dom) into C (tonic) The link from the transition into the second subject in the exposition: Perfect cadence from D into G (dom) Codetta theme - exposition Codetta theme - recaptiulation

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