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Fractal eye movements

The eye makes quick movements called “saccades” as it scans the visual field. Saccades have an average fractal dimension of 1.5 – the “most fractal” you can get!

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Fractal eye movements

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  1. The eye makes quick movements called “saccades” as it scans the visual field. Saccades have an average fractal dimension of 1.5 – the “most fractal” you can get! “Why would the eye adopt a fractal trajectory with a D value of 1.5? An appealing possible answer lies in previous studies of the foraging behavior of animals. A number of successful investigations have proposed that animals adopt fractal motions when searching for food.” “The amount of space covered by fractal trajectories is bigger than for random Brownian motion” Taylor RP, Spehar B, Van Donkelaar P and Hagerhall CM (2011) Perceptual and physiological responses to Jackson Pollock’s fractals. Front. Hum. Neurosci.5:60. Fractal eye movements

  2. Clouds: D= 1.3 Early Jackson Pollock: D= 1.1 Fractal eye movements Taylor RP, Spehar B, Van Donkelaar P and Hagerhall CM (2011) Perceptual and physiological responses to Jackson Pollock’s fractals. Front. Hum. Neurosci.5:60. Trees: D= 1.9 Later Jackson Pollock: D= 1.9

  3. Clouds: D= 1.3 Early Jackson Pollock: D= 1.1 Fractal eye movements Jackson Pollock’s paintings appear to increase in fractal dimension with time. Taylor RP, Spehar B, Van Donkelaar P and Hagerhall CM (2011) Perceptual and physiological responses to Jackson Pollock’s fractals. Front. Hum. Neurosci.5:60.

  4. Participants were shown a pair of images with different D values on a monitor and asked to chose the more “visually appealing.” The presentation order was fully randomized. Based on 220 participants, the visual preference peaks for fractal dimension between 1.3 and 1.5. Fractal eye movements Taylor RP, Spehar B, Van Donkelaar P and Hagerhall CM (2011) Perceptual and physiological responses to Jackson Pollock’s fractals. Front. Hum. Neurosci.5:60.

  5. Participants rated the “naturalness” of silhouettes and the results showed that the perceived naturalness was also highest for the silhouettes with a fractal dimension of around 1.3. Fractal images quantified by D= 1.3 induce the largest changes in subjects’ qEEG response Fractal eye movements D(A) 1.14 (B) 1.32 (C) 1.51 and (D)1.70. Taylor RP, Spehar B, Van Donkelaar P and Hagerhall CM (2011) Perceptual and physiological responses to Jackson Pollock’s fractals. Front. Hum. Neurosci.5:60.

  6. “Is Jackson Pollock an artistic enigma? According to our results, the low D patterns painted in his earlier years should have more “visual appeal” than the higher D patterns in his later classic poured paintings. What was motivating Pollock to paint high D fractals? Should we conclude that he wanted his work to be esthetically challenging to the gallery audience? It is interesting to speculate that Pollock might have regarded the visually restful experience of a low D pattern as being too bland for an artwork…” Fractal eye movements Taylor RP, Spehar B, Van Donkelaar P and Hagerhall CM (2011) Perceptual and physiological responses to Jackson Pollock’s fractals. Front. Hum. Neurosci.5:60.

  7. Filckr and other geotagging tools: researchers claim that linear eye movements between long arrays of thumbnails and maps is visually challenging (leading to eye fatigue etc.). Their “fractal view tool” uses a nonlinear scaling factor to put images near the cursor at high magnification and those far away at lower magnification. (note however no strong data yet to prove them right about eye fatigue reduction) Davide Carboni, ValentinaMarotto, & PietroZanarini (2011). Visualisation of geo-tagged pictures in the web Int. J. Web Eng. Technol., 6 (3), 220-242 Fractal eye movements

  8. Persistent poverty at individual, household, community, national and international scales. Fractal poverty traps

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