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O pposites A ttract

O pposites A ttract. A lesson in juxtaposing two images together from “opposite” perspectives. Review of Categories. Bird’s Eye/Bug’s Eye In/Out Backward/Forward Go/Stop Black/White. Bird’s Eye/Bug’s Eye http:// markmoorelive.com/wordpress/?p =187.

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O pposites A ttract

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  1. OppositesAttract A lesson in juxtaposing two images together from “opposite” perspectives

  2. Review of Categories • Bird’s Eye/Bug’s Eye • In/Out • Backward/Forward • Go/Stop • Black/White

  3. Bird’s Eye/Bug’s Eyehttp://markmoorelive.com/wordpress/?p=187

  4. These photos were taken by that 11-year-old kid in the prior slide…

  5. Some of our Student’s Examples Photo by Tanya Takashi Photo by Katie Lamson

  6. Photo by Brandon Harrison Photo by NicoLunardi

  7. In/Out Photo by: Tanner Mahoney Photo by Megan Hank

  8. The editing of your photos can also bring the two together visually. Photos by Dimitri_ca-Flickr

  9. Try finding unusual places into which you can put your camera, but keep in mind that the final images both need to be strong. MHBowden-Flickr TolucoPhoto-Flickr

  10. Backward/Forward Photo by Dimitri_ca-Flickr

  11. Remember the set works best w/ similar subject matter (ex: the swings here) Photos By Kitskka-Flickr

  12. Go/Stop Photos by Derek Kennedy

  13. Use Shutter Priority to Exaggerate Image Motion: By J.M. Greizis By Photo Naturally

  14. Notice the contrast of motion vs. still in the one on the left vs. all stopped on the right. Roaming Gaze-Flickr Photocritic.org-Flickr

  15. Black/White When a photograph’s light is exaggerated to the bright end of the spectrum it is called "high key" photography. (overexposed image) When it is slanted to the dark end of the spectrum it is called "low key" photography. (underexposed image)

  16. What Makes it Work? • Fill the frame w/ what you want people to see (or crop the image as needed) • The right balance between context & detail • Pay attention to your background- minimize the noise to draw attention to your focal point • Either blur the b.g. by using a wider f/stop • Or, get really close to the subject so the b.g. is less significant

  17. Student photos on the right track… Photo by Kyle Welch

  18. By Marcella Rich

  19. By Tanya Takashi

  20. By Joan Yun

  21. By Lindsay Trolan

  22. Check out this group on Flickr:“High Key Society” Photos by dolfi

  23. Check out this group on Flickr:“Low Key” By Liam Somerville By Matt Brant

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