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Matte Painting: Art in Film Special Effects

Matte Painting: Art in Film Special Effects. Brooke Hanson The Science of Art CS 99-D Final Presentation Prof Marc Levoy. The Art of Special Effects. Picture control= art Manipulation of image George Melies Use of glass panels similar to Brunelleschi’s panels.

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Matte Painting: Art in Film Special Effects

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  1. Matte Painting: Art in Film Special Effects Brooke Hanson The Science of Art CS 99-D Final Presentation Prof Marc Levoy

  2. The Art of Special Effects • Picture control= art • Manipulation of image • George Melies • Use of glass panels similar to Brunelleschi’s panels

  3. Use of Glass Panel: 3D and 2D combined with perspective • Early 1900’s • Required painting with emphasis on realism (a Renaissance revival?) • Techniques vary: rear projection, front projection, Latent image projection Images from Hitchcock’s The Paradine Case

  4. Hitchcock’s Paradine Case: B/W Matte Paintings Limited to Zoom or Still shot

  5. More Paradine Case...

  6. Latent Image Matte Painting • A photographic technique of combining two scenes • Runs film through twice, once with a portion blacked out and unexposed • Used now with stills and paintings Notice the use of bridal veil material on the right to create diffusion and a sense of atmosphere in this filming for An Ewok Adventure

  7. Latent Image, cont. • Pros • Original stock quality (highest) • Matching of hues easy • Cons • Hard to estimate need footage with live action • Mistakes are expensive Latent image projection used with Matte Painting in Return of the Jedi

  8. Rear Projection • Movie projector placed behind glass with painting • Window covered with frosted plastic • Camera films from front

  9. Rear Projection, cont. • Pros • Easiest • Cons • Loss of image quality • Least sharp image of all techniques Composite of Completed Rear Projection from Return of the Jedi

  10. Front Projection • Both camera and projector on same side of glass panel. • Scene projected through glass backed with Scotchlite (highly reflective) • A partially reflecting mirror is placed between camera and projector at 45 degree angle (to put both in exact same perspective)

  11. Front Projection (cont) • Pros • Sharper image than rear (with highly reflective screen) • Well regulated perspective from exact same point • Cons • complicated A woman paints a matte on glass for Temple of Doom.

  12. Digital Painting • Advantages • Ability to move camera • No more limitations of pan • Ex. In Empire Strikes Back • Reflections and moving animations can be combined easily • Digital editing is cost efficient and easier

  13. Truman Show:Digital Matte goes 3D A “camera”, like those seen in our graphics demos is tracked with the image in the exact motion and perspective of the actual camera.

  14. Digital Matte Clouds Digital Animation Water (with reflections) Model Boat Animated People Digital Animation smoke Titanic: Matte and more

  15. In Conclusion • Many of the same principles used in Renaissance art are at work in the creation of Special Effects • The impact of computer graphics is revolutionizing the way movies are made, in bringing a realism of perspective to movement • The use of matte paintings and digital matte paintings is still a question of aethetics. When constructed via computer, does the art disappear?

  16. Some Video Clips • Raiders of the Lost Arc (long shot) • Paradine Case • Truman Show (digital 3D) • Empire Strikes Back (bad perspective with a pan) • Return of the Jedi (Rear Projection/Latent image matte)

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