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1908 - 1912

Picasso and Braque Analytical Cubism. 1908 - 1912. To analyze means to break down something into its component parts. Purpose. to suggest new ways of understanding how we see the world—through the mind rather than the eye: conceptual rather than perceptual to question accepted reality

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1908 - 1912

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  1. Picasso and Braque Analytical Cubism 1908 - 1912

  2. To analyze means to break down something into its component parts.

  3. Purpose • to suggest new ways of understanding how we see the world—through the mind rather than the eye: conceptual rather than perceptual • to question accepted reality • to explore the world according to consciousness

  4. Analytical Cubism: Characteristics • developed a new way of depicting space which involved multiple and mixed perspectives • gave equal importance to the figure and ground because there was no such thing as “one fixed point of view in nature” • was trying to represent the flux of reality

  5. Analytical Cubism: Description • Objects fractured into visual fragments were rearranged so that the viewer would not have to walk through space in allotted time in order to view them in sequence. • Visual segments of the front, back, top, bottom, and sides of an object jump out and assault the viewer’s eye simultaneously.

  6. Subject Matter • landscapes • women with musical instruments • studio still lifes

  7. Pablo Picasso photographed in his studio at 11 Boulevard de Clichy, 1911.

  8. Pablo Picasso. Self-portrait with Palette (1906). Oil on canvas. Pablo Picasso. Self-portrait (1907). Oil on canvas.

  9. Pablo Picasso. Head of a Woman (1907). Oil on canvas.

  10. Pablo Picasso. Nude with Raised Arms (summer-autumn 1907) Oil on canvas.

  11. Pablo Picasso. Nude with Drapery (1907). Oil on canvas.

  12. Example of bas-relief Pablo Picasso. Friendship (winter 1907-08). Oil on canvas. Example of bas-relief—shallow relief sculpture Henri Matisse. Back I (1909). Bronze.

  13. Relief Illusion: Sculptural Painting • Cubist paintings brought things closer to the viewer by creating a ‘manual space.’ • Cubist paintings represented layers of carved or etched surfaces on which the prominent aspects of objects, their peaks or saliences, jutted forward and jostled with each other.

  14. Example of a bas-relief Pablo Picasso. Three Figures under a Tree (autumn 1907). Oil on canvas.

  15. Michelangelo. Slaves (1509). Marble. Pablo Picasso. Three Women (autumn1907- late 1908). Oil on canvas.

  16. Paul Cézanne. Madame Cézanne in a Yellow Chair (1888-90). Oil on canvas. Pablo Picasso. Woman with a Fan (late spring 1908). Oil on canvas.

  17. Vesalius. 7th plate of the muscles from the 2nd book of De Humani Corporis Fabrica (1543). Pablo Picasso. The Dryad (1908). Oil on canvas.

  18. Georges Braque 1882 - 1963

  19. Photograph of Georges Braque in his studio (early 1912).

  20. Georges Braque. The Landscape of L’Estaque (1906). Oil on canvas.

  21. Georges Braque. Terrace of Hotel Mistral (autumn 1907). Oil on canvas.

  22. Georges Braque. Viaduct at L’Estaque (autumn 1907). Oil on canvas.

  23. Georges Braque. Viaduct at L’Estaque (early 1908). Oil on canvas.

  24. Georges Braque. Large Nude (spring 1908). Oil on canvas.

  25. Georges Braque. Viaduct at L’Estaque (summer 1908). Oil on canvas.

  26. Pablo Picasso. Landscape (August 1908). Watercolor and gouache.

  27. Houses at L’Estaque photographed by Daniel- Henri Kahhnweiler, 1909. Georges Braque. Houses at L’Estaque (August 1908). Oil on canvas.

  28. William James’ “folding visiting card” experiment (James, 1890, vol.1, p.225. Georges Braque. House at L’Estaque (August 1908). Oil on canvas.

  29. William James’ “folding visiting card” experiment (James, 1890, vol. 1, p.225). Pablo Picasso. Cottage and Trees (August 1908). Oil on canvas.

  30. Paul Cézanne. The Bibémus Quarry (ca. 1895). Oil on canvas. Georges Braque. Trees at L’Estaque (August 1908). Oil on canvas.

  31. Paul Cézanne. Mont Sainte- Victoire as Seen from the Bibémus Quarry (1895). Oil on canvas. Georges Braque. Landscape (autumn 1908). Oil on canvas.

  32. Georges Braque. Harbor (autumn-winter 1908-09). Oil on canvas.

  33. Georges Braque. Landscape with Houses (winter 1908-09). Oil on canvas.

  34. Pablo Picasso. Still Life with Hat(Cézanne’s Hat), winter 1908-09. Oil on canvas.

  35. Pablo Picasso. Bread and Fruit Dish on a Table (winter 1908-09). Oil on canvas.

  36. Pablo Picasso. Carnival at the Bistro (winter 1908-09). Watercolor and pencil.

  37. Pablo Picasso. Bread and Fruit Dish on a Table (winter 1908- 09). Oil on canvas. Pablo Picasso. Carnival at the Bistro (winter 1908-09). Gouache.

  38. Georges Braque Guitar and Fruit Dish (winter-spring 1909). Oil on canvas.

  39. Pablo Picasso. Bather (winter-spring 1909). Oil on canvas.

  40. Pablo Picasso. Woman with a Mandolin (spring 1909). Oil on canvas.

  41. Pablo Picasso. Landscape with Bridge (spring 1909). Oil on canvas.

  42. Pablo Picasso. Woman with a Fan (spring 1909). Oil on canvas.

  43. Georges Braque. Harbor in Normandy (May-June 1909). Oil on canvas.

  44. The pictorial relief effect tries to render the instability of the cliff-hugging castle that appears about to tumble down the side of the hill. Georges Braque. Chateau at La Roche-Guyon (summer 1909). Oil on canvas.

  45. Postcard sent by Picasso and Fernande from Barcelona, May 1909. Pablo Picasso. Factory atHorta de Ebro (summer 1909). Oil on canvas.

  46. Photo taken by Picasso of Horta de Ebro, 1909 Pablo Picasso. Houses on the Hill, Horta de Ebro (summer 1909). Oil on canvas.

  47. Photo of Horta taken by Picasso. Pablo Picasso. Mill at Horta (summer 1909). Watercolor.

  48. Photo of Horta taken by Picasso Pablo Picasso. Reservoir at Horta (summer 1909). Oil on canvas.

  49. Pablo Picasso. Woman with a Vase of Flowers (spring 1909). Oil on canvas. Fernande Olivier

  50. Fernande Olivier Pablo Picasso. Bust of a Woman (summer 1909). Oil on canvas.

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