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Appetiser

Appetiser. http://inmotion.magnumphotos.com/essay/bongo-fever. Recap. Name two photographers from the portraiture lesson What was the central/core argument or dilemma of portraiture? What kind of techniques did Environmental Portraiture photographers employ? .

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Appetiser

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  1. Appetiser • http://inmotion.magnumphotos.com/essay/bongo-fever

  2. Recap • Name two photographers from the portraiture lesson • What was the central/core argument or dilemma of portraiture? • What kind of techniques did Environmental Portraiture photographers employ?

  3. Be able to understand the nature of documentary photography and answer questions about its ‘truth’ status

  4. Documentary Photography An Overview: Contemporary vs Traditional

  5. Key Points • ‘Document’ means evidence = official, to be trusted, not to be questioned.... • Documentary as signifier of truth but what of re-presentation?? • Documentary is intimate – it assumes a bond between viewer and image and it is charged with showing the world as it really is

  6. Early documentary was often for identification – documenting criminals

  7. Or racial types

  8. Jacob Riis: often seen as making start of documentary proper. How the other half lives show images being used to explore and fix societal issues

  9. Lewis Hine followed this model but his images show less moral intent and retain a more portraiture like ideal

  10. Great Depression (USA 1930s) saw many documentary photographers respond to a brief from government sponsored FSA (farm securities administration) • They were told to ‘bring American to Americans’ and to highlight the plight of those living in the mid-west dustbowl • But criticised for repeating the shot until ‘expression showed poverty’ (Sontag 1971) See D Lange Migrant Mother

  11. Dorothea Lange Walker Evans

  12. This project can be seen to characterise the intended emotional dialogue between reader and image. We are meant to respond in a particular way – does this mean images are staged and if so, are they not true? • Analyse this image Margaret Bourke-White Sharecroppers Home 1937

  13. Documentary then, is often constructed • Codes and conventions are followed • Symbolism is sometimes heavy and deliberate • The atmosphere is emotionally charged • The separate parts of the image are indexical i.e. They are not meant to be arbitrary but directly related to something else Dorothea Lange Migrant Mother 1936

  14. Robert Frank The Americans are full of iconic symbols but portray a gloomy, fractured America and show a different mode of less emotionally charged and ‘staged’ images but ones that are still poignant

  15. Eve Arnold

  16. Robert Capa: Hungarian combat photographer: Part of the European documentary tradition

  17. Robert Doisneau is often seen as one of the pioneers of photojournalism

  18. Henri Cartier-Bresson like Doisneau is created as father of photojournalism and also street photography. His style is often decisive and always candid

  19. George Rodger’s approach is strictly that of the obersvor. Images may be shocking but are not sensationalist like FSA. He declared himself as ‘interested in the minorities’

  20. Don McCullin’s style has made him one of the most famous conflict and ‘strife’ photographers. He was once refused a press permit to the Falklands by the UK government as they were worried over the sorts of images he may produce

  21. Robert Haeberle People about to be shot 1969 • War photography makes for a fascination via the horror but the technology of smaller, faster cameras also brought these horrors into our homes • Do these types of images now create a moral exhaustion and cycnisism?

  22. Martin Parr: Part of the British new wave whose focus was on the everyday from a critical perspective

  23. William Eggleston is often credited for bringing colour into the forefront on documentary style and artistic images

  24. Simon Norfolk’s work crosses the line between fine art and photo journalism, often shooting locations that are war torn or where atrocities were commited

  25. GMB Akash Ed Kashi

  26. Zoriah Miller

  27. Birney Imes uses the camera in a totally different way yet still takes the measure of private lifes

  28. Documentary photography has always had the power to shock, to inform, to change opinion and to persuade yet the very term can be ambiguous and the photographer always chooses a particular frame and moment in time

  29. Task • As practice for your assignment, you will, in small groups prepare a mini presentation on one aspect of documentary practice discussed today • Your presentation should be approx 5 mins long, be illustrated with appropriate images and include handouts • You will give your presentation at the start of your last lesson this week. Be prepared to answer questions!! - all must participate

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